It is surreal to know less about a subject than your six-year-old daughter, but that was the case going into How to Train Your Dragon: Hidden World. Aside from a knowledge of this franchise’s existence, I knew next to nothing about the films as a whole. My daughter, Nalyce, on the other hand turned out to be a subject matter expert about the series, as well as he television series, apparently. It was quite the role reversal having her explain to me significance of Hiccup and his dragon Toothless. Also, it gave us something to bond over, which was further expanded upon thanks to the opportunity to take her with me to this screening. For me, I found the film to be a wholesome family experience and a satisfactory conclusion to a well-liked franchise, though I’m sure there remains the opportunity for expansion of the film’s universe. Nalyce was mesmerized by the Hidden World and the different species of dragons. All in all, this is a treat for the whole family.

"Three months ago, I was cutting grass on my front yard. The mailman shows up with a letter from the army. Now I'm here, and no idea where I'm going to end up."

Wow, another gut-wrenching action-packed war film that takes on an ominous shroud of terror.  It’s perfect for war buffs and horror fans who just can’t seem to get enough. The film Overlord from J.J. Abrams, the producer of the Cloverfield series, takes off in five minutes of absolute madness; then turns its guns on the Nazis as a squad of paratroopers look to complete a battalion saving mission. I loved every minute of the fast-moving film, and it brought back memories of the recent Trench 11 (2017).  If you like this one, check that one out for the fun of it.

It was 1985 when The Key to Rebecca first aired. It was a made-for-TV film based on the novel by Ken Follett.  I had never heard of the film until a couple of days ago and had no knowledge of the book, so I was pretty much going into this with nothing more than the blurb you can read off the back of the DVD box.  The one thing that jumped out at me was the running time on the film: 3 hours and 14 minutes, so one thing I knew was it would be a film I’d be spending a decent amount of time with.  I have nothing against long film. I don’t care what the runtime is on a film, just so long as the film is good, and unfortunately The Key to Rebecca didn’t turn out to be the suspense-filled spy film I had hoped it would be.

When I first heard that Bradley Cooper would be making his directing debut with A Star is Born, honestly, I kind of groaned.  It’s not because I didn’t believe he’d have the chops; after all, he’s worked with many successful directors over the span of his career. I groaned because I believed the world didn’t need yet another remake of the film.   This will be the fourth incarnation of the film, and while many can debate on which version is their favorite, the film was pretty much a relic I felt should have stayed in the past.  I mention this and want to also put it out there that even after some of the trailers I had caught for the film, my excitement level was pretty low going into this.  Well, this turned out to be the sleeper hit of the year for me.  Sure, many could have told me this would be a hit, and because of the cast I wouldn’t dispute it, but when I walked out of the auditorium I felt like I had experienced something special (even if it had been made three times before).

If you look at the box office rankings for last week, you will undoubtably see Alita: Battle Angel occupying the number one slot, and with good reason. I know what you are thinking: last week is being heralded as one of the worst box office performances for a Presidents’ Day weekend, but that does not damper my opinion of the film. Though it took a second for me to gain traction with the series, as I was unfamiliar with the original source material, I found myself treated to a unique action-packed experience. Alita is unquestionably one of the top action films of 2019. I know it’s early, but I have no reason to doubt that my claim will be just as true as the year continues. I would have liked it a bit more if they expanded on the universe slightly more, but it was still a solid opening for the inevitable franchise.

American Vandal is a mockumentary series that premiered on Netflix back in 2017. For those unfamiliar with the term “mockumentary,” it is a parody film or television series in the format of a documentary. This particular series is a parody of the Netflix series Making a Murderer and a investigative podcast called Serial. American Vandal has been on my radar for quite some time thanks to a friend of mine that sang its praise for weeks, trying to convince me of the show’s merit. My buddy’s recommendation had me intrigued, but as you can imagine my queue of media content is a long one, and I was waiting for inspiration to strike to push the series to the front of the queue (thank you, Upcomingdiscs). First thing I did after watching the series is call up my friend and let him deliver his “I told you so” speech.

Kirk Taylor is an artist with many talents. He's an actor who can be found on such films as Oliver Stone's Full Metal Jacket and television shows ranging from Law & Order to Chicago Hope. He's an acting coach, musician and composer. He's living proof that an actor of faith can still make his mark in the entertainment industry. His latest appearance is as Cephas (Peter) in the film Revival! along with Chaka Khan and Mali Music. It's a retelling of The Gospel According To John that's part Jesus Christ Superstar and part classical stage production. It's a film that's hard to nail down. But I decided to give it a try and that led to an interesting conversation with Kirk Taylor. There's a passion for his art and faith that is very evident in his conversation. You don't have to take my word for it. Bang it hear to listen in on my conversation with Kirk Taylor.

Find out more about the film here: Revival: The Movie

"The math is right. Something else must be wrong."

Remember math class back when you were in grade school? Yeah, I know. Talk about your horror and nightmares. There used to be this thing called a Venn diagram. I imagine it was named after a guy named Venn. The idea was you had two circles. Inside the circles you had stuff. There were the things in circle A, the things in circle B, and then there were the things in a shaded area where the circles intersected like the Olympic rings. That's the only way I can really describe the experience I had watching Happy Death Day 2 U. I had not seen the first film, so I borrowed a copy and watched it literally hours before I attended the screening for the new movie. I thought it was shaving things a bit close, but it turned out to be the most fortunate circumstances that could have happened. It doesn't matter how many times you've seen Happy Death Day. You need to watch these films as closely together as you can, because this isn't a sequel, it's a lateral move to another angle. And these two films are intersecting like crazy. These would have been Venn's kind of movies.

Steve McQueen has established himself as a rather talented director. 12 Years A Slave was one of the better films of 2013 and one of the few times I happened to agree with the Oscars’ choice for Best Picture. When he tackled the heist format, I expected something unique, and I wasn't at all disappointed. McQueen managed to put a clever spin on a tired genre and provide us with a superior and inspired cast. It wasn't all completely his idea, of course. The film is based on a Canadian miniseries that goes back to the 1980's. That doesn't mean he hasn't found a way to imprint the material with his own style and bold choices. There's a lot to love about Widows, but I have pretty low expectations for this film at the box office. More on that later. Let's get down to it, shall we?

"They have assembled here from the four corners of the earth. Fifty-five warships, among them the newest and most sophisticated ever produced. The United States is here. Great Britain, India, Japan, Canada, Australia, Germany. Twenty-six nations together; each will introduce the latest in naval technology in their arsenals."

And this is actually the true subject and focus of the latest IMAX/4K release from Shout Factory. If you came strictly to spend 45 minutes on an aircraft carrier, you went away a little disappointed. But now that you can have it at home to watch in UHD whenever the mood strikes you, there's less to be disappointed in here.