Posted in: Disc Reviews by Gino Sassani on November 17th, 2021
"There are certain rules that one must abide by in order to successfully survive a horror movie."
No one knew those rules better than Wes Craven. He helped to create them, after all. Starting in 1972 with the cult favorite The Last House On The Left, he followed that just two years later with The Hills Have Eyes, which led to a sequel. But it wasn't until a decade later that he would deliver his masterpiece and most successful franchise, Nightmare On Elm Street. Wes Craven introduced the world to Freddy Kruger, and our dreams have never been quite the same since. While others attempted to reproduce the same results with many sequels, it was Craven himself who put Freddy to bed with New Nightmare exactly 10 years after his birth. A remake never got much traction, and Wes Craven's place in horror history was assured. In 1996 he decided to take one more stab at the slasher genre and delivered one of the best films to look directly back at the audience and celebrate the genre. Scream was another hit and another franchise staple. He took a then relatively unknown cast and made them household names with future amazing careers and decided that it was time to also poke a little fun at himself and his colleagues. The result was four films and an upcoming kind of reboot/sequel after a three-year television series examined the material. More importantly, it led to an entire sub-genre of films that include the Scary Movie franchise and others. Now, just in time for the holidays and the new film, you can see Scream in 4K with this UHD Blu-ray release.
Posted in: Disc Reviews by Brent Lorentson on November 17th, 2021
From Bride of Frankenstein to Night of the Living Dead and even Godzilla, horror has been a platform filmmakers have used for decades to handle larger societal issues. In 1992 when the first Candyman released, it was a film that tackled issues of class and race, but it did so in a manner that didn’t feel forced, and in doing so it added an extra level to what I’d consider one of the best horror films of the 90’s. I love the story of Candyman, and the performance Tony Todd gave this tragic character was an equal blend of horror, menace, and sympathy. The way the first film builds its impending doom for Helen Lyle has rarely been matched in films since. Watching as her life crumbles around her up until the moment she finally surrenders herself to Candyman and accepts her awful fate is an impactful moment. The sequels just never lived up to the first film, and it’s a shame, because I simply loved the idea of this modern urban legend that haunted the projects of black America. Candyman and the tragedy of Daniel Robitaille deserves better. As much as I love Friday the 13th and several other franchises in the horror genre, Candyman has always been the character ripe with so much untapped potential that I’m surprised it’s taken this long to get the reboot/sequel it rightfully deserves. Though the moment I saw that Jordan Peele was involved, I started to worry.
I’m being upfront and saying I just don’t like Jordan Peele when it comes to horror. It’s like when Michael Bay started up his horror company and churned out The Texas Chainsaw Massacre. Horror just isn’t for everyone to dip their toes into, and I don’t care about what awards films may get or what box office it may gross; I’m not going to cave to the bandwagon. That being said, I’m more than willing to give a film a chance if the trailer can hook me or if I care about the property, so with Candyman this was one I was on the fence with. I was ecstatic about seeing this character back on the screen, but I was still cautious, because it was being helmed by Nia DaCosta, a director with no experience in the horror genre. As it would turn out, she’s a director who shows plenty of talent and promise, but can’t build a moment of tension even with all the tricks and tools of the industry at her disposal.
Posted in: Disc Reviews by Gino Sassani on November 11th, 2021
"My name is Nicky Shen, and this has been my home for three years. A Shaolin monastery in Yunnan Province, China. My mom sent me on a cultural tour of China. Turned out, it was really a matchmaking tour to land me a Chinese husband. Just one of the many ways my mom tried to control my destiny. I panicked. I ran. That was the first time anyone told me I had a choice in anything. I was only planning to spend the night. But then I saw something that I knew I wanted to be a part of. These women were warriors. And so I stayed. Pei-Ling became my Shifu, my mentor."
The new Kung Fu series at the CW is not really anything like the 1970's show that starred David Carradine. And while the credits claim to be based on that show, they really do not have anything in common. This show is not a period piece but exists in current day San Francisco. The titular character is no longer a middle-aged quiet hero or a guy. Instead we have law school drop-out Nicky Shen, a twenty-something woman who doesn't quite have a handle on who she is. She's not a wanderer, and she doesn't play a handmade flute. She lives with her family and is totally connected to the modern from cellphones to Uber. That isn't to say the show is bad. The production values are high, as are the writing and acting. The weak link for me is it's given me flashbacks to Pretty Little Liars, as this show likely shares those adolescent girl demographics. So clearly I'm not the target audience. So otherwise, Mrs. Lincoln, how was the play? Warner Brothers Home Entertainment drops this reincarnated Kung Fu on Blu-ray with all 13 episodes on three discs.
