Posted in: The Reel World by Gino Sassani on June 6th, 2014
"What I am about to tell you sounds crazy. But you have to listen to me. Your very lives depend on it. You see, this isn't the first time."
No, this isn't the first time. Tom Cruise seems to be making a habit of these science fiction action movies of late. There was Oblivion and War Of The Worlds, and quite frankly Edge Of Tomorrow looked to be pretty much more of the same. But there's a huge difference between this film and the previous two. Edge Of Tomorrow is actually good. What looks on the surface to be just Groundhog Day with futuristic toys turns out to be a redemption story that I actually never saw coming.
Posted in: The Reel World by J C on June 6th, 2014
“I believe we have a choice in this world about how to tell sad stories. On the one hand, you can sugarcoat it. Nothing is too messed up that can't be fixed with a Peter Gabriel song. I like that version as much as the next girl does. It's just not the truth.”
With its beautiful leads and an impossibly romantic European interlude, I wouldn't exactly say The Fault in Our Stars gets at the truth either. But the film has enough authentic touches — and, more importantly, treats its characters with enough unvarnished affection — to make it one of the most effective tearjerkers in recent years.
Posted in: The Reel World by Brent Lorentson on May 30th, 2014
With the exception of Blazing Saddles and City Slickers, it’s not easy to come up with a successful western/comedy. But leave to Seth MacFarlane to venture into this territory with his irreverent humor in tow as he looks to beat the odds and make a successful western with his new film A Million Ways to Die in the West. Following the success of Ted, I was looking forward to seeing what MacFarlane would do next; after all, I feel he’s the comedian who speaks to my generation better than anyone else out there. As one of the comedy greats of the time, I had little doubt about his ability to write and direct another hit, but where my concern mainly fell is on how he would fare as the leading man.
Posted in: The Reel World by J C on May 30th, 2014
If Christopher Nolan’s take on The Joker isn’t the very best example of modern cinematic villainy, then it’s near the top of the list. Obviously, a tremendous amount of credit goes to Heath Ledger’s Oscar-winning performance in The Dark Knight, but I’d argue the real thrill comes from the character’s arbitrary, inexplicable approach to evil. By having its Joker invent tragic (fake) backstories on the spot, the film made a mockery out of the notion of having to explain a movie monster’s past. Disney’s Maleficent, on the other hand, is the latest misguided attempt to redeem a character who was better off being unredeemable.
Posted in: The Reel World by Archive Authors on May 27th, 2014
Vampires have been popular since Bram Stoker and Sheridan Le Fanu started writing about them nearly 200 years ago, but vampires have been around much longer than that. That seems to be how the story goes. That's part of the problem. In Only Lovers Left Alive, it's difficult for a vampire to overcome his boredom and disappointment with “zombies”, as he calls the human mortals. These vampires try to subsist on blood banks. Not only is it more humane, but that way they know the blood is tested. They don't like blood-borne pathogens
Posted in: The Reel World by Archive Authors on May 26th, 2014
Chef has a fantastic cast having fun, being sexy and making us happy. It must have been a blast for everyone involved. Everyone is probably involved because they love writer/director/star, Jon Favreau. Favreau's directorial efforts are varied and include Iron Man I, Iron Man II, Cowboys and Aliens, Zathura, Elf and Made. He made an early impact in 1996 by writing and starring in Swingers. He is also familiar to audiences as Happy Hogan, Robert Downey Jr.'s security chief, in the Iron Man series
Posted in: The Reel World by Archive Authors on May 25th, 2014
There is a famous painting from 1779 of Dido Elizabeth Belle with her cousin Lady Elizabeth Murray which is owned by the present Earl of Mansfield and rests in Perth Palace. It is the inspiration for the movie Belle. The history of events that swirled around Belle are pertinent to this day. The film doesn't always hold to historical accuracy, but mostly in matters that do not aid the excellent story being told. The historical inaccuracies are minor and mostly irrelevant. Here is what is true. Belle is the daughter of Admiral Sir John Lindsay and an enslaved African, Maria Belle. Lindsay had his uncle, William Murray, take care of her at his estate
Posted in: The Reel World by Gino Sassani on May 23rd, 2014
"You and I have a lot of catching up to do. What's the last thing you remember?"
In 2006 director Bryan Singer appeared to have turned his back on the film franchise he had brought to life. After two successful runs at the X-Men universe Singer was primed and ready for a third when a certain Man Of Steel caught his eye. At seemingly, the last minute Singer dropped out of the third X-Men film to direct the dubious return of Superman. I actually like Superman Returns better than most. I wonder how much of the film's hatred might have been directed at its director, considered a traitor by many fans. I never really looked at it quite that way. It's a business, after all, and people come and go.
Posted in: The Reel World by Brent Lorentson on May 16th, 2014
“It’s not the end of the world.”
I still remember the night I walked out of the screening of the Roland Emmerich version of Godzilla. I can’t remember a time I had ever been so angry at a film. It was a film that was an insult to the monster that I had held in such high regard right alongside King Kong. Sure I had seen the trailers, but when I saw that first reveal of their “Godzilla” I cringed; I hated it. Had the film been called anything else perhaps my loathing towards it would have been different, but it was a film that was foolish enough to hold the name of Godzilla.
Posted in: The Reel World by Archive Authors on May 16th, 2014
Baseball is huge, and Bollywood is huge, so imagine if you put them together. In many ways, Million Dollar Arm is about Indian culture and what a separate world it is from ours. The film starts out in Los Angeles where J.B. Bernstein (Jon Hamm from Mad Men) is a sports agent who has broken off from a big agency to start his own firm. His partner, Aash (Aasif Mandvi of The Daily Show), is very nervous about where their next client is coming from since they lost a big one right at the start of the film.