When Dwayne Johnson joined the Fast and Furious franchise, I thought the series couldn’t get any bigger, especially when he and Vin Diesel faced off in one of the best scenes ever in an action movie. Then Jason Statham appeared in the end credits of Fast and the Furious 6 shattering that glass ceiling, and he didn’t disappoint, proving to be one of the group’s biggest adversaries. Then there was the fact that the Statham-Johnson showdown trumped the Diesel-Johnson battle, thereby showing the former’s electric chemistry. It was only a matter of time until a spin-off film came about. Lo and behold, Fast and the Furious presents Hobbs and Shaw. Now, the film has been a source of controversy for the franchise, with both Diesel and Tyrese Gibson voicing their discontent about the delaying of their next installment in favor of this film. Needless to say, Johnson will not be taking part of the ninth installment of the series, but I doubt he is losing much sleep about that, especially when he has the makings of his own franchise with this film.

In the opening credits, we get to meet the third child of the Shaw Family, Hattie, played by Vanessa Kirby, who went from playing royalty in The Queen to a certified harass in the latest Mission Impossible. With this film she solidified her standing as an action star as she holds her own alongside Statham and Johnson. While acquiring a new bio weapon, Hattie’s team is dismantled by a genetically enhanced super soldier (Idris Elba) who seeks to take the weapon. Though she manages to escape with the weapon, Hattie finds herself framed for the killing of the team and theft of the bioweapon.

Live action remakes are Hollywood’s latest trend, and they are usually a hit or a miss. That was a universal truth that I went into this movie knowing. To that end, I fully expected that Dora and the Lost City of Gold to be on the side of the latter rather than the former, and yet I was unexpectedly wrong. The film even managed to captivate my daughter, and if you guys have been reading my reviews, you know that she has the potential to be a harsher critic than I do. (If you need proof, look no further than her opinion of Missing Link). I wasn’t even sure that my daughter was that a big a Dora the Explorer fan. Well, if she wasn’t before, she most certainly is now after this movie. Isabela Moner (Instant Family) brings the titular character to life in this live action film that has her facing the biggest challenge of her life.

Dora has grown up in the rainforest, the child of two professors (Eva Longeria and Michael Pena) studying an ancient Incan city that legend tells houses an immense treasure. Dora has grown up with the legend, as well as her family creed that they are explorers, not treasure hunters. Eager to prove herself to her parents, she sets out on an adventure that results in her nearly becoming injured, but fortunately, her parents are able to rescue her, which proves to them that she is not quite ready to take part in their latest expedition to discover the lost city of Parraputa.

I am a Power Rangers fan. I grew up during the first incarnation of the series and had every one of the action figures with the flipping head to show them masked and unmasked. Hell, I am even a fan of the film that premiered in 2017 so much that I would welcome a sequel, though that prospect seems unlikely with the rising profiles of Naomi Scott, RJ Cyler, and Dacre Montgomery. All that said, Turbo: A Power Rangers Movie is where I get off the bandwagon. Despite featuring some of the original cast members, the story is too convoluted and over-the-top to find enjoyable. Taking place after the events of Powers Rangers’ fourth season, also known as Power Rangers Zeo, Turbo sees Tommy Oliver still in command (i.e. the red ranger) of the last crop of Rangers. While competing in a local charity fight to save the Youth Shelter, Rocky DeSantos takes a fall and is seriously injured, which leads to the discovery of their identities by Justin, a friend of Rocky and frequenter of the Youth Shelter. Meanwhile, a new enemy emerges in the form of Divatox, an intergalactic space pirate who is searching for a key that will allow him to traverse an inter-dimensional gateway in order to marry a Maligore, who has promised riches and immense power in exchange for their union.

This movie served as the segue into the Power Rangers Turbo TV show, as well as Kimberly Ann Hart’s exit from the universe with the exception of her cameo in the 2017 incarnation. Perhaps this is bias on my end, but this film would not have been how I wanted to leave the franchise. The story was too convoluted and ridiculous for me. Now this is obviously the opinions of me as an adult; I’m sure when I was a kid and the movie first premiered back in 1997, I thought it was the greatest thing to come into my young life. Fast forward to my adult self; I can’t digest the silly storyline.

