Posted in: Disc Reviews by Brent Lorentson on September 21st, 2018
It’s okay to groan. I get it. Just when you thought the found-footage genre was dead, another film manages to get released. I think at this point we all simply have to accept that this is a genre that will never completely die on us, but we can always hope that it will eventually produce a hit every once and a while. When it comes to Found Footage 3D, it’s a bit of a mixed bag for me, and since the Blu-ray came with both a 3D and 2D version, I did in all fairness watch both versions, and there is definitely a version that won out, and if the time comes that I check this out again, I know how I plan on doing so. In case you were wondering, the disc does come with two individual 3D glasses, not the ones you can pick up at your local theater, but instead the throwback red and blue kind.
The clever twist that Found Footage 3D has going for it is that it is found-footage film about a film crew that is setting out to make a horror film in 3D. It doesn’t take long before we realize how the film is very self aware understanding the numerous typical tropes that are in the genre and knows there are two key rules they need to follow. Rule #1: give a reason for why the people are videotaping every moment, and Rule #2: when the third act comes along, have a good reason to explain why they are still filming and not tossing the camera aside. Derek (Carter Roy) is the over-the-top filmmaker with a vision to make the first found-footage horror film in 3D and is overly ambitious by also having the making of the film shot in 3D as well.
Posted in: Disc Reviews by Gino Sassani on September 14th, 2018
"You're in a stolen cop car with a dead hooker in the trunk; you don't have to obey traffic laws."
The Big Bang Theory certainly didn't obey the established laws for television comedy. The series was certainly more cerebral than most, and a lot of jokes went over a lot of heads, I suspect. But it was never about the geek factor or the IQ of the characters. The show was simply about the characters, and that extended family has spent 11 years in our living rooms or home theatres. But like all good things, The Big Bang Theory is about to come to an end. Jim Parsons was never the show's top billing, but there's little doubt that Sheldon became the most engaging character. When Parsons was offered $50 million for two more seasons, he turned the offer down. Instead of trying to do the show without him, the decision was made to bring the long-running comedy to a close. The upcoming 12th year will be its final season. Fans don't have much to be sad about. 10 years appears to be the ceiling for even the best comedy shows to grace our television screens. Monster hits like Seinfeld and Friends didn't break 10 seasons. Classics like M*A*S*H or All In The Family never saw 11 and 9 seasons respectively. 12 years will be a very respectable run. The fans will also get to hang out with Sheldon for the foreseeable future, albeit as a little kid in Young Sheldon. Finally, fans will have these Blu-ray collections to revisit these characters for many years to come. Old shows don't die; they just live on through discs or streaming services.
Posted in: Disc Reviews by J C on September 13th, 2018
“It was the 'hate the performer' festival.”
With more than 600,000 people in attendance, the Isle of Wight Festival in 1970 became the largest musical event of its time. In terms of sheer numbers, it was even bigger than Woodstock a year earlier. But instead of celebrating peace and love, the hippies who attended Isle of Wight were put off by performers who showed up in ostentatious vehicles. They were determined to aggressively protest the commercialization of music, which led to fences being torn down and artists subsequently dropping out of the festival lineup. Joni Mitchell: Both Sides Now — Live at The Isle of Wight Festival 1970 documents how one of the quietest, most unassuming artists in the lineup made some everlasting noise.
Posted in: Disc Reviews by J C on September 7th, 2018
“Our group of friends has been playing the same game of tag for 30 years.”
The tag(haha)line on the Blu-ray cover for this film states, “Based on a True Story. We're Not Kidding.” The idea of a life-long game of tag is so ridiculous, the people who made this movie can hardly believe it themselves. But while Tag has some fun presenting a children's game as if it were a big-budget action flick, the film ultimately (and ironically) falters when it veers away from the silly real-life premise and tries to shoehorn dramatic moments to make it feel more like a movie.
Posted in: Disc Reviews by Gino Sassani on September 6th, 2018
"We've got a whole new game of tiddlywinks."
It's the unlucky 13th season of Supernatural, and it might be the most loaded season ever. We have a basket full of bad guys and gals, and the Winchester Brothers have got their work cut out for them, as if last season wasn't busy enough. The Winchesters found and then lost their Mom. Crowley has finally bit the dust, and he will be greatly missed at least by this fan. Lucifer's son has finally been born, and there are going to be a lot of bad folks wanting to get their hands on that little guy. Of course, he isn't such a little guy any more. He's now the appearance of an older teenager, and he has some mad wicked power. The question is whether Sam and Dean can influence that power for good. Or will he go the way of his Pops and be the poster child for evil? Now if all of this is Greek to you, then you're in the wrong place. You have 12 years of lore to catch up on before you should even consider picking up Supernatural Season 13 from Warner. Check out our long list of reviews here and start binge-watching fast. Once you're caught up continue on.
