Posted in: Disc Reviews by Gino Sassani on November 12th, 2018
"We are the protectors of the innocent. We are The Charmed Ones."
It's no coincidence that both the original shows of Charmed and MacGyver are starting to be released on the Blu-ray format. Both shows have been rebooted for television, and that means they're counting on fans of the original to become the foundation for a new base of fans. The best way to do that is to remind you why it is that you loved the shows in the first place. The best way to remind you is to dangle a little bait. That bait is the release of both shows on Blu-ray starting with their first seasons. Will it last? I don't know. It will depend on a combination of sales of the releases and how long the new shows manage to stick around themselves. Neither of these reboots are setting the ratings on fire, but there appear to be enough viewers to keep them on the air for second seasons. Sure, it's a bit of a marketing stunt, but that doesn't make it a bad deal at all. Fans of the original Charmed have been asking me about Blu-ray releases for years. So it's a win-win here.
Posted in: Disc Reviews by Gino Sassani on November 11th, 2018
Bigger is not always better, and more is not always better. If the holiday season release of Dr. Seuss's The Grinch is a testament to anything, it is that those two ideas are absolutely true. The Grinch has everything that the 1966 How The Grinch Stole Christmas could never hoped to have had. The film delivers on some of the best computer-generated animation that Hollywood studio money can buy. It had a $75 million budget. It will get a wide release with millions of more dollars put into a global marketing campaign. And it will make a ton of money. After all, the Grinch is the modern age Scrooge from Dickens' classic story. These are the kind of stories that are timeless and popular. Still, the one thing this film doesn't have over the 1966 television short is that it's heart is two sizes too small.
We all know the story. The Grinch (Cumberbatch) lives high atop Mount Crumpet. He's a rather grouchy old soul, and he lives in isolation from the Whos, who live, appropriately enough, down in Whoville. He lives alone with his dog Max, who is the model of man's... Grinch's best friend. He manages to tolerate the bright and happy Whos from a distance except when Christmas rolls around every year. It is then that the singing and celebration get entirely out of control. So imagine his surprise when he discovers that the mayor has issued a decree to make Christmas three times bigger. For the Grinch, that can only mean three times louder. So he devises a plan to steal Christmas from the happy citizens and assure himself a nice and peaceful December 25th.
Posted in: Disc Reviews by Brent Lorentson on November 11th, 2018
Ever since Do the Right Thing came out in 1989, Spike Lee has been a director that critics and fans have kept an eye on. Over the span of his career he’s done everything from music videos with Michael Jackson, to documentaries, to television shows, but mostly he’s made his claim to fame in film. His films have been all over the place as critical and box office successes. Inside Man to this day may be his biggest success financially, but of all his films it feels the least like a Spike Lee film. The man has a distinct visual style; most of his films take place in New York, but the typical thing you’ll find in his films is the “black culture” and the topic of race relations. With his latest film Blackkklansman, Lee ventures into some familiar territory, but for the first time in quite a while he delivers a movie with a strong message but also manages to be entertaining.
It’s the 1970’s when we meet Ron Stallworth (John David Washington). He’s in the middle of an interview to become the first black officer of the Colorado Springs police department. The interview is equally uncomfortable as it is amusing at the same time, and this kind of tone is what plays out over the course of the film. Let me say from the start this film doesn’t shy away from delivering racial slurs that are pretty much spoken from start to finish of this film. When Stallworth first gets hired, he’s stuck down in the records room, but it isn’t long before he is asked to help out on an undercover assignment that requires him to infiltrate a gathering where a prominent Black Panther member will be speaking. This is a scene that is handled really well by Lee as we watch Stallworth listen to the speech; it’s also here where Stallworth meets a potential love interest, Patrice (Laura Harrier) who happens to be a black activist leader.
Posted in: Disc Reviews by Jeremy Butler on November 11th, 2018
When a disease begins targeting and killing children, you fear for the future of the generation. However, when the children whosurvive develop dangerous abilities, you fear for yourself. That is the situation that Ruby Daly finds herself in. To compound her issues, not only does she have powers that she can’t control, but among the powerful her abilities are among the rarest and strongest. Amandla Stenberg stars in this film based on a young adult novel series. Anyone else sensing a franchise in works. Unfortunately, despite the vacuum let behind by Twilight, Hunger Games (which our star was a part of), and the recently ended Maze Runner, I’m not so sure that The Darkest Minds will be the vehicle to fill the gap. Overall it was a solid opening, but I left the film with more than a few unanswered questions.
