Video

"Look at them praying for a miracle that isn't coming. Who knows? Maybe it's my curse to leave one betrayal behind only to find a greater one here amongst the stars. They could have stopped this, but none of them had the strength to do what must be done. But I do."

Crossovers have been big events in the CW Arrowverse shows. They would involve characters from all or most of the current shows, and the episodes would play across the shows themselves. The events were always huge so that they required the combined force of the many DC heroes. Times have changed, and now The Flash is pretty much the only Arrowverse show left on the air. That creates a bit of a logistic problem for the whole crossover event idea. Or does it? This season there is a crossover, of sorts. It plays out over five episodes and includes characters from some other Arrowverse shows even though they are no longer on the air. The Flash begins its eighth season with a crossover event called Armageddon. It encompasses the first five episodes of the season and features characters from the other shows.

As many of you are aware, DC League of Super Pets was recently in the theaters (technically it's still in theaters, but at the end of its run) and drew an estimated $93 million with another $110 million worldwide for a total of over $200 million.  Certainly a hit on most fronts, I unfortunately was stuck at work while my wife and seven-year-old decided to go to a showing.  They both enjoyed it very much, and having caught it later on HBO MAX, I can certainly see the appeal.  Little did I know, but about 15 years earlier, a short-lived cartoon series named Krypto the Superdog ran for 39 episodes (72 half episodes and three full length specials).   To my amazement, the set showed up on my desk the other day in all of its complete series glory.  My son was pleased.

We start off the series with the two part episode - Krypto's Scrypto.  In this episode we are taken back to Krypton to see a young dog named Krypto (voiced by Sam Vincent) who just so happens to be the pet of Kal-El (of course, this is Superman).  One day after fiddling with the instruments aboard a rocket ship, the puppy is transported into outer space.  Eventually he finds food aboard this rocket and even plays catch with himself.  Then the puppy goes to sleep.

“We’re in his territory now.” 

Given the film’s premise, this strikes me as the perfect tagline for the film. A family on safari finds themselves trapped and stalked by a lion with a bloodlust. It definitely evokes memories of the Val Kilmer and Michael Douglas-led 1996 film, The Ghost and the Darkness. In this instance, of course, they rely on the acting chops of Idris Elba to keep the film from descending into cliché. And while there are some situations that seem avoidable and unrealistic, the film did a great job of maintaining my interest for the duration. Joining Elba is Sharlto Copley, another talent with an extensive resume. My only gripe about Copley is that he felt underutilized, and I felt there were intriguing developments with his character that if fleshed out would have added a greater degree of depth to his character. However, this of course was out of Copley’s control and in no way negatively impacts his given performance. Just one of those things that results when you only have a limited amount of time to tell a complete story. Despite this, I still found Beast enjoyable and recommend the experience. I mean, come on, Idris Elba vs. a lion; that’s worth the price of admission in itself.

"You think we just work at a comic book store for our folks? This is just a cover. We're dedicated to a higher purpose. We're fighters for truth, justice, and the American way."

In the 1980's The Two Corey's became somewhat of a Hollywood fad and worked well to bring the teens out to the movies. They did eight films together, and it all started with The Lost Boys. The guys' paths had crossed several times, with both being up for some of the same parts. But it wasn't until this film that they actually met, became friends, and started a trend. Unfortunately, times would not go well for either Corey. The life would take its toll, and Corey Haim died at a too-young 38 in 2010. Corey Feldman would not do much better. His own experience with sexual abuse in the industry bought him a hard time getting roles for a while, as the industry wasn't too happy that he was opening up these Hollywood closets. He turned it into a cause and has worked to help others in that same situation. He was literally a decade or so ahead of his time. Today these accusations are taken much more seriously, and he's been more than vindicated over the years. But it all began with The Lost Boys, a film that made vampires more fun and kid-friendly. Now Warner Brothers has brought it out in UHD Blu-ray in full glory 4K.

“Space … the final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before.”