Posted in: Disc Reviews by Brent Lorentson on September 6th, 2018
There is something about the notion of movie magic that I believe can grab hold of an audience member and pull them from their living room seat and into the story they are watching. This movie magic seems to occur more often these days, as special effects seem to take leaps and bounds every year as new technology is created to dazzle us all. Here’s the thing, though, sure, it’s great how we can now see lifelike 50-story monsters destroying cities, or how underwater worlds can exist, but none of it matters if the story or the characters are not relatable. If the story isn’t there, then your big effects are nothing more than overpriced cartoons that will be forgotten by the time the audience has exited the theater. When it comes to Higher Power, the best way to describe it is to use the overused expression, “all style and no substance.”
Co-writer and director, Matthew Charles Santoro comes from a special effects background, and you can tell he’s leaning heavily on his strengths with this film, and the result is a film that plays out more like a demo reel than an actual movie. Sure, there is a cast of characters to move the story forward, but the problem is none of it makes any sense.
Posted in: Disc Reviews by J C on August 30th, 2018
You can’t call your TV show Masters of Sex and not expect to elicit a few chuckles. (You also can’t be surprised if people go looking for it on Skinemax Cinemax rather than Showtime.) But placing its titillating title aside, Masters of Sex turned out to be an engaging, often-excellent, and low-key adventurous period drama for four seasons. The show shined brightest when it was conveying the thrill of discovery and exploration. (Also, it turns out there was a fair amount of sex.)
The series is based on the Thomas Maier biography, “Masters of Sex: The Life and Times of William Masters and Virginia Johnson, the Couple Who Taught America How to Love.” (Excellent call by Showtime and the creators paring title down.) The real-life duo studied human sexuality from the late 1950s until the 1990s. The show’s first season chronicles their first meeting, as well as the relentless effort it took to get their pioneering sex study off the ground.
Posted in: Disc Reviews by Gino Sassani on August 28th, 2018
"Ain't nobody feeling Team Kid Flash."
When Season 3 ended on The Flash, Barry Allen/The Flash (Gustin) is trapped inside the Speed Force where he sacrificed himself to free his friends. Months later we find Wally West/Kid Flash (Lonsdale) acting as the team's speedster. Iris (Patton) is now in charge of the team, while Caitlin (Panabaker) has left to tend bar, mostly running from her Killer Frost persona. Joe West (Martin) is lending police support where he can, and Cisco (Valdes) has honed his teleportation skills and gets the players where they need to be. But they are barely holding their heads above water, and the stress is finally getting to them. And that was before a robotic Samurai arrives threatening to destroy Central City if the team doesn't bring him The Flash. Of course Cisco comes up with a plan to free Barry, and it's no spoiler here to reveal that he does just that. After all, the show isn't called Kid Flash. It's called The Flash, and Barry is always going to be a key ingredient to that name. If all of this sounds a bit confusing to you, you're starting in the wrong place. Check out our reviews of the previous three years here.
Posted in: Disc Reviews by Brent Lorentson on August 27th, 2018
When it comes to Paul Schrader, I feel the argument can be made that he is the greatest American screenwriter. I know it’s a bold statement but when you look over his credits that include Taxi Driver, Rolling Thunder, Hardcore, Raging Bull, The Last Temptation of Christ and so many others I feel there just isn’t anyone out there that can compete. Lately though he’s seemed to have had a difficult time recapturing that greatness, there has even been a part of me that has felt that perhaps I should give up on hoping he’ll crank out one more great film and simply appreciate the filmography he’s delivered us cinema fans over the years. Paul Schrader, despite having some classic titles to his name he’s still a writer and a director that isn’t for everyone. His films typically are dark in tone and typically shine a light onto the underbelly of society that most would prefer to not know about. It’s because of his fearlessness in tackling these subjects that has made me a fan of his for years so when the opportunity to see First Reformed came along I didn’t hesitate, this was a screening I couldn’t miss.
As the film opens we get a long shot that pushes in to an old church, we quickly find out the church is named First Reformed. Inside we meet Reverend Toller (Ethan Hawke) as he is delivering a sermon to a very sparse crowd of parishioners. It doesn’t take long to realize that Toller is a damaged man, both physically, emotionally and spiritually. We get insight into the reverends thoughts through his journal entries that he writes and are narrated for us. Things get moving when Mary (Amanda Seyfried) approaches Toller after a service and requests he speaks with her husband Michael (Philip Ettinger) who she fears wants her to have an abortion.
Posted in: Disc Reviews by Gino Sassani on August 24th, 2018
"So dark. You sure you're not from the DC universe?”
I've said many times in these pages that expectations can kill. That might have been more true for Deadpool 2 than any other film I've seen since the re-launch of Star Wars. The first movie didn't push boundaries. It obliterated the boundaries and kept on going. Fans had certainly been ripe for a raunchy R-rated superhero film, and the box office for Deadpool certainly proved that out by bringing in nearly a half a billion bucks. For a superhero film that might seem like small change, but for what was essentially a comedy, it was awesome money and demanded a sequel before the first run was over at the multiplexes. The problem is that raunchy comedies, like superhero films, share the deadly expectation curse. Rarely does a comedy film sequel live up to those expectations, and if you're anybody but Marvel, it doesn't happen often in the superhero genre either. If all of this sounds like it's leading up to a death knell for Deadpool 2, you're right. It does sound that way. Fortunately for us Deadpool 2 manages to escape its fated demise and not only work as well as the first film; Deadpool 2 is better.
