Video

After a tidy, 20-year gap between making 1978’s Days of Heaven and 1998’s The Thin Red Line, director Terrence Malick has morphed into a regular workaholic. Since 2005, the enigmatic filmmaker has cranked out a whopping (for him) four movies, including 2015’s Knight of Cups. Malick’s most recent effort strikes many of the same lyrical, dazzling, and confounding notes as Tree of Life, which is the best-received film from the director’s surprisingly prolific recent run. But while Knight of Cups undeniably has glimmers of grand beauty and ambition, it mostly plays as if someone made a spot-on parody of a Terrence Malick film.

American football has been making the news of late, and not just in the sports pages. For the last couple of years there has been an increasing concern for players’ safety. From our president declaring he wouldn't let his fictional son play the game to the hard-hitting Will Smith film Concussion, football has taken some heat over its violent nature. Players are retiring early, and the subject of life after football becomes more of a social question than ever before. That's where HBO's Ballers comes in. It's a half-hour look at the NFL from the player perspective, both current and retired. It's intended as a light bit of dramedy, and it certainly is that. Even so, the series doesn't hide from some of the brutal realities of the sport, from the trappings of fame and fortune to the realities of its eventual end.

"Space...The Final Frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before!"

Paramount was bold indeed when they undertook the remaster project of the original series. Not only did they clean up the prints, but they took the decidedly risky option of redoing most of the f/x shots from the original prints.

"My name is Fox Mulder. Since my childhood, I have been obsessed by a controversial global phenomenon. Since my sister disappeared when I was 12 years old in what I believe was an alien abduction. My obsession took me to the FBI, where I investigated paranormal science cases through the auspices of a unit known as the X-Files. Through this unit, I could continue my work on the alien phenomenon, and the search for my missing sister. In 1993, the FBI sought to impugn my work, bringing in a scientist and medical doctor to debunk it... which only deepened my obsession for the better part of a decade, during which time that agent, Dana Scully, had her own faith tested. In 2002, in a change of direction and policy, the FBI closed the X-Files, and our investigation ceased. But my personal obsession did not."

Just in case you don't know what the heck we're talking about here.

"Space...the final frontier. These are the continuing voyages of the starship Enterprise. Its ongoing mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no one has gone before!"

Every Star Trek fan has had that phrase beaten into their brain about as many times as Uncle Ben's mantra about great power and great responsibility. Who knew that the tagline was appropriate to filmmaking? When J.J. Abrams signed on to direct the reboot/remake/reimagining/rehash (insert your own word here) of Star Trek, he quickly made it known that he was not really that into the franchise.

Disaster films are something that for me screams American cinema of the 90’s.  I know there were films before that had come out, but a good portion of my teen years of the 90’s were of the mega-blockbuster variety like Twister, Dante’s Peak, The Perfect Storm, and so forth.  Now we have The Wave, the first disaster film to come out of Norway, and from the looks of the trailers they were going for something BIG.  This is a film that comes out with so much potential and is a film that could even possibly find an American audience that could look past the fact that subtitles may be involved.  With the way technology has come along over the years, smaller countries have been able to produce films as big as anything released in our cinemas here in the states.  Now here’s the question: is it any good, though?

“Ok, so hear me out…ever watch action movies?”

It’s clear that Canadian filmmaker Allan Ungar and practically everyone involved with Gridlocked have seen their share of action flicks. More specifically, this crew is out to recapture the raucous, rowdy, R-rated spirit of late ‘80s and ‘90s franchises like Lethal Weapon and Die Hard. While Gridlocked doesn’t come close to matching the wit or winning formula of those action classics, this straight-to-DVD effort still manages to be a pretty fun throwback.

“He tasks me. He tasks me, and I shall have him! I'll chase him 'round the moons of Nibia and 'round the Antares Maelstrom and 'round Perdition's flames before I give him up!”

After its shortened three year run, it looked like Star Trek was dead and gone. A very short lived animation series was the first attempt to carry on. Before long it too was a thing of the past. Then something rather amazing happened. Star Trek found a home in syndication. The local television markets aired the shows in a somewhat edited form, and they were rewarded with record-breaking local ratings. It didn’t take long before Paramount saw the possibilities

"The needs of the many outweigh the needs of the few." 

The rumors were rampant, and I won't address them at all here. Chances are you know the spoilers, if you want to know them, already. I won't chance ruining it for the few that have avoided any information on the film. I will tell you that Abrams has managed to weave a touching love letter to the Trek faithful into what again is a hugely mainstream film that should kick some serious butt at the box office once again. It's almost as if he wanted to thank the fans who did finally climb aboard his Enterprise.

It's ok to be upset. We're all upset.”

A War is about a Danish commander and his weary, overwhelmed young soldiers fighting the Taliban in Afghanistan. But besides finding a fresh angle to explore a conflict that has essentially been going on for the entire 21st century — Denmark sent nearly 10,000 military personnel to Afghanistan between 2002 and 2013 — this morally complex movie succeeds because it fully explores the toll war takes on everyone involved. In this case, that also includes the unfortunate civilians caught in between the gunfire and at least one weary, overwhelmed wife/mother back home with three young children.