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“You came out here city slickers, you’re gonna go home cowboys.”

I still remember pretty clearly my dad suggesting we go check out a matinee of City Slickers. I was visiting him in New York City during the summer of 1991, and my 8-year-old self had no idea what a “city slicker” (or even what a Billy Crystal) was. That being said, I was completely delighted by the movie and have re-watched it many times throughout the years. (The calf birthing scene, in particular, stuck to my innocent, 8-year-old brain.) I recently got a chance to revisit the crowd-pleasing, cowboys-and-yuppies comedy once again thanks to this new Collector’s Edition Blu-ray courtesy of Shout! Factory.

From the moment that STARZ announced that they were pulling the plug on Ash vs Evil Dead after its third season, my heart has been a bit crushed.  The Evil Dead franchise has always been special to me. Growing up I watched the trilogy of films to the point one may consider I had an unhealthy obsession with these films, and to be fair, they may have had a point, but these movies were a blast.  These were the films where writer and director Sam Raimi made a name for himself in the horror genre with his cinematic style, over the top gore, and injecting his love of The Three Stooges.  For decades fans had waited patiently for a fourth installment in the franchise, with teases of there even being an Ash vs Freddy vs Jason, but alas that concept fizzled as a film.  So when the news came along that STARZ would be bringing Ash (Bruce Campbell) to the small screen for a 10-episode series, well, it was something horror fans could get excited about

This past summer, the Marvel Cinematic Universe was turned upside down in a snapAvengers: Infinity War was the culmination of 10 years worth of origin stories and world-building. That blockbuster featured (almost) every MCU hero in the galaxy, universe-spanning stakes, and an unforgettable cliffhanger. So you can excuse Marvel for scaling things back (waaaaay back) with its next entry. Of course, any superhero flick that came immediately after Infinity War was going to feel small by comparison, so who better to take on that task than the tiniest hero of them all?

“I’m sorry…I’m a really good person.”

I absolutely loved The Big Short, which managed to extract smart, insightful comedy from one of the gloomiest chapters in recent American history. But if there’s one minor critique I had, it’s that the 2015 Adam McKay film sort of glossed over the human cost of the nationwide financial collapse. On the other hand, Arizona — a violent, over-the-top black comedy that’s billed as being “from the producers of Eastbound & Down and Brooklyn Nine-Nine” — is set in 2009 and focuses almost exclusively on a handful of hard-luck losers trying to survive the housing crisis.

"All things change. This world is impermanent and deceiving. Many things are not what they seem. You will have many adventures here. And if we live, many stories to tell at the Great Hall. If we live."

When Vikings started five years ago, I found it to be quite an ambitious task for a network that usually featured documentaries and reality shows about odd jobs. I approached this one with some caution. Now I've thrown caution to the wind for these compelling characters. I was particularly drawn into the lead. Travis Fimmel was outstanding as the Viking leader Ragnor Lothbrook. When his character was killed off after three years, I suspected things would be winding down for this experiment.

“But this place...too much light.”

To put things mildly, Warner Bros. still has a bit of a ways to go before its stable of DC Comics superheroes catches up to Disney’s dominant Marvel Cinematic Universe. However, Warner and DC have long had the upper hand on both the small screen (The Flash, Legends of Tomorrow) and with their animated, direct-to-video offerings. Constantine: City of Demons represents the best of those latter two worlds: City of Demons began its life as a short-lived TV series before bringing smart-ass occult detective John Constantine back to life for this moody and thoroughly entertaining feature-length adventure.

Dwayne Johnson appears to be a pretty busy guy. In addition to the HBO series Ballers about to enter its fourth season, Johnson puts out a couple or more films a year. We're not talking about small independent films, but rather huge, high-budget and big f/x films. Next year will see Jungle Cruise and Jumanji 2,  following with San Andreas 2, Suicide Squad 2, Black Adam, and a remake of Big Trouble In Little China, all arriving in the next couple of years. This year saw Rampage, which comes to home video next week. It's a busy life for Dwayne Johnson, who appears to have dropped "The Rock" from his name. I sure hope it didn't hit anyone on the head. Now he's starring in Skyscraper, which shamelessly combines elements of Die Hard and The Towering Inferno. In Skyscraper, Johnson shows us that he's intent on hanging around for a while... this time from 220 stories high.

When you have done movie reviews for a very long time such as I have, you acquire knowledge about certain films and movies that in a normal life span one would probably never come across. One of those for me has been the Power Rangers series. I have reviewed several of the American adaptations for the site, and while they are not my cup of tea, I am familiar with how they work and operate. Last week, I received one of the Japanese original Super Sentai series, Chojin Sentai Jetman, and I was eager to check it out. Let's see how this all unfolds.

“Why would anybody create a Nazi puppet?!”

There are two types of people in this world: A) the sort of person who reads the question above and says, “That’s offensive! I have absolutely no idea” and B) the joyful weirdo who replies, “Why would anybody stop at creating just *one* Nazi puppet?” If you’re in Group B, you’re in luck…the people behind Puppet Master: The Littlest Reich didn’t stop at one Nazi puppet. (Not even close!) More importantly, this bloody reboot of the 1989 cult horror classic features some of the craziest and most disgusting kills I’ve seen in a while. (I promise that’s a compliment.)

As some of you might know, I have a son, a three-year-old toddler. Since we live in the suburbs, we unfortunately don't get out as often as we like to places like the beach or any other places where we might be able to explore the animals and creatures that inhabit the wondrous ocean. As a result, we have a tendency to watch plenty of underwater nature documentaries or whichever Pixar animated Nemo or Dory show we can find. Today, we have for review an animated tale about creatures who can turn into beautiful red dolphins so they can be a part of the human world. Is the movie as beautiful as it seems, or much like the dolphins, is it something else in disguise?