Posted in: No Huddle Reviews by Gino Sassani on October 31st, 2018
"It's alive!"
After nearly 90 years the Universal Horror cycle stands as one of the most enduring collection of horror movies today. Their influence on modern horror is unmistakable. There have been literally thousands of incarnations of Dracula, The Wolf Man and Frankenstein's Monster, but the first image that comes to your mind will always be the nightmare creations of those Universal films. Studio head Carl Laemmle, Jr. was trying to break away from his father's control and create a studio culture of his own. The results would start in 1931 when an unknown Hungarian actor named Bela Lugosi jumped from the stage to the screen in Dracula directed by Tod Browning. Laemmle's niece, Carla Laemmle, is the girl in the coach headed for Borgo Pass as the film opens to the musical strains from Swan Lake. She is reading a travel brochure about vampires and thus speaks the very first lines ever spoken in a horror film in the era of sound. Lugosi was mesmerizing, and the film was a hit. There was a depression on, but that didn't stop crowds from lining up around theater blocks to be hypnotized by Lugosi's Dracula.
Posted in: Disc Reviews by Gino Sassani on October 31st, 2018
The Matrix (1999) was a landmark film in the Sci-Fi genre. While its box office intake was dwarfed by Episode 1, it was The Matrix that had people talking. Andy and Larry Wachowski’s story of a post-apocalyptic world where humans serve as biological generators of energy for the machines that rule the planet challenged people’s perceptions of what reality was. Computer hacker extraordinaire Neo (Reeves) has this gut feeling that life isn’t all that it seems to be. Turns out he’s right in a big way. A group of revolutionaries led by the thought-to-be-mythical Morpheus (Fishburne) open his eyes to the Matrix.
The Matrix, it turns out, is nothing more than an elaborate computer-generated reality intended to mollify humanity who are in reality nothing more than sheep, or in this case a renewable energy source, to feed the machines that have inherited the Earth. Morpheus believes Neo is “The One”, a prophesized savior who can bend the Matrix to his own will, who will eventually lead humanity out of slavery. What follows is enough eye candy to give an army of Swiss chocolate factory workers diabetes.
Posted in: Disc Reviews by Jeremy Butler on October 31st, 2018
So the director had my undivided attention until he went completely sideways. I mean, I was engaged; I was feeling the message behind the film. I found the characters to be original, and the things that they had to say were unlike anything I had seen in recent years. Not to mention that opening scene was the perfect way to bring the audience into this world; and then it all came crashing down. Despite this disappointment, Sorry to Bother You remains among one of the most creative cinematic experiences that I had this year. I wanted very much to love the film, but sadly I can’t say that. I liked it a lot, especially the first half. It is the kind of film that was likely the gem of the film festival circuit. The number one slot at the box office will be out of reach for it, though.
The movie is centered around Cassius Green (Lakeith Stanfield, Straight Outta Compton), a directionless young man who has yet to find something that matters to him. He lives in his uncle’s garage, and he is struggling to find work. Needless to say, he does not have a lot of hope, with the exception of his girlfriend, Detroit (Tessa Thompson, Creed), a talented artist and revolutionary who brings sunshine into our lead’s otherwise dreary world. Eventually he finds work as a telemarketer, but he has trouble keeping his customers on the line. You all should understand; what is your number-one response when someone tries to sell you something? It is only when he receives a tip from a coworker to use his “white voice” that things begin to turn around for him. Suddenly, he begins to rack up sells left and right, causing him to quickly rise through the hierarchy of the company.
Posted in: No Huddle Reviews by Brent Lorentson on October 30th, 2018
Apollo 18 at one time was meant to be one of several missions NASA had set up that would take astronauts back to the moon. Due to the fallout from the incident involving Apollo 13 and budget cuts, all the missions were scrapped and focus shifted to the shuttle program. Conspiracy theories have seemed to always swirl around the Apollo missions, the more famous being about whether or not man ever reached the lunar surface and whether everything we saw about the moon landing was really filmed on a Hollywood soundstage. The Landing takes things a step further as a faux-documentary about an Apollo 18 launch that resulted in one of NASA’s greatest disasters (that never happened).
The films focus is on Bo Cunningham (Don Hannah), who was the pilot for the Apollo 18 mission. A lot of effort is put into having us believe that he was part of this old shuttle mission, as we are shown numerous old photos of a young Cunningham in NASA clothing and interviews with those that were part of the NASA program. All this is nicely done to set up for the disaster where there was a mishap during reentry and Cunningham was forced to crash-land in the desert of western China. Where the conspiracy aspect comes into play is, did Bo cause their mishap on purpose?
