"Millions of people around the world believe we have been visited in the past by extraterrestrial beings. What if it were true? Did ancient aliens really help to shape our history? And if so, what if there were clues left behind, something hiding in plain sight? What if we could find that evidence?"

Ever since Eric von Daniken released his speculative book and its subsequent 1970 film Chariots of the Gods, there has been an entire field of study created around something commonly called Ancient Astronaut Theory, the idea is that extraterrestrials have visited many of our ancient civilizations. The theory continues that these visitors had a hand in shaping our development, whether it be through technology or even manipulation of our very DNA.

In life, we all fall down; it’s a fundamental fact of life. This is a story about how we get back up. 100 Yards is about Rich Porter, an NFL prospect who loses his way after suffering tragedy. With a potentially great opportunity in front of him, he cuts himself off from the world. The hits just keep on coming as he is diagnosed with cancer. Instead of battling his disease, he is resigned to his fate until his meets a young boy with the same condition as well as a compassionate nurse that try their best to bring Rich back to the light and get him to hope again. 100 Yards is a story about regaining faith that no situation is completely lost, and it is about how we approach it.

Patrick Kilpatrick may be one of the biggest stars you don't necessarily know. He's a prolific actor with over 14 project already in various stages of pre-release. His credits go all the way back to Tocix Avenger and include televisions shows like Lois & Clark: The New Adventures Of Superman, Matlock, Star Trek: Deep Space Nine & Voyager, The X-Files CSI & NCIS: New Orleans. His film credits include Minority Report, the under-appreciated Parasomnia, The Presidio and Remo Williams: The Adventure Begins. What is more impressive than his over 150 roles is the life he's led off-screen. The book Dying for a Living: Sins & Confessions of a Hollywood Villain & Libertine Patriot documents the first half of that journey. It's has a unique narrative style and a visceral storytelling that will certainly keep your attention. I got to do more than read the book. I had the opportunity to spend quite a bit of time talking to Patrick. He's just as interesting in person. Now you can share that experience and eavesdrop on our conversation. Bang it here to listen to my chat with Patrick Kilpatrick.

Howdy Partners. It's Gino down on the Upcoming ranch and do we ever have a busy week ahead of us. We've hit the slow time for releases but it seems like all of the studios want to stampede on this week's round-up. The other studios are certainly envious of Universal's Best Picture winning Green Book and it's coming out on UHD Blu-ray/4K. It was my SEFCA choice for Best Picture and even if my fellow critics went another path I still say this is the very best film from 2018. Now you get to see it in all its 4K glory. Let's just not mention any of this to Spike Lee, okay? Okay. Universal also remains in the driver's seat for Mortal Engines on UHD Blu-ray/4K. Lionsgate takes us back in time once again for the 11th season of Ancient Aliens on DVD and then they jump to the future with A.I. Rising also out on DVD this week. Lionsgate also let's it go down to The Last Man on Blu-ray. Eagle Rock goes across the pond to deliver Foreigner Live At The Rainbow '78 on Blu-ray. It's a trip back in time for the iconic band's tour after their first album hit the charts. Warner Brothers commits Fantastic Beasts: The Crimes Of The Grindelwald to UHD Blu-ray 4K. TNT boards The Last Ship: The Final Season on DVD. Film Movement goes Over The Limit on DVD and seduces us with Marquise on Blu-ray. Fox also goes across the pond for London Fields out on DVD.

And, Partners, don't forget. If you'll be making that video withdrawal from Amazon, lasso yourself one of our many links to get there. It helps keep us going here on the Upcomingdiscs ranch. Until next week, share some light with someone this week... television light, that is. Now let's get those titles rollin'!

"Does announcing your identity help with the covert part of the job?" 

Let me begin by saying that actress Brie Larson doesn't want me to write this review. It's not that I didn't like the film and intend to cut it down. Actually I rather liked the movie, and while it isn't going to crack my top five Marvel films, it's a very entertaining film that adds wonderfully to this always evolving world of the Marvel Cinematic Universe, or as we fan geeks like to refer to it, the MCU. So she wouldn't take much if any umbrage with my evaluation of the film. It turns out that I happen to be a white male, and she has made it known that she doesn't want to see reviews for this film written by white males. Sorry, Brie. I suggest you skip this one.

It may only be March, but I’m willing to bet The Standoff At Sparrow Creek will make the list of my top films of 2019.  I’m going to go out on a limb and say that this is the next breakout film people will be talking about, because it’s just that damn good.  Think about what Reservoir Dogs mashed up with Glengarry Glen Ross would be like if they were mashed together and the characters were all members of a militia; then you’ll somewhat have an idea of what The Standoff at Sparrow Creek has in store for you. We’ve all heard rumblings about militia groups, the kind that have their hidden bunkers that have stockpiles of weapons and ammunition that are ready to go into battle at a moment’s notice.

"In the ring, you got rules. Outside, you got nothing. Life hits you with all these cheap shots. People like me, we live in the past. You got people that need you now. You got everything to lose; this guy has got nothing to lose."

For the last couple of decades the sport of boxing has lost much of its popularity, at least here in the United States. The big matches used to be events where neighbors and friends would gather and enjoy the spectacle together. It likely started when long-time fighting fan and announcer Howard Cosell distanced himself from the sport, and the collapse appeared finally complete around the time Mike Tyson added ear to his menu. It's devolved so far that I haven't known who the champ is for more than 10 years.

Howdy Partners. It's Gino down on the Upcoming ranch, and I have some titles we need to round up and get to market for you. A little birdie told us that RLJE Films is releasing The Standoff At Sparrow Creek on Blu-ray today. RLJE Films also score with 100 Yards out on DVD. Warner Brothers is going the distance with Creed II out on UHD Blu-ray, and you folks know what that means; yeah, it's 4K for your home theater enjoyment. Shout Factory pairs up Liz And The Bluebird on Blu-ray. Paramount takes a shortcut with Instant Family out on Blu-ray. Fox picks sides with The Favourite also out on Blu-ray.

Out in The Reel World, Marvel takes command of the box office with Captain Marvel.

It’s been a while since there has been a good invisible man film.  It’s one of the original Universal horror monsters that just doesn’t seem to get the fanfare that I feel it deserves.  Some of the greats in Hollywood have tackled incarnations of the character. John Carpenter with Memoirs of an Invisible Man (1992); then there was Hollow Man (2000), but neither of these films are what you would consider classics, though they are films I had fun with.  So when The Unseen crossed my path, I was looking forward to this. After all, it has been a while since this type of character has been tackled; then factor in that it is being helmed by Geoff Redknap, who previously worked as a special effects artist on Cabin in the Woods, Watchmen, and numerous other projects.  This just seemed like it would be a good match.  The result is a bit of a mixed bag.

"I'm the master of the slow fade."

That would be a good way to describe director Neil Jordan and his latest Hitchcockian thriller, Greta. He also co-wrote the screenplay with Ray Wright, but let's be perfectly honest here. The film doesn't score on the writing. It's a completely predictable thriller, and there's nothing truly innovative or clever about the story. There's nothing here that we haven't seen before. This isn't a clever film by any stretch of the imagination. It's the execution of a tried story that makes this film as compelling as it actually becomes. And all of that comes from some rather unique cinematography and two quite powerful performances by the leading ladies in the star roles. Put that together and this ordinary film at least touches on something close to extraordinary.