Posted in: Disc Reviews by Gino Sassani on October 18th, 2022
“Space … the final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before.”
Nearly 20 years after the original Star Trek left the network airwaves, Gene Roddenberry set out to discover whether he could catch lightning in a bottle once again. Some say he did an even better job with Star Trek: The Next Generation. There are times I tend to agree. The Star Trek sequel series had a lot more advantages from the moment it was conceived. Star Trek, a series that barely registered on the ratings during its three-year primetime voyage, became a huge sensation in syndication. By the time The Next Generation came on the scene, the original show had been syndicated in over 20 different languages all over the world. It had launched an animated series, and a fifth feature film was already in the early stages of consideration. So it isn’t quite fair to judge the success or quality of The Next Generation over the original series. One thing is inarguable. The second would never have existed if not for the first.
Posted in: Disc Reviews by Michael Durr on October 17th, 2022
1982. I was seven years old, and my mother, who loved horror movies, wanted to take me to see Poltergeist. Unfortunately, around this time, my dad was usually on the road, and so there was no one really there to say maybe we shouldn't. Honestly, even if my father was there and did say no, I doubt my mom would have listened. It was PG; how bad could it be? In the next two hours, I was treated to something that resonates with me to this very day. From the moment I heard "They're Here", I knew I would never see static on televisions the same way.
Please note that parts of this review are borrowed (story, critique, special features) from the 2007 DVD review I did 15 years ago. However, where possible I am enhancing what I wrote, as I think I write better these days. Maybe I have lost a touch of my creativity, but that's a story for another day.
Posted in: Disc Reviews by Gino Sassani on October 13th, 2022
"There are certain rules that one must abide by in order to successfully survive a horror movie."
No one knew those rules better than Wes Craven. He helped to create them, after all. Starting in 1972 with the cult favorite The Last House On The Left, he followed that just two years later with The Hills Have Eyes, which led to a sequel. But it wasn't until a decade later that he would deliver his masterpiece and most successful franchise, Nightmare On Elm Street. Wes Craven introduced the world to Freddy Krueger, and our dreams have never been quite the same since. While others attempted to reproduce the same results with many sequels, it was Craven himself who put Freddy to bed with New Nightmare exactly 10 years after his birth. A remake never got much traction, and Wes Craven's place in horror history was assured. In 1996 he decided to take one more stab at the slasher genre and delivered one of the best films to look directly back at the audience and celebrate the genre. Scream was another hit and another franchise staple. He took a then relatively unknown cast and made them household names with future amazing careers and decided that it was time to also poke a little fun at himself and his colleagues. The result was four films and an upcoming kind of reboot/sequel after a three-year television series examined the material. More importantly, it led to an entire sub-genre of films that include the Scary Movie franchise and others. Now, just in time for the holidays and the new film, you can see Scream in 4K with this UHD Blu-ray release.
Posted in: Disc Reviews by Michael Durr on October 12th, 2022
I am a big sucker for police procedural and detective shows. Once upon a time, I religiously watched CSI (and CSI: Miami), and these days I am watching various episodes of true crime series like Real Detective and Homicide Hunter on a weekly basis (the only other thing I tend to watch weekly is wrestling). It translates over to movies, naturally, as well. Well, today's film takes me into the world of a motorcycle cop who wishes to be a detective and then falls upon a murder case. Sounds like a must-watch to me. Let's take a look at Electra Glide in Blue.
Posted in: Disc Reviews by Gino Sassani on October 12th, 2022
"There's a bizarre version of Superman on the loose."
They are the most famous couple in comic book history. Together they are Superman & Lois, and they've joined the ever-expanding Arrowverse for their second season now out on Blu-ray from Warner Home Entertainment. While this is still a young series, the characters and these actors portraying them are not new to the Arrowverse. Tyler Hoechlin as Superman and Elizabeth Tulloch as Lois Lane have been here for a few years. Both have shown up on Supergirl, and both appeared in a couple of the crossover events that have pulled together the various Arrowverse shows in the past. Now the focus is on them. They have their own show, and it's quite a different approach to the characters and their story. There has also been a departure that puts the show no longer in the official Arrowverse. I suspect that move comes on the heels of The Flash now entering its final season and I suspect closing the Arrowverse going forward.
Posted in: Disc Reviews by Michael Durr on October 3rd, 2022
In truth, I have never been a "Chuck Norris" type guy. I can get down with many martial artists as previously explained, from Van Damme to Seagal to Jeff Speakman and probably many others in between. Except when it came to the Texas Ranger. Sure, he was an amazing martial artist, but he never had the ability to draw me in, the charisma that could keep me interested when his punches and kicks could not. (But yet I liked Jeff Speakman; go figure.) Anyhow, I think after all this time I finally found the film that could change that. Enter The Octagon.
Posted in: Disc Reviews by Michael Durr on September 28th, 2022
Some of my favorite movies from the 80's and 90's consist of films where very little brain matter needs to be used to consume the action of what's going on the screen. The type of films I'm talking about are films like Bloodsport, Above the Law, the Perfect Weapon, and Rapid Fire. Now, from reading those titles, it might sound like I'm a little "man" heavy so to speak but I also heavily enjoy films like La Femme Nikita or Moon Lee films (Princess Madam or Devil Hunters for example). Today's film is Catch the Heat which stars Tiana Alexandra in a film where she cranks up the kick butt meter to ten. Let's see how it performs.