Ruby Daly is ten years old when her life changes forever. A disease that targets children ravages the world, killing a large percentage of the world’s children. Those who survive the disease developing abilities varying from enhanced intelligence to mind control. Fearing the threat, the government locks away the children. Ruby is one of those children. Classified by color (Green, Blue, Gold, Red, and Orange, with Orange considered the most dangerous and are to be executed on sight), Ruby is the rarest and considered the most dangerous, so she hides in plain sight and in constant fear until she is freed by a group looking to exploit her abilities. Mistrusting her would-be saviors, she runs away and happens upon a group of children who have escaped a similar circumstance.
Posted in: The Reel World by Jeremy Butler on November 10th, 2018
“For the record, I am a better Dorthy Parker than Dorthy Parker.”
Looks like Melissa McCarthy is attempting to branch out from her usual branch of raunchy comedy. Or at least she is dipping her toe in the water of such an idea, as Can You Ever Forgive Me is not without its raunch. Based on the novel by Lee Israel, a known literary forger said to have forged over 400 false letters from notable writers, McCarthy plays the character and brings the comical quips that she has became famous for. Paired with Richard E Grant, the two work off one another with positive results. Probably one of the best examples of a non-romantic pairing I’ve seen this year.
Posted in: Disc Reviews by Gino Sassani on November 8th, 2018
"If anyone wants to clap, now is the time to do it."
If he were alive today, A.A. Milne would likely find a reason to smile these days. Perhaps he is. Winnie the Pooh has made quite a bit of a comeback in recent years. Last year we saw the impact the creation had on his son, the real Christopher Robin, in the sentimental Goodbye, Christopher Robin. This year Disney continues its recent trend of bringing many of its classical animated features back for live-action remakes using the wonderful world of computer-generated f/x and motion capture performances. The recent Jungle Book release was a wonder to behold and one of the best films of that year. This year it's the world of Winnie the Pooh, and to help celebrate the 50th anniversary of Winnie the Pooh and the Blustery Day, Disney releases Christopher Robin, and you're not going to want to miss it. All of your favorite characters from both the classic books and the Disney cartoons are back, and it couldn't have been a moment too soon.
Posted in: No Huddle Reviews by Jeremy Butler on November 8th, 2018
What in the world am I watching? That was my initial thought at the beginning of Blood, Sweat and Terrors, a film anthology featuring several short films on varying topics. One common element of all the stories is that they all delve into violence during their run. Some with great success, and some that turned out to be so surreal and dark that my wife had to leave the room due to fear of nightmares. Let me tell ya, at one point I considered joining her. To its credit, not all the short films are that deranged, and after a while it was like having my very own film festival in my living room.
Posted in: Disc Reviews by Michael Durr on November 8th, 2018
I was raised on the mean streets of Charlotte, North Carolina. Yes, that's meant to be a joke, since I was raised in the suburbs primarily. My Aunt Donna on my father's side was working in California (San Diego) most of my life, and that's where she lives to this day. I would always wonder what life in California was like and how my aunt did it. Like most non-California residents in that time period (80's), I dreamed that everybody was from the Valley and talked about being "So Sure". Fast forward 35 years later ,and we have a collector's edition of the movie simply known as Valley Girl. Let us take a look.
As we open the movie, we listen to a radio station playing in Hollywood, CA. They are promoting tickets to the next concert, and it's 75 degrees. The voice changes and the scene shifts. It's 83 degrees in the valley. "Girls Like Me" by Bonnie Hayes plays on the radio, and we see a bunch of girls try on clothes and use their Mastercard quite liberally.
Posted in: Disc Reviews by J C on November 8th, 2018
“You’re not good...you’re super.”
For a while, it honestly felt like Disney/Pixar was messing with us. When The Incredibles swooped into theaters in 2004, it was simultaneously one of the best animated/action/superhero movies I’d ever seen. Plenty of people shared that opinion, so a sequel seemed like a no-brainer. That’s why it seemed like a cruel joke when we got not one but two forgettable Cars sequels before The Incredibles got a chance to suit up again. Guess what…the wait is officially over!
Posted in: Disc Reviews by Brent Lorentson on November 8th, 2018
Ever since I was a kid, I’ve been fascinated by UFO stories. It’s a big part of what got me into watching The X-Files. Whether you are a believer or not, there are groups all over the world where people get together and share their experiences about their abductions and how they attempt to cope with the trauma of the event. Beyond the Sky is a film that is sort of a mockumentry about Chris Norton (Ryan Carnes) who has been attempting to find out what happened to his mother after she went missing on his seventh birthday. Now years later, he takes his “documentary” to a UFO convention to meet with abductees and in the process comes across Emily (Jordan Hinson), who may help him on his journey to find the truth.
The trouble I had with the film is its inability to stick with a style as it juggles between being a documentary and simply being a film. It being inconsistent with its style is kind of annoying and only gives the impression that the director really didn’t know what they wanted to do with the film, and that’s a shame, because there is a good story to be found here.
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