Nearly 20 years after the original Star Trek left the network airwaves, Gene Roddenberry set out to discover whether he could catch lightning in a bottle once again. Some say he did an even better job with Star Trek: The Next Generation. There are times I tend to agree. The Star Trek sequel series had a lot more advantages from the moment it was conceived. Star Trek, a series that barely registered on the ratings during its three-year primetime voyage, became a huge sensation in syndication. By the time The Next Generation came on the scene, the original show had been syndicated in over 20 different languages all over the world. It had launched an animated series, and a fifth feature film was already in the early stages of consideration. So it isn’t quite fair to judge the success or quality of The Next Generation over the original series. One thing is inarguable. The second would never have existed if not for the first.

1982.  I was seven years old, and my mother, who loved horror movies, wanted to take me to see Poltergeist.  Unfortunately, around this time, my dad was usually on the road, and so there was no one really there to say maybe we shouldn't.  Honestly, even if my father was there and did say no, I doubt my mom would have listened.  It was PG; how bad could it be? In the next two hours, I was treated to something that resonates with me to this very day. From the moment I heard "They're Here", I knew I would never see static on televisions the same way.

Please note that parts of this review are borrowed (story, critique, special features) from the 2007 DVD review I did 15 years ago.  However, where possible I am enhancing what I wrote, as I think I write better these days. Maybe I have lost a touch of my creativity, but that's a story for another day. 

"There are certain rules that one must abide by in order to successfully survive a horror movie."

No one knew those rules better than Wes Craven. He helped to create them, after all. Starting in 1972 with the cult favorite The Last House On The Left, he followed that just two years later with The Hills Have Eyes, which led to a sequel. But it wasn't until a decade later that he would deliver his masterpiece and most successful franchise, Nightmare On Elm Street. Wes Craven introduced the world to Freddy Krueger, and our dreams have never been quite the same since. While others attempted to reproduce the same results with many sequels, it was Craven himself who put Freddy to bed with New Nightmare exactly 10 years after his birth. A remake never got much traction, and Wes Craven's place in horror history was assured. In 1996 he decided to take one more stab at the slasher genre and delivered one of the best films to look directly back at the audience and celebrate the genre. Scream was another hit and another franchise staple. He took a then relatively unknown cast and made them household names with future amazing careers and decided that it was time to also poke a little fun at himself and his colleagues. The result was four films and an upcoming kind of reboot/sequel after a three-year television series examined the material. More importantly, it led to an entire sub-genre of films that include the Scary Movie franchise and others. Now, just in time for the holidays and the new film, you can see Scream in 4K with this UHD Blu-ray release.

I am a big sucker for police procedural and detective shows.  Once upon a time, I religiously watched CSI (and CSI: Miami), and these days I am watching various episodes of true crime series like Real Detective and Homicide Hunter on a weekly basis (the only other thing I tend to watch weekly is wrestling).   It translates over to movies, naturally, as well.  Well, today's film takes me into the world of a motorcycle cop who wishes to be a detective and then falls upon a murder case.  Sounds like a must-watch to me. Let's take a look at Electra Glide in Blue.

"There's a bizarre version of Superman on the loose."

They are the most famous couple in comic book history. Together they are Superman & Lois, and they've joined the ever-expanding Arrowverse for their second season now out on Blu-ray from Warner Home Entertainment. While this is still a young series, the characters and these actors portraying them are not new to the Arrowverse. Tyler Hoechlin as Superman and Elizabeth Tulloch as Lois Lane have been here for a few years. Both have shown up on Supergirl, and both appeared in a couple of the crossover events that have pulled together the various Arrowverse shows in the past. Now the focus is on them. They have their own show, and it's quite a different approach to the characters and their story. There has also been a departure that puts the show no longer in the official Arrowverse. I suspect that move comes on the heels of The Flash now entering its final season and I suspect closing the Arrowverse going forward.

In truth, I have never been a "Chuck Norris" type guy.  I can get down with many martial artists as previously explained, from Van Damme to Seagal  to Jeff Speakman and probably many others in between.  Except when it came to the Texas Ranger.  Sure, he was an amazing martial artist, but he never had the ability to draw me in, the charisma that could keep me interested when his punches and kicks could not. (But yet I liked Jeff Speakman; go figure.)  Anyhow, I think after all this time I finally found the film that could change that.  Enter The Octagon.