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The darker side of suburbia's well-manicured lawns and white picket fences has been properly documented and satirized in both film (The Stepford Wives, American Beauty) and television (Desperate Housewives, Weeds) over the past few decades. Suburgatory — ABC’s smart and affable addition to the genre — is among the latest to throw its fancy, colorful hat into the ring.

After single father George Altman (Jeremy Sisto) finds a condom in his 15-year-old daughter’s room, he panics and uproots the two of them from Manhattan to the picture perfect suburb of Chatswin because it’s supposed to be one of the best places to raise children. Not surprisingly, Tessa (Jane Levy) is not very happy with her father.

As I was watching the new Ocean’s Eleven for the 185th time — it’s the last movie I saw twice on the same day in theaters — it occurred to me that the stakes were entirely too high. Three casinos…$160 million…the threat of being caught and glared at by Andy Garcia. The Babymakers, on the other hand, builds up to a heist with absurdly low stakes. It’s basically like Ocean’s Eleven, only the exact opposite.

After a few years of marriage, Tommy (Paul Schneider) and Audrey (Olivia Munn) decide they want to have a baby. We then watch Tommy try to get Audrey pregnant — strategic camera angles keep Munn mostly modest — without any success. Since it appears that Tommy is shooting blanks, the couple decides to visit a fertility clinic after receiving a bunch of advice from their respective groups of friends that I’m not sure I’m allowed to repeat on this site.

It was an excellent experience in 1997, when I reviewed Titanic as it opened in America’s theaters. A sweeping disaster epic wrapped around a passionate romantic drama, the film quickly dispelled early rumors that it would sink faster than the actual boat did 100 years ago. Yes, I liked the movie a bunch. I admired its scope, its detail, its amazing effects and its superb cast. Director James Cameron’s extensive, expensive production schedule was vindicated by critics and box-office alike. Yet, somehow I never really wanted to see it again. Too intense, too tragic, too overwrought. Maybe it was just that horrid Celine Dion song.

I was wrong.  “Titanic” is well worth a second look – especially if you can see Cameron’s astonishing reprocessing of his work into a three-dimensional spectacle par excellence. For one thing, you forget a lot of details after 15 years. And there’s no better way to be reminded of such things than to see them on a meticulously remastered 3D Blu-ray.

"If there's a theme, you could call it The Return..."

Warner Brothers has entered the popular scene with yet another vampire series taken from yet another powerful franchise of popular books. Enter The Vampire Diaries. While I've avoided the Twilight series so far (I've had my fill of teenage angst as a high school teacher). The series follows loosely the series of novels written by L.J. Smith. If you're a fan of the books, you have to take a few things into consideration. Characters work differently on screen than in a book, so many of them have been changed. Perhaps the biggest change is that Elena's four-year-old sister is now a teenage younger brother. You may not like the change, but it does make for better prime-time drama, doesn't it? The crew attempted to keep as close to the source material as possible, while attempting to create their own special television universe. I'm not sure about the books. I've never read them. I do know that this show works.

Shonda Rhimes had a big hit on her hands with Grey’s Anatomy, so after five years she did what comes naturally in her situation. You spin the success off in the hope that the fans can’t get enough in just one night. At first it appeared to me she had chosen the wrong character to put out on her own. I mean, I never considered Kate Walsh as Addison to be one of the show’s more compelling characters. The show was presented as what the business calls an imbedded episode on Grey’s. What that means is that the situation is set up during one of the original show’s episodes. In this case a two-parter called The Other Side Of Life. The idea is that you want to be sure that your existing show’s fans at least watch the pilot in the hope that they will consider it a part of their beloved series. I got to watch that episode when I was called upon to review the fifth season of Grey’s.

Dr. Addison Montgomery (Walsh) is looking for a change. She’s feeling a little burned out in Seattle at Grace Memorial Hospital, where she carries a ton of baggage. She heads down to L.A. to visit a friend who has his own clinic in the sunny city. The clinic practices something called co-op medicine. Specialists from various fields come together to treat their patients in a more holistic manner. Dr. Naomi Bennett (McDonald), specializing in fertility, and her ex-husband Dr. Sam Bennett (Diggs) started the place. Dr. Violet Turner (Brennemen) and Dr. Sheldon Wallace (Benben) are the clinic’s shrinks. Dr. Cooper Freedman (Adelstein) is the pediatrician. Dr. Peter Wilder (Daley) is the herbal medicine specialist. He’s also got a rep for sleeping with all of the other women and even running some out of the clinic. Dr. Charlotte King (Strickland) is a partner and also chief of surgery at the hospital. Derek's sister Amelia (Scorsone) has also dropped in as the staff neurologist.