I think most men as they take on the journey from boys to men usually encounter a fascination with an older woman.  Usually it's nothing more than an infatuation, an impossible ideal that even the woman herself can't live up to.  But the ideal of what we think of her is important to our growth and vital to exploring our feelings.  In our film, Penguin Highway, we meet a boy who becomes fascinated with an older woman named Onee-San.  However, the mysteries surrounding this lady are numerous and turn this common coming-of-age story into something extraordinary.   Let us take a look.

It is June 29th; the temperature outside is a breezy 25 degrees Celsius (77 degrees Fahrenheit).  Aoyama is in the fourth grade.  He is smart, and he studies hard.  The student has a very bright future ahead of him.  Importantly, Aoyama is high on himself, but he is not conceited, and that's what makes him great.  On the way to school, he stops by a bunch of children his age who are looking out into the field.  There appears to be a gathering of something, but nobody can make it out.

When it comes to Body At Brighton Rock, there was an opportunity for this to be something pretty awesome.  After all, when you think about it, only a few years ago The Revenant was showing just how great a film can be about surviving in the wilderness and how intense a bear attack can be.  Well, to be fair, I don’t believe Body At Brighton Rock was aiming to be in the same ballpark of The Revenant, but as I was watching this, it was difficult to not think about what could have been.  Really, the film is a simple little tale about a state park employee who gets lost in the woods and stumbles upon a dead body in the process.  It’s a good start for the film, but sadly this turns into a bit of a snooze-fest despite some spurts of promise.

When we meet Wendy (Karina Fontes), she’s already late for work, something she seems to do quite often.  She works for the State Park Service, which seems to have more people on duty than I would have guessed.  Wendy from the start just doesn’t seem to be right for the job. Even her coworkers can’t help but make jokes at her expense.  But to help a friend out, she decides to swap positions with her, so rather than sticking to the indoors, Wendy sets out on the trails to post signs and do whatever it is a Park Service officer does.  It doesn’t take long before she gets lost, and in the process of trying to find her way she stumbles across a body.  Sure, I can believe anyone can get lost in the woods, but when it comes to Wendy’s abilities in the wild, well, it’s hard to believe she’d ever be hired not knowing simple basic survival skills.  Another frustrating aspect: she’s carrying around a pack just for the specific purpose of helping keep her alive in case of emergency, but it seems nothing you would actually need is in this pack.

With a title like Hail Satan? you know your film is going to evoke a reaction.  I’m not sure when doing a documentary you really want to polarize your audience, but when you also have DVD cover art of Baphomet, well, then you’re basically taking the ram (in this case) by the horns and just going for it.  One of the core subjects the documentary is covering is about the freedom of expression in regards to having a Baphomet statue erected to stand next to a statue depicting the 10 commandments on government property.  It’s a film that does its best to stay neutral when it comes to religious freedom but in the process becomes a bit problematic for both sides of the debate.  This is one where it got a little frustrating to watch, but I was impressed by how entertained I was throughout it all.

When the film opens up we get to see the leader of the Satanist group, Lucien Greaves, basically trolling the Westboro Baptist Church.  Sure, these antics may be in bad taste, but considering who it’s being done against, it’s hard to sympathize with the Westboro Baptist Church members.  Lucien is basically a self proclaimed rebel who seems to want nothing more than to provoke those who seem to want to use religion as law in how people should act rather than actually following the laws.  We see this on display when the Satanists go on to protest at an anti-abortion rally, as well as when the group attempts to perform a Black Mass in Boston.  Yes, these things are done to evoke a response, and sure, there are many that will be offended by a lot of what’s in this documentary, but there is a message here.

"The fall of the worlds, it was the war to end all wars. There was no one left to fight, no war memorials, no wall with the names of the dead, no statues of heroes. Only empty cities and the ruins of great civilizations on two planets. Tumbleweeds, skulls, crows. Only in Zolem did the lights stay on."

I was unfamiliar with the original source material. I found myself treated to a unique action-packed experience. Alita is unquestionably one of the top action films of 2019. I know it’s early, but I have no reason to doubt that my claim will be just as true as the year continues. I would have liked it a bit more if they expanded on the universe slightly more, but it was still a solid opening for the inevitable franchise. By the year 2563, the world has been ravaged by a catastrophic war known as “The Fall,” dividing the population. High-born members of society reside in a sky city known as Zalem, while low-born people live underneath in the junkyard metropolis known as Iron City. Many low-born people have cybernetic limbs and enhancements. One day cyborg surgeon Dr. Dyson Ido discovers a disembodied female cyborg with a fully intact human brain. Providing it with a body, the cyborg returns to life but does not remember her former life or her own name. Naming it Alita, Ido takes the cyborg and raises it like a daughter.