Posted in: Disc Reviews by Archive Authors on November 11th, 2021
"My name is Harris K. Telemacher. I live in Los Angeles, and I've had seven heart attacks. All imagined. That is to say, I was deeply unhappy, but I didn't know it because I was so happy all of the time."
Steve Martin plays a wacky TV weatherman who develops a close friendship with an electronic freeway sign in the sleeper hit comedy L.A. Story. I found the critically acclaimed film to lack hilarity, but it does get marks for inventiveness. Martin is enjoyable in most anything he’s in, even if the material is not so great. L.A. Story is one such example of an actor rising above said material. Most of the over-the-top silliness misses the mark, and Marilu Henner has little more to do than play the cliché of snobbish socialite. The true love of the Martin character’s life – played by Victoria Tennant – is so bland vanilla I would have much rather seen him end up with his free-spirited squeeze toy (Sarah Jessica Parker), though any such relationship would be doomed to fail. At least there would be some excitement.
Posted in: Disc Reviews by Jeremy Butler on November 9th, 2021
"You're going on a journey. A journey through memory. Your destination? A place and time you've been before. To reach it, all you have to do is follow my voice."
So, an interesting factoid that I learned about the film’s director Lisa Joy: she is the sister-in-law of director Christopher Nolan. This doesn’t really add anything to the review, just an interesting fact that I thought I’d share. Then again, I do remember thinking when the film first opened up that it felt very shades-of-Nolan. Not to say that Nolan had any influence over the film, but just the idea of a movie based off a construct is very much in his wheelhouse. Memory is the construct that is explored in this film, and I must admit that the addictive nature with which the film portrays this construct did have some appeal; however, the film tries to bring too many different themes and elements together, and it results in not enough attention being paid to any of them. Hugh Jackman and Rebecca Ferguson are the film’s big draws, and while their electricity helps to make the film decent, it cannot make it great.
Posted in: Disc Reviews by Jeremy Butler on November 5th, 2021
Well, this is an interesting plot twist. From antagonist to protagonist. When we last saw Gulf War veteran Norman Nordstrom, he was recovering in the hospital from a gunshot wound, having just spent the previous night protecting his home against intruders. Before you start painting him with a hero brush, it's worth mentioning that Norman isn’t exactly squeaky clean, given that he was holding a woman hostage after artificially inseminating her to provide with a child to replace the one that said woman accidently killed. It’s also worth mentioning that he also attempted to impregnate one of the home invaders following the inadvertent death of the woman carrying his child. The first Don’t Breathe was an interesting and unique horror thriller film that premiered at South by Southwest festival back in 2016 before going on to become a theatrical commercial success.
Hence the need for a sequel. Initially, I had a great deal of reservation about continuing the story, as I figured it was like trying to get lightning to strike the same place twice. Which it did. That said, I was intrigued to see the character to take on more of an anti-hero role, as he wasn’t technically a villain in the previous film, making this transition easy to accept and believable. Don’t get me wrong, he did some depraved things, but these were clearly the acts of a man driven deranged by grief. I’m not saying that he is deserving of redemption; I mean, between this film and last one, he chalked up a body count. And without question, he is somewhat self-serving, especially since his relationship with Phoenix is all about filling a hole left in his life following the death of his daughter. However, he does manage to show great protective instincts and a willingness to put his own life on the line to save an innocent, so he isn’t exactly a monster, either, despite what the character may believe about himself.
Posted in: Disc Reviews by Gino Sassani on November 5th, 2021
If you were a child in the 1960's or 1970's, you were around at the golden age of the Christmas television special. We just celebrated the 50th anniversary of A Charlie Brown Christmas, and there were a ton of holiday charms that came and went each year. But there were a handful that became classics and found their way to the airwaves every year in December. Of course, A Charlie Brown Christmas became one of these, and it is indeed among the best. It was not the only special to become beloved by generations of viewers. Now Dreamworks has brought together seven of the most memorable of these classics. This was a wonderful trip down memory lane for me, as it will be for millions of children of all ages who looked forward to these event broadcasts each and every year. Now you can watch them whenever you want. And they might not be just for Christmas anymore.
