The Reel World

Bad Robot in my eyes is simply the best at keeping things a secret.  In this day and age to be able to surprise audiences is just about an impossible task.  When the first Cloverfield trailer was released in 2007 in front of Transformers, it was a trailer that had us all guessing up until its release.  In my opinion Cloverfield was one of the best found-footage films to come out, and was a grand achievement considering it was a monster film that had been pretty much been kept under wraps until its actual release.  Bad Robot managed to surprise us again, releasing a trailer for 10 Cloverfield Lane that set the internet on fire with theories and hopes for this to be a long-awaited sequel.  But is that what this really is? 

”We recognize that it is our responsibility to help ensure that casting decisions reflect the diversity and culture of the time periods portrayed. In this instance we failed to live up to our own standards of sensitivity and diversity, for which we sincerely apologize. Lionsgate is deeply committed to making films that reflect the diversity of our audiences. We have, can, and will continue to do better...”

It's a bad sign when a studio issues a public apology months before the film ever hits the screens. Gods Of Egypt will likely be remembered, if it's remembered at all, as having some of the worst timing of any film ever.

Ever since Michael Mann came along, the bar has been set when it comes to making gritty heist films.  Sure, films have come close in reaching the ranks of Thief and Heat, but close isn’t enough to put films over the top.  When the trailers came along for Triple 9, it was a film that I immediately had my eye on and was curious what director John Hilcoat (The Road and Lawless) would do with the material.  The result is just about the most corrupt cop film to come out in ages and a gritty crime drama full of double-crosses that’ll have you questioning who are the good guys in a sea of so many bad ones.  Is this a modern masterpiece or simply a slick action film?  Well, to be fair, it’s somewhere in the middle.  Strap on your bulletproof vest and grab and extra clip, because Triple 9 throws you in the thick of the action.

After Robert Eggers received best director out of Sundance, The Witch became a film that went on my radar. Following the release of the trailer to the film, I was hooked; its startling yet beautiful imagery was enough to get my attention.  As buzz built around the film as it continued to awe audiences in various festivals, my anticipation for this film was getting out of control.  Could a film really be this great? Is it possible to make a film that still shocks and terrifies audiences?  By the time I found myself getting to this screening, The Witch now was a film that unfairly had something to prove to me; I poked the bear and dared this film to blow me away. As the lights dimmed and the film played out, I came away with more than I asked for.

A Pew Research Poll in 2012 said that 84 percent of the world’s population believes in God. A Harris poll in 2013 said that 74 percent of Americans believed in God. I’m making some simple statements up front, because the subject is extremely complicated and confusing the more you dip into the well to try to understand. There are 2.3 billion Christians and 1.7 billion Muslims out of the over 7 billion people on the planet. There are 15 million Jews. Christianity, Islam, and Judaism have overlapping tenets of faith, but you would never know it if you look at the history of the world. Religion has become a big disappointment to many.

“Hi...it's been a long time.”

If Project Runway has taught us anything, it's that “in fashion, one day you're in and the next day you're out.” To a lesser extent, that adage can also be applied to comedy stars, since audience's tastes seem to shift almost as often as style trends. (There was a point in time when Pauly Shore was a movie star...that really happened!) As a result, any sequel to 2001's Zoolander — Ben Stiller's really, really, really, ridiculously good looking absurd fashion satire —had the odds stacked against it.

Hail, Caesar is a typical example of a Coen brothers movie, which means it is completely atypical. The Coen brothers are revered for not only being different from everyone else but also making films that are different from each other. It would easy to say there is a Coen brothers style, but you would be reaching, because the two men are committed to exploring things differently each and every time they make a movie (or produce a television show like Fargo). The most characteristic identifying factor is quirkiness and individuality. They are among the few filmmakers working in Hollywood who do whatever the freaking heck they want. What I mean by that is that the movies they make would not be allowed if proposed or pitched by anyone else.

"Never underestimate the impact of dramatic entrance!"

It's hard to maintain the attention of the 21^st-century child. Animated movies have to combine enough elements of charm and action to keep their attention for a little under two hours. If you want to keep a franchise going, you have to rip out your sequels in reasonably tight schedules. It's been over four years since Kung Fu Panda 2, and we waited nearly that long between the first and second entry. That's a long time in a culture where we move from fad to fad almost by the hour.

There are many films that depict the ferocity and cataclysmic power of the vast ocean. It is a fearsome display that cannot be imagined in any way that compares to the reality of the experience. The Perfect Storm, Life of Pi, The Guardian, and Titanic are just a few examples of disasters at sea. It is the United States Coast Guard’s job to rescue distressed people under severe emergencies at sea. The Finest Hours is a depiction of a true-life sea rescue under the most challenging and horrifying conditions. It is known as the most successful small boat rescue ever recorded. When I say small boat, it is the rescue boat I’m talking about, but the ship they were singlehandedly sent to rescue was a gigantic T2 tanker Pendleton, which had split in half on open seas.