Posted in: Disc Reviews by Jeremy Butler on December 1st, 2016
"In penance for their uprising each district shall offer up a male and female between the ages of 12 and 18 at a public reaping. These tributes shall be delivered to the custody of the Capitol and then transferred to a public arena where they will fight to the death, until a lone victor remains. Henceforth and forevermore this pageant shall be known as the Hunger Games."
Now that all four films are out on UHD Blu-ray in glorious 4K, we have the opportunity to view them all again from the very beginning. It's easier to catch the subtle nuances that were planted in the earlier films that would pay off over the four-film run. It took us four years to do that originally. Now you can do it in a day. Jeremy Butler takes us on the final part of that journey with The Hunger Games: The Mockingjay Part 2 (2015).
Posted in: Disc Reviews by Gino Sassani on December 1st, 2016
"In penance for their uprising each district shall offer up a male and female between the ages of 12 and 18 at a public reaping. These tributes shall be delivered to the custody of the Capitol and then transferred to a public arena where they will fight to the death, until a lone victor remains. Henceforth and forevermore this pageant shall be known as The Hunger Games."
Now that all four films are out on UHD Blu-ray in glorious 4K, we have the opportunity to view them all again from the very beginning. It's easier to catch the subtle nuances that were planted in the earlier films that would pay off over the four-film run. It took us four years to do that originally. Now you can do it in a day. Gino Sassani takes us on the next part of that journey with The Hunger Games The Mockingjay Part 1 (2014).
Posted in: Disc Reviews by J C on November 30th, 2016
"In penance for their uprising each district shall offer up a male and female between the ages of 12 and 18 at a public reaping. These tributes shall be delivered to the custody of the Capitol and then transferred to a public arena where they will fight to the death, until a lone victor remains. Henceforth and forevermore this pageant shall be known as The Hunger Games."
Now that all four films are out on UHD Blu-ray in glorious 4K, we have the opportunity to view them all again from the very beginning. It's easier to catch the subtle nuances that were planted in the earlier films that would pay off over the four-film run. It took us four years to do that originally. Now you can do it in a day. John Ceballos takes us on the next part of that journey with The Hunger Games: Catching Fire (2013).
Posted in: Disc Reviews by J C on November 29th, 2016
"In penance for their uprising each district shall offer up a male and female between the ages of 12 and 18 at a public reaping. These tributes shall be delivered to the custody of the Capitol and then transferred to a public arena where they will fight to the death, until a lone victor remains. Henceforth and forevermore this pageant shall be known as The Hunger Games."
Now that all four films are out on UHD Blu-ray in glorious 4K, we have the opportunity to view them all again from the very beginning. It's easier to catch the subtle nuances that were planted in the earlier films that would pay off over the four-film run. It took us four years to do that originally. Now you can do it in a day. John Ceballos takes us on the first part of that journey with The Hunger Games (2012).
Posted in: Disc Reviews by Gino Sassani on November 29th, 2016
1n 1972 Charles Bronson played The Mechanic, Arthur Bishop. He was a hitman with a high level of skill. When he tries to pass on that skill, he's betrayed, and he has to get himself a heaping helping of revenge. In 2011 Bronson did indeed pass the character to Jason Statham when the film was remade. Unfortunately, Bronson had passed in 2003 and couldn't actually pass the torch on the screen. Statham turned the character into more of an action anti-hero, and the film really didn't perform at the box office. It never made back its budget in the domestic market and barely made money when the worldwide take was finally counted. It certainly didn't appear as if the world was clamoring for a sequel. Instead of going for a direct-to-video release, the film tanked at the American box office but was saved by a reasonable take worldwide. Not enough, I suspect, to see the character return, at least not to the box office. The Mechanic: Resurrection couldn't raise the franchise from box office death, but it might just be a solid direct-to-video franchise if the star and filmmakers have the desire to keep playing in this particular sandbox.
Arthur Bishop (Statham) is a professional killer who is believed dead himself. He's no longer in the assassin business. He's been keeping a low profile until he's approached by a woman who represents a Mr. Crain (Hazeldine). Crane wants Bishop to kill three targets that are almost impossible to get to. If he doesn't do the job, Crain will reveal to the world that Bishop is still alive. Of course, Bishop refuses, but it sends him on the run hoping to find Crain before Crain can find him. That's when he meets Gina (Alba) who is also being blackmailed by Crain and has been placed in Bishop's path as a damsel in distress to force him to do the jobs. When that doesn't work, Gina is kidnapped, and now Bishop sets out to do the jobs while trying to rescue Gina.