Now these beloved classics are together again in a Steelbook release.
Posted in: Disc Reviews by Michael Durr on November 1st, 2021
Superman: The Animated Series was partly made in the same fashion as the massively popular Batman: The Animated Series. The tone was a little more serious, and the stakes were raised in order to create a sense that Superman might just have met his match. It was first produced in 1996 and made 54 episodes through the year 2000. The show received high praise for raising the bar but at the same time keeping what was important to the mythos of Superman. In fact, it even received a nomination for an Emmy. Besides Smallville, this probably stands out as the best television adaption of the one known as Superman, the Last Son of Krypton and hero to the planet Earth (and beyond).
(Summaries taken from previous DVD review; the rest applies to the new Blu-ray version)
Posted in: Disc Reviews by Jeremy Butler on October 29th, 2021
I really liked the film, but I don’t expect that it will be the savior that revitalizes the franchise. Without question it is the best of the three films that were adapted from the popular toy line, but even so I just didn’t find it compelling enough to serve as the launch point for a franchise reboot. I just don’t think it’s in the cards for G.I. Joe to become a movie powerhouse. Snake Eyes is without question one of the most popular characters from the television incarnation, and he was also the biggest draw for the film adaptation as well. Anticipation for a live-action telling of his origins has been in the works for years, with many hoping to see Ray Park, who played the character in the first two films (though we never see his face), reprise the role. However, much time passed between G.I. Joe Retaliation and this film, making that an impossibility. Stepping in to take over the role is Henry Golding, who you most likely recognize from Crazy Rich Asians, but who I recognize from The Gentlemen. The film is his first foray into the action film world, which was quite a risk for the film, but good thing for them, they got him some backup in the form of Andrew Koji, who we all should recognize from Cinemax’s (now to be reborn on HBO Max) Warrior.
When I heard about Henry Golding’s casting, I had some reservation. In my opinion, he had the look unquestionably, but discovering his lack of a fighting or action resume prior to this outing made me somewhat skeptical of his ability to give a convincing performance. However, after watching him, I give his performance a B plus; he was convincing, but there was room for improvement. Ironically, it wasn’t his fighting where the improvement was needed, as I found his skill on par with what you would expect. As previously stated, he is also surrounded by actors whose fighting resumes speak for themselves. Take Andrew Koji. Firstly, if you haven’t watched this man technical skill in the first two seasons of Warrior, you have no idea what you are missing, and I recommend that you correct this error immediately. Koji brings that same technical skill to this film, making his fight sequences without question my favorite, particularly in the fish market, where he takes on essentially an entire army all by himself, and is more than convincing doing so, especially when he gets his hands on two swords.
Posted in: Disc Reviews by Gino Sassani on October 28th, 2021
"Look. See a world that holds more wonders than any since the Earth was born. And of all who reigned o'er, none had more renown like the boy who pulled the sword from the stone. But this is not that king, nor is this his song. Let me tell you instead a new tale. I'll lay it down as I've heard it told. Its letters set, its history pressed, of an adventure brave and bold. Forever set in heart, in stone like all great myths of old ..."
Mythology is filled with stories of knights. The Black Knights of villainy can be found in thousands of stories, perhaps far more. What young girl doesn't dream of her White Knight coming to rescue her from a mundane life? And there are countless stories of King Arthur and his entourage of famous names like Guinevere, Galahad, and Merlin the wizard. But you won't find too many stories of a Green Knight. Nor has there been much set to paper on Sir Gawain, one of Arthur's lesser known family members. Turns out the young lad was his nephew of Gwen's side of the family. So it's no surprise that I had never heard of either character even though I spent a considerable time in my youth devouring Arthur legends and myths. So I considered myself somewhat learned on the subject, enough to complain constantly when films depict the sword in the stone as Excalibur. It wasn't. The iconic sword was given to Arthur much later by The Lady Of The Lake. But I digress. As the above quote informs us, this is not THAT story. This one comes mostly from an anonymous poem called Sir Gawain And The Green Knight as retold here by writer/director David Lowery.
