Posted in: Disc Reviews by J C on June 12th, 2013
“In the old days, we did the news well. You know how? We just decided to.”
Sounds simple enough, so what’s keeping everyone from doing the news well? Well, other than a country that feels more politically polarized than ever and a population that mostly seems interested in cherry picking the “facts” they’d rather hear, I can’t think of a single thing. In fact, HBO’s The Newsroom pointedly compares the idea of putting on a quality news broadcast that educates the electorate and earns great ratings to Don Quixote embarking on one of his foolish quests.
Posted in: Disc Reviews by Gino Sassani on June 11th, 2013
"Two can keep a secret as long as one of them is dead."
And there are a lot of secrets to be found on the ABC Family show Pretty Little Liars. It seems that Alison (Pieterse) was murdered in the small Pennsylvania town of Rosewood. She was the "queen bee" of a small clique of girls. She was fond of manipulating those around her, and it seems her head games have finally caught up with her. That leaves her four close friends behind to get on with their lives. That's going to be hard now. Allison's body has finally been discovered, the missing-person investigation is now a homicide investigation, and the four little busy bees are at the heart of the storm. Then there's the anonymous "A" who has begun to send them messages that indicates she/he knows many of their most closely guarded secrets. "A" torments them with her/his intimate knowledge not only of the past but what the girls are up to even now. It's obvious that "A" is close and keeping tabs on the girls. Alison may be dead, but it's "A" who is manipulating them now.
Posted in: Disc Reviews by William O'Donnell on June 9th, 2013
For 8 long seasons Rawhide followed the adventures of a cattle drive. Season 6 was separated into two releases. Here we shall look at what Part Two has to offer. Feel free to browse previous releases covered by Gino on this same site: https://upcomingdiscs.com/?s=rawhide
Clint Eastwood got his first major role playing foreman Rowdy Yates for the entire run of this series. By the sixth season, Eastwood seems to be a far more comfortable and confident actor than what we saw in earlier seasons. A real white hat, Yates is often the voice of reason when his Trail boss (played by Eric Fleming) has his doubts. Although sometimes he needs a boost as well, and that comes in the form of support from their ever-lovin' cook Wishbone (played by Paul Brineger).
Posted in: Disc Reviews by William O'Donnell on June 9th, 2013
For 8 long seasons Rawhide followed the adventures of a cattle drive. Season 6 was separated into two releases. Here we shall look at what Part One has to offer. Feel free to browse previous releases covered by Gino on this same site: https://upcomingdiscs.com/?s=rawhide
Clint Eastwood got his first major role playing foreman Rowdy Yates for the entire run of this series. By the sixth season, Eastwood seems to be a far more comfortable and confident actor than what we saw in earlier seasons. A real white hat, Yates is often the voice of reason when his Trail boss (played by Eric Fleming) has his doubts. Although sometimes he needs a boost as well, and that comes in the form of support from their ever-lovin' cook Wishbone (played by Paul Brineger).
Posted in: Disc Reviews by William O'Donnell on June 7th, 2013
For nine seasons and several TV-movies afterwards, Raymond Burr was Los Angeles based defense attorney Perry Mason. This character's verbal gymnasitcs and uncanny hounding for evidence makes his famous winning streaks seem not just plausible but rather entertaining to behold. His adventures have been well-reviewed by myself and my reviewing compadre Gino on this very site (https://upcomingdiscs.com/?s=perry+mason).
The formula (for lack of a better term) of each episode maintains in this first half of the final season. The primary suspect is profiled, caught and examined in the first half of each story. When things do to trial, the true guilty party is found out, often on the witness stand, as Perry’s uncanny winning streak gets the best of those who try to hide the truth from him. Said winning streak might spoil one’s enjoyment of the show since the outcomes can be predicted during the opening titles screen, but the crimes (most often murders) are elaborate enough to maintain interest for the most part. At the same time, I feel it should be noted that the pacing of the show can often be slow. Think of it being a closer relation to Matlock than the sexier modern Legal dramas like The Practice. Not to say that it is better to have attorneys with chiseled jaws or short skirts versus methodical investigation and character development, but you had better prepare yourself for a lot of men in suits standing in one spot speaking their thoughts aloud.
Posted in: Disc Reviews by J C on May 24th, 2013
“Two possibilities exist: either we are alone in the universe or we are not. Both are equally terrifying.”
Just in case the film’s title wasn’t a big enough clue, this opening quote from famed science fiction writer Arthur C. Clarke makes it abundantly clear the domestic disturbance in Dark Skies won’t be caused by grumpy ghosts or a dastardly demon. This effective little sci-fi/horror movie follows the low-budget template established by recent hits like Insidious, Sinister and the Paranormal Activity franchise, but looks to the not-so-friendly skies for its source of terror.
Posted in: Disc Reviews by Michael Durr on May 14th, 2013
Most cartoons these days seem to be carbon copies of cartoons gone past just with different settings and characters. You got the superhero cartoon, adventure cartoon, anime cartoon, the really kiddie cartoon and the adult cartoon. Today, we have a classic I want to be a Pokemon imitator cartoon. It goes by the name Monsuno. Let us take a look inside the second volume and see if this one is more than an attempt to sell action figures and trading cards.
John Ceballos did a fine job on the first volume in this series, go check it out:
Posted in: Disc Reviews by Michael Durr on May 8th, 2013
After a four-month hiatus, I have been called to assignment, a very special assignment indeed. Thankfully, the message did not self-destruct after five seconds. However, the message did have demands and required negotiation tactics. That is when I called in the SRU Unit from the show Flashpoint and they burst onto the scene. While they are handling a memo that has a notebook at gunpoint, they left me with a copy of Season Five of Flashpoint to review. Let’s take a look.
Season Five of Flashpoint in U.S. terms are the first eleven episodes under the ION Television banner (though the dvd package is still put out by Paramount/CBS). In Canada, these are the last eleven episodes of season four. The last thirteen episodes of the series will hopefully be in a Season Six package later this year (and Canada will have it as Season Five). Got it? Good.
Posted in: Disc Reviews by J C on April 22nd, 2013
“Whose move is it?”
To be honest, I’m not much of a chess player. I know how all the pieces move and I enjoy the mental challenge, but I never really committed to becoming proficient at the game. (Now, if we’re talking Connect Four, you don’t want to run into me in a dark alley.) Pawn establishes its intriguing chess motif early on, before almost completely abandoning it in favor of becoming more of a generically twisty thriller.
Posted in: Disc Reviews by William O'Donnell on April 11th, 2013
The boogeyman, who goes by the name Pitch Black, is gaining power by turning children's dreams into nightmares. An alliance of fantasy characters, North (Santa Claus), (the Easter) Bunny, Sandman, and Tooth (Fairy), come together to face this opponent. They call themselves Guardians who have sworn to protect all of the world's children. In this adventure they recruit a new member, Jack Frost, who is on his own personal quest of discovery.
Big budget CG animated films are largely excuses to have enormous chase scenes, or other similarly fast pace sequences, which amount to being the equivalent of a guitar solo for computer animators. This film is no exception. At least here the graphics are justified since that we are dealing with characters who are rooted completely in imagination and fantasy. If we want the Easter Bunny to have super-teleporting abilities and to live in a complex network of tunnels that is populated by various sizes of walking eggs...we can imagine it so. If we want to see the Tooth Fairy work out of a floating palace that is teeming with hummingbird style minions...why not make it happen? Every scene is an enormous spectacle. Our main villain and the Sandman both deal with...well..sand particles that each move in their own pattern on the screen...I can only imagine the animators losing their minds over having to choreograph all of them.
