Posted in: No Huddle Reviews by Brent Lorentson on December 20th, 2018
The story is loosely based on a real incident called “The Newton Massacre”, which was basically a brutal shootout that took place in a saloon back in 1871. Though we do get to see the incident in the film, the story places most of its focus on the events that in theory led up to this violent showdown. It’s a good idea, and after reading up on the actual shootout, this could have been a tale that would have suited Eastwood, John Ford, or Howard Hawks. Deadman Standing has all the right parts to make a great independent western; unfortunately, by the time you’re ten minutes into the film, you’ll see that this film was a misfire.
The film wastes no time in setting up the political divide that has struck the small boomtown of Hyde Park. There is an election that is going to take place, and basically it’s a battle over land between the cattlemen and those who work for the railroad.
Posted in: The Reel World by J C on December 19th, 2018
“Everything is possible…even the impossible.”
To be clear, the fact that Disney has delivered a big-budget, star-studded follow-up to one of the most beloved family films in its staggering catalog is *exceedingly* possible. This is, after all, the age of reboots and live-action remakes of movies we already love. What seems impossible is that Mary Poppins Returns and its sensational leading lady both live up to and (re)capture the spirit of the Walt Disney-produced Julie Andrews classic from more than 50 years ago!
“One thing you should know about Mary Poppins…she never explains anything.”
Uncle Walt himself was heavily involved in the making of the 1964 original, and he had a heck of a time convincing author P.L. Travers to entrust him with bringing the writer’s flying nanny to the big screen via a bright musical fantasy. (The struggle was chronicled in 2013’s Saving Mr. Banks.)
Posted in: The Reel World by Gino Sassani on December 19th, 2018
One of the best films of 2018 was Beautiful Boy. Both Steve Carell and Timothee Chalamet deliver absolutely stellar performances as a father and his addicted son. That story took us on a father's terrifying journey of dealing with his son's addiction and the toll it takes over a series of years. If you compress that experience down to a single frantic night, you get an idea of what you're in store for when you go to see Ben Is Back. It's another heart-wrenching story of the emotional toll that addiction has not only on the addict but the people who love the addict. It's a Christmas story, but it's not the kind of story that involves miracles and Santa. It's about love, but a tough love that only a parent of an addicted child will ever really know. But this film will take you close enough to the experience, perhaps closer than you will feel comfortable being. For most of us this is as close as we'll get...if we're very lucky.
Ben Burns (Hedges) takes a 24-hour leave from his rehab facility. He wants to visit his mother and family for the Christmas holiday. His mother Holly (Roberts) is glad to see her son, but you can tell immediately she has some concerns as she begins to move things around in her house.
Posted in: Disc Reviews by Gino Sassani on December 19th, 2018
"These young men and women are going on a long journey. One that goes around the globe and back to the foundations of our nation. Once you're in the Corps, you're in the Corps all your days on Earth."
Gene Hackman narrates an IMAX look into what it means to be a United States Marine. He's the perfect choice, and not because he has such a distinctive and authoritarian voice, but because he was also once a Marine. There's an element of pride in the narration that just can't be faked.
The film begins with a short history of the Marine Corp that was established in 1775 to act as gunboats to watch over Navy vessels and landing troops. They were instrumental in winning the Revolutionary War and continue to be a crucial part of America's defense.
Posted in: No Huddle Reviews by Gino Sassani on December 19th, 2018
When Star Trek: Discovery was announced, I was quite happy to hear it. There had been a long gap since Star Trek had been on television, and I figured it was long past time to fly through the galaxy on a starship once again. The show finally aired after some real issues getting off the ground, and before I knew it I was back in a starship having a blast once again. Except it wasn't on Star Trek's Discovery I was having all of this fun. It was aboard Seth MacFarlane's Orville that the true spirit of Gene Roddenberry was exploring space once again. Who would have thunk it? Yes, The Orville is considered a comedy, and there are plenty of silly moments and ideas. But even with all of that spoof atmosphere, MacFarlane manages to capture the real spirit that Trek fans have come to feel for that franchise. Honestly, I'm not sure The Orville would have gotten through its first season if not for Alex Kurtzman destroying yet another beloved franchise. Trek fans turned to this show in droves out of frustration and desperation, and MacFarlane welcomed them aboard with a laugh and some alien adventures. It's a great example of that whole nature-abhors-a-vacuum thing. When Discovery went off the rails The Orville filled the void left behind. If you missed the first season, you can get them now on DVD from Fox.