Posted in: Disc Reviews by Gino Sassani on September 28th, 2022
"For those of you who are wondering who this fella here is, I am the legendary Colonel Tom Parker. I am the man who gave the world Elvis Presley. Without me, there would be no Elvis Presley. And yet, there are some who'd make me out to be the villain of this here story. No, no, I didn't kill him. I made Elvis Presley. Nothing all those muckrakers said in their books was true. Me and Elvis, we was partners. It was Elvis the Showman and the Colonel the Snowman. I always knew I was destined for greatness. As an orphan, I ran away to the carnival, where I learned the art of the "snow job," of emptying a rube's wallet while leaving them with nothing but a smile on their face. But a carnival act that would get you the most money, the most snow, had great costumes and a unique trick, that gave the audience feelings they weren't sure they should enjoy. But they do. And I knew if I could find such an act, I could create the greatest ... show ... on ... Earth."
Rock bio-pictures have been pretty hot as of late. It really started with the exceptionally done Bohemian Rapsody that chronicled the rise of the band Queen, and more its flamboyant front man, Freddie Mercury. In its wake have come lesser films that have still performed well at the box office, like Elton John's Rocketman, which turned out to be more fantasy than bio-film. With a subject like Elvis, it's really hard to go wrong. He's one of the most successful brands in rock history, and make no mistake. He was a brand. He was also more than just a flash of style. Elvis Presley is often referred to as The King Of Rock And Roll, at least to his fans. There's no denying the impact that he had on the music scene. He was the first rock and roll star, to be sure. Colonel Tom Parker, his long-time manager and partner, created many of the marketing traditions that are commonplace in the industry today. He knew the value of his star, not only as a performer, but as a brand. For the first time, a musician's image and name started to appear on everything from bath towels to women's underwear. Fans are often split on their feelings for the self-styled Colonel, but Elvis would not have become the name brand he still is today without him. That doesn't take away the selfish way that Parker turned Elvis into his private meal ticket, paying attention to his own needs more than those of his star. But no one marketed a brand like Parker did in the days before Elvis. One of those brand expansions tapped into Elvis's own boyhood fantasy. Elvis had worked as an usher at a local movie theater as a teen. He's often related that he would linger in the auditoriums, watching those movies and fantasizing that he was James Dean or Marlon Brando, two of his idols. With the help if Colonel Parker, Elvis would get to see that dream become a reality. The King was to expand his realm to include the movie business and Hollywood. No experience? No problem. After all, if Elvis could go from failing music in high school to becoming the highest paid musician on the planet, he could certainly tackle the world of acting. And he did just that. And that's really the first "issue" with the film. It might be called ELVIS all in caps, but this is really Colonel Tom Parker's story, and in case you have any confusion on that score, it will become clear soon enough. You see, the entire film is narrated by Parker and told from his unique point of view.
Posted in: Disc Reviews by Jeremy Butler on September 28th, 2022
“Bend, never break.”
Of the DC animated movies, I’d rate this one as quite possibly my favorite of them all. Now when you consider that there are around 47 films created with another five films planned, that is quite the accomplishment. When it comes to Batman: The Long Halloween, the element that I really enjoyed is the mystery portion of it. It felt more like a detective story than a superhero movie. This was also the element that I most enjoyed about the Matt Reeves helmed live action film, The Batman. Not surprising that I identified with this aspect, as the 13-issue limited series that this film was adapted from was also one of the inspirations for the Reeves film. This animated film, like the comic it is adapted from, is centered on Batman efforts to identify and stop a serial killer known as Holiday. Holiday appears to be engaged in a war against the Falcone and Maroni organized crime families. Notably, the film also ties into the events that transform Harvey Dent into Batman's enemy, Two-Face. Contributing to the success of this adaptation, would be the top-notch cast of voice actors, some repeats from another animated films and a couple of fresh faces. Jenson Ackles, who was last voiced Jason Todd for the Under the Red Hood animated film, upgraded to voice Bruce Wayne this time around. Batman staple Alastair Duncan, who has voiced Alfred Pennyworth in at least four other Batman properties, returns to voice the character for a fifth time. Then there is Troy Baker, who has voiced multiple Batman characters to include the bat himself, as well as multiple members of the Dark Knight’s rogue’s gallery across film, television, animation, and video game installments. This outing, he lends his talents to voice the Joker. Rounding the cast are fresh faces: Josh Duhamel as Harvey Kent/Two-Face, Billy Burke as Commissioner James Gordon, Titus Welliver as Carmine Falcone, and most notable the late Naya Rivera as Selina Kyle/Catwoman.
Posted in: Disc Reviews by Michael Durr on September 13th, 2022
The people of Taiwan have been searching for an identity for a long time. When martial law was lifted over the People's Republic of China in the 1980's and shifted to a more democratic form, the people have increasingly wanted their own identity and no longer to be known as a part of China. Sure, they might maintain the status quo and appear to work with China (which hasn't been exactly the case lately), but they strive to be known as Taiwanese, separate from the mainland influence. Our film today, Vive L'Amour, takes place in the 1990's Taiwan, where life was extremely hard for the average young adult. So hard that many of them didn't even have a permanent residence.
We open to see a key is left in the door of a dwelling. Nearby a salesman named Hsiao-kang (played by Lee Kang-sheng) finishes up a door-to-door sales call and after a few moments decides to take the key. He goes to the convenience store, grabs a water, and sees a camera where he adjusts his hair. The next scene, he is driving on his motorcycle and arrives at the location where he grabbed the key from. He starts to unlock the door, hears sounds from inside, and quickly leaves.