Posted in: Disc Reviews by Gino Sassani on November 2nd, 2016
"Space... The final frontier. These are the voyages of the Starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."
Every Star Trek fan knows the words by heart. For 50 years they've heralded the promise of something special. From the television show that couldn't but did anyway to 12 feature films. Would #13 be the lucky one? The trailers left many of us worried that it would more than likely be unlucky. And we needed so much for this one to be great. Since the last film we lost Leonard Nimoy, who was most certainly the heart of the franchise on the screen. He was also the gateway between the two incarnations. That loss was eventually expected. Then we tragically lost Anton Yelchin, who was one of the industry’s rising stars. It's the 50th anniversary, and with all this we really needed something good. Trailers said we were out of luck. They say you shouldn't judge a book by its cover. I'm here to tell you that you can't judge a film by its trailers. Star Trek Beyond turns out to be not only what the fans wanted... but what we desperately needed.
Posted in: Disc Reviews by Gino Sassani on October 27th, 2016
“The countless lives we lost in the War Of '96 did not perish in vain. They inspire us to rise from the ashes as one people of one world. For 20 years the world has seen no armed conflict. Nations have put their petty differences aside. United, we rebuilt our families, our cities and our lives. The fusion of human and alien technology not only enabled us to defy gravity and travel at unimaginable speeds. It also made our planet finally safe again."
Not so fast there, cowboy. There would be no need for a sequel to the 1996 hit film Independence Day if the big bad aliens weren't coming back. Unfortunately, the aliens made the same mistake that Dean Devlin and Roland Emerich made with the film's sequel. They both waited too long.
Posted in: Disc Reviews by Gino Sassani on October 21st, 2016
"The universe, a vast expanse of space and matter. It includes all that we see and all that we know. Since the beginning of time, we have wondered how it all came to be. A gloriously orchestrated plan? A chance series of events? Or something much, much dumber?"
Space really is the final frontier. It's where they send tired franchises to die. They sent Jason and Pinhead to space. They sent the Three Stooges into orbit. Abbott & Costello ended up in space. They even sent Machete into space. It's the filmatic version of jumping the shark. In Ice Age: Collision Course they send lovable Scrat into space. Maybe it's time to put this beloved animated franchise on ice for a little while. It's clear they've pretty much run out of ideas, and the box office is the proof in the pudding. What the heck does that mean, anyway? And this is from a reviewer who has been rather fond and kind to the Ice Age films up to this point. Need more proof for that pudding? Bang it Here for past Ice Age reviews.
Posted in: Disc Reviews by Gino Sassani on October 13th, 2016
“Everything they've built will fall! And from the ashes of their world, we'll build a better one!”
Since Disney has taken over The Bullpen at Marvel, they have had an unprecedented run of successful comic book superhero films. During that same time DC/Warner has had trouble finding a direction for their cinematic universe. But the Marvel titles still in the hands of other studios haven’t shared in that run of good fortune. Sony finally had to relinquish control of Spider-Man, and Fox has followed disaster with disaster with The Fantastic Four. The single exception to that rule has been the Fox handling of The X-Men universe. Since Bryan Singer’s 2000 hit the series has had some ups and downs, but the box office verdict has generally been good. Since the series was revived with prequels in 2011, we’ve enjoyed two solid X-Men films sporting a younger cast. Spinoffs with Wolverine and Deadpool have added to the Fox/Marvel winning combination. But it seems the X-Men can fight end-of-the-world events but can’t seem to quite get the hang of third movies in trilogies.
Posted in: Disc Reviews by John Delia on October 12th, 2016
If you are looking for action and adventure, then you will not want to miss X-Men: First Class, a top-notch production that thrills. The storyline under the able direction of Matthew Vaughn contains all the explosiveness you would expect from a prequel to Marvel Comics’ famous X-Men. It’s the beginning of the saga, and we find Magneto (Michael Fassbender) being haunted by the death of someone close him. Escaping the clutches of the evil Nazi war criminal Sebastian Shaw (Kevin Bacon), Magneto meets Charles Xavier (James McAvoy). The two make a pact of finding other mutants and helping them work for justice. When Shaw rears his ugly head with superpowers of his own, the world puts everything on hold in hopes for a miracle to protect them; enter the X-Men.
I love the screenwriting style of Ashley Miller (Thor) who brings so many dynamic characters to life with amazing superpowers, and in X-Men: First Class she presents some very realistic baddies along with her heroes. Directed by Matthew Vaughn who gave us the action-laden Layer Cake and Kick Ass, nothing’s held back on his radical style of introducing characters with pugilistic powers. Here he puts Lee’s characters to the test and comes up with a winner.