Less than 100 years ago, the Mexican government declared war on the Catholic Church. This movie tells the story of the ensuing conflict known as Cristiada (also called the Cristero War), which took place between 1926 and 1929. In showing us all the different ways war can affect a country and all the different ways rebels can contribute to a cause, the movie sort of forgot to tell us why the Mexican government declared war on the church in the first place.

For Greater Glory is told from the perspective of the brave souls who stood up to the oppressive Mexican government led by President Plutarco Elias Calles (Ruben Blades). This includes members of the non-violent National League for the Defense of Religious Liberty like real-life figure Anacleto Gonzalez Flores (Eduardo Verastegui) and a woman named Adriana (Catalina Sandino Moreno). The men and women who take up arms to join the cause — including a flashy, badass rebel named Victoriano “El Catorce” Ramirez (Oscar Isaac), who earned his nickname by single-handedly killing 14 men — are known as Cristeros.

There is a long line of adaptations of The Strange Case of Dr. Jekyll and Mr. Hyde, and here we have a modern re-telling of the classic horror tale. Like the original, Dr. Jekyll is experimenting on a wild potion, but while experimenting on himself a malevolent alter-ego named Mr. Hyde emerges from within him to go on killing sprees.

The original tale is told from the point of view of the attorney enlisted to help solve this problem. In this film, the attorney is both an aid to Jekyll and a love interest. While this added romantic element does make for some added moments of increased tension when Hyde attacks the woman Jekyll is falling for, it mostly just makes the movie feel more cliché and makes the flow of the story much more boring and predictable with the plot falling into the usual "final-girl" or "boy must save girl" trappings when relying on their relationship to be the anchor of the conflict, when there are so many more interesting elements at play.

Geared towards pre-schoolers, and their fascination with dinosaurs, this show teaches us about dinosaurs, one at a time, in 10-minute episodes. A group of young dinosaurs, eager to learn, travel on a magical train through time to meet the dinosaur highlighted in their episode.

This particular DVD collection focuses on the biggest of the dinosaurs, the sauropods (long neck behemoths). The lack of variety might hinder whatever education this show is wishing to tender to it's young viewers. Making a dinosaur one neon colour versus another doesn't do enough to distinguish each beast. There are unique mini-adventures attached to each lesson but there is hardly enough narrative or even gags for children to be grabbed by this. If your child happens to be a huge fan of this type of dinosaur...then by all means, feed them this assembly line of incredibly similar beasts.

Remember when I mentioned the difficulty of reviewing a season in the middle of the show’s run? This week, I shall attempt to review two different HBO shows at the end of their respective run. Yes, I will be piecing together a show that is in its last season with very little (or no knowledge) of the seasons before. This should be a fun ride and our last entry is the third season of the HBO Comedy: Hung.

Our very own M.W. Phillips was able to review the second season of this show, so feel free to check that out.

If you have a low tolerance for quirky indie comedies, just listening to the premise of Goats might be enough to make you gag. The film follows Ellis, a responsible 15-year-old Tucson boy who decides to attend a prestigious East Coast prep school. Left behind are his flaky, New Age-y mother and Goat Man, a pool man/weed grower who is also Ellis’s primary father figure. In case you’re already rolling your eyes, let me assure you there’s slightly more going on here than quirk for quirk’s sake.

The central joke is that the most stable adult Ellis (a mature, non-showy Graham Phillips) has ever known is Goat Man (David Duchovny), a kind soul who appears, at first glance, to have worse hygiene than the goats he spends most of his time with. Then again, Goat Man pretty much wins by default because Ellis’s mother Wendy (Vera Farmiga) is more interested in her own spiritual rituals and new boyfriend (Justin Kirk) than she is in trivial things like paying her bills. (Ellis handles all the finances.) Wendy, however, is lucid enough to become enraged when Ellis decides to attend Gates Academy, the same prep school where his father (Ty Burrell) studied.