Posted in: Disc Reviews by Gino Sassani on December 17th, 2018
"There's no such thing as luck, but I sure as hell believe in stupid."
We're a visual people, and so most of you will recognize Taylor Sheridan from his role as a chief of police in Sons of Anarchy when the controlled puppet regime had finally left the scene. It's not a remarkable role, and it's not a complete surprise that Sheridan found his calling more recently behind the camera. As a writer his first script did hit it out of the park. Sicario is an awesome film populated with compelling and interesting characters who thrived on a broken system. That theme appears to have stuck with him, because the first season of Yellowstone appears to take us back in time to the days of open frontiers and cattle barons who struggled to keep their land amid lawless communities and raiding parties of American Indians who were portrayed as savage beasts who kill women and children in the middle of the night to become to shadows of nightmares and the stories told to keep children in line.
Posted in: No Huddle Reviews by Gino Sassani on December 17th, 2018
"My name is Dylan Reinhart. Not long ago, I was an operative in the CIA known as Agent Reinhart. When I left the Agency and started teaching, I became Professor Reinhart. I wrote a book about abnormal behavior and criminals which was so successful a serial killer used it as clues for his murders. That's when the NYPD reached out to me to help catch him, which I did. So they hired me and I became consultant Reinhart. So now I'm working with this woman, Detective Lizzie Needham of the homicide division, catching killers. Looks like I need a new name...Professor Psychopath."
If this is all sounding a little bit familiar, it should be. ABC did the idea with great success in Castle starring Nathan Fillion. This time many of the folks behind The Good Wife have gotten together for their own version of the idea starring Alan Cumming, and the result isn't near as charming, but it has its moments. You'll get a chance to check them out at home, because CBS has released the first 13-episode season on DVD.
Posted in: Disc Reviews by Archive Authors on December 17th, 2018
The Jerk, released in 1979, is a rags-to-riches-to-rags comedy film of belated self-discovery. This was Steve Martin’s first starring role in a feature film and was also written by him. It's hard to watch the film and quite picture Martin as the unknown he really was at the time. Since then Steve Martin has come and pretty much gone from our collective experience. When this film was released, much of this kind of humor was somewhat unique and clever. Today that is not so much the case, and it looks and feels quite a bit dated.
Carl Reiner directs Steve Martin (who co-wrote the script with Carl Gottlieb) in this gag-laden comedy about an idiotic white man, raised by a poor family of black sharecroppers, who doesn’t realize he’s not black. Navin R. Johnson (Steve Martin) is told the horrible truth when he finds himself instinctively tapping his f…et to an easy listening tune on the radio, instead of a low-down blues.
Posted in: No Huddle Reviews by Gino Sassani on December 17th, 2018
"Let me know when the governor gets here."
Well, he's in the house, and I'm going to get a lot of razzing for this review of Last Action Hero. The person who thought I should see a shrink for looking forward to the next Saw film is going to be calling for my outright commitment to an institution dedicated to covering walls with nice padding so we won't hurt ourselves. I know this film is generally considered "bad" by critics and moviegoers alike. It swept the Razzies in 1993 and has since been only the kind of film 10-year-olds would really like to see. Me, I've always simply loved this film. From the first time I saw it at the box office, I was hooked. It was one of the first new laserdiscs I bought back in the day, and I watched the heck out of that disc. I'm not ashamed to admit it. I love this movie.
So, why is this movie so hated? Honestly, I don't think that it is.
Posted in: The Reel World by Jeremy Butler on December 15th, 2018
Aristotle once paraphrased that “Nature abhors a vacuum,” which is the main thing I keep thinking while watching Mortal Engines, another in a long line of books turned movie adaptations. It seems like everyone is trying to fill the hole left behind by Harry Potter and Twilight (love or hate it, you have to admit that it brought in the teeny boppers) franchises. Unfortunately, I do not see this film becoming a worthy successor to the throne. Initially, I was intrigued by the premise: cities mounted on wheels devouring other cities. It had a real Transformers meets Mad Max vibe to it. If only the film lived up to the preview.
The movie is set in a dystopian world, ravaged by an apocalyptic event known as the "Sixty Minute War", which caused massive geological upheaval. To escape the destructions cities have installed huge engines and wheels and been enabled to dismantle (or eat) other cities for resources. This act has become known as "Municipal Darwinism". As a result of the war, much technological and scientific knowledge has been lost.
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