I thought Nalyce would be all about this animated movie, but it only managed to hold her interest for about forty minutes. After that, she was off playing with her toys without a care in the world. So that obviously means that Missing Link does not get the Nalyce stamp of approval. I remained more discerning than my daughter and continued to do my due diligence of sticking it out to the end. I’m glad I did; Missing Link does get my seal of approval. From the creators of Kubo and the Two Strings comes this new family-friendly film full of adventure and friendship. The story does drag a bit in the beginning, but it gets more interesting as things go on. Though there a couple of adult themes that I was not expecting at first, I would style characterize this as a film that the family can enjoy together, just not my family.

Sir Lionel Frost (Hugh Jackman) is an adventurer determined to take his place amongst a society of distinguished gentlemen. However, given his adventures to discover mythical creatures usually yield no irrefutable proof, he is considered a mockery and not granted access to the level of status he desperately seeks. After his latest adventure proves as fruitless as the others, he receives a letter revealing the existence of another fabled creature known as Sasquatch. His peers immediately disregard his claims as false, especially Lord Piggot-Dunceby (Stephen Fry), Sir Frost’s biggest detractor. A wager between the two men is struck: if Sir Frost can bring back proof of the creature’s existence, he will be granted access into the society of “great men.” As Sir Frost begins his journey, Lord Piggot Dunceby plots to rid himself of Sir Frost altogether.

By Ian Delia

A good time to praise the lord just as many others have in the movie Breakthrough. A beautiful true story of young John, who fought for his life and the miracle brought through his belief in Christ. This movie shows the amazing things you can be blessed with with prayer and faith. Get ready to laugh and smile, but be prepared to cry your heart out with sweet tears. I suggest bringing tissues with you; bring a lot. Young John (Marcel Ruiz) was an orphan since he was an infant. He never knew his mother and always wondered why she gave him up. As a five-month-old baby he was adopted by a loving family, the Smiths. The Smiths, Joyce and Brian, are a very religious family. Joyce runs a bible study, and John is in a Christian school Living Word Christian School in his hometown of St. Charles. John plays basketball at his school, and he’s a very good player, even though the film shows he acted up quite a bit. John doesn’t do assignments, starts fights with others, and doesn’t really care too much about school. John hasn’t given himself to the lord as his adopted parents wish he would. He didn’t really believed in our lord and savior, until the lord shed the light upon John and saved him from the grave.

Warner Brothers has done an impressive job when it comes to their live-action DC Universe television shows. Arrow, The Flash, and Legends of Tomorrow have been fun, entertaining experiences. Now with them starting up their own streaming service, they have upped the ante by releasing Titans.  When I first heard about this one I wasn’t sure what to think, considering I wasn’t much of a fan of the animated series, but I’m so glad I came into this show with an open mind, because this show is jam-packed with coolness.  Since this was made for a streaming service and not broadcast television, not only do we get superheroes dropping F-bombs, but we get some edgier storytelling along with some violent action you may not expect.  Seriously, this one is not for the kids. The show introduces us to Dick Grayson, aka Robin ( Brenton Thwaites) a year after he has fled Gotham City and has moved to Detroit to become a detective.  It doesn’t take long before we find out he’s made the move from being Batman’s sidekick because he’s started to develop a taste for dispensing violence and is worried about what he could become.  Don’t worry; he’s still down for inflicting some vigilante justice, but we see it comes at a price over the course of the season.  It’s not long before he meets a young girl, Rachel Roth (Teagan Croft), who has some dark supernatural powers that are drawing some negative attention her way which eventually leads her to Dick.  The heart of the show is about these two orphans at different stages in their life. Dick is attempting to step out into the world and make a name for himself, while Rachel is alone and in desperate need of help.  There is some nice chemistry between these two as we see them develop a sort of brother-sister relationship, and it’s the strength of this bond that makes it easy to want to invest our time in these characters.

We also get to meet Kory Anders, aka Starfire (Anna Diop), who has powers of her own but has lost her memory, though she has reason to believe Rachel is the key to getting back her memories.  Along the way we also meet Gar Logan, aka Beast Boy (Ryan Potter), who has a gift for turning into any animal (though we only see him as a tiger), and he develops his own unique relationship with Rachel.  The four together make up the core group of the Titans, though there are plenty of other characters who weave their way in and out of the storyline.