Posted in: Super Round Up by Gino Sassani on October 30th, 2018
Howdy, Partners. Johnny's working down at the bunkhouse today, so here I am to let you know what might be causing a stampede down at your video store. We're heading into the final hours of our 31 Nights Of Terror and it's been a howling good time here on the Upcomingdiscs ranch. Here's a couple of titles you should look for this week at Upcomingdiscs. Warner Brothers has chosen The Matrix Trilogy for the UHD/4K treatment this week. RLJE Films sends Nicholis Cage to the Devil in Mandy out on Blu-ray. Shout Factory wants just the facts in the feature film version of Jack Webb's Dragnet on Blu-ray with Tom Hanks and Dan Aykroid. In theaters this weekend get caught up in the landslide with the Queen/Freddie Mercury Bio-pic Bohemian Rhapsody from 20th Century Fox. If you're feeling like a little Italian, we'll be reviewing the new version of Dario Agento's spaghetti nightmare classic Suspiria from Amazon Studios.
And, Partners, don't forget. If you'll be making that video withdrawal from Amazon, lasso yourself one of our many links to get there. It helps keep us going here on the Upcomingdiscs ranch. Until next week, share some light with someone this week... television light, that is.
Posted in: News and Opinions by Gino Sassani on October 29th, 2018
You can buy blockbuster films on disc from almost anywhere these days. But if you're looking for classic and vintage stuff, it gets a little bit harder. If you're looking for obscure or foreign horror and science fiction titles, it can get near impossible. I say near impossible because there's a place online that is staffed by the same kind of film fans that we are. They have the largest supply of niche films I've ever encountered, and they've supplied our staff at Upcomingdiscs many times with that special hard-to-get title. I often get emails asking me where to find some unknown title. I always give the same answer. If you can't find it at Diabolik DVD, I don't like your chances finding it anywhere. Help out some folks who are there to help us out. Put them to the test. Tell them Gino sent ya. You can click on the graphic ad to your right, or just bang it here to check out our friends at Diabolik DVD.
Posted in: Disc Reviews by Michael Durr on October 29th, 2018
Get Shorty was one of my fondest cinema experiences. I was twenty years old, in college, and had just met a lifelong friend named Robert. He took a bunch of us to a place where you could actually eat a meal, have a drink, and watch a movie at the same time. Back in 1995, that was a big deal; now, of course, we take that experience completely for granted, with such places as Alamo Drafthouse. Anyway, the truth was that most everybody except me wasn't really interested in the movie. Of course, being the cinephile I am, I absorbed every moment, and it became one of my favorite pictures. It's only fitting that I finally get to do a disc review about this amazing movie.
We start off the movie in Miami, Chili Palmer (played by John Travolta) and Tommy Carlo (played by Martin Ferrero) are talking about an old theater on Biscayne that they should buy. Ray "Bones" Barboni (played by Dennis Farina), also a gangster, comes up and makes a couple of horrible jokes at Chili's expense and then leaves. Soon, Chili and Tommy leave the diner, but not before Chili has to retrieve his coat.
Posted in: Disc Reviews by Brent Lorentson on October 27th, 2018
Haunted houses and Halloween seem to go together like turkey and Thanksgiving, but over the years the haunted house experience has evolved to keep up with those who have grown numb to your typical jump scares. Sure, there are still the standard haunted houses that you’ll come across when visiting the carnival, or mazes put together by school groups for fundraisers. But for those who are really looking to be scared, you either have to fork over the big bucks to get into Universal’s Halloween Horror Nights, or you have to scour the internet to find a haunt nearby. 2017’s Haunters: The Art of the Scare is a documentary that takes us behind the curtain to what goes on at these attractions and explores how a sub-culture that has evolved of haunted houses that have been created to push the boundaries mentally and physically.
The core of the documentary is split between two men who design and build haunted houses in and around their own homes. Donald Julson is in the haunted-house business not to make money, but simply out of love for creating an experience where he can scare people. We get to see and hear how he and his wife struggle as he spends months preparing the haunted house that he only has run for four hours on Halloween night. It’s a project Julson does out of love, and it’s clear that his wife doesn’t approve, and you kind of have to wonder how this marriage can work when she despises what he loves so much.
Posted in: Release Announcements by Gino Sassani on October 26th, 2018
We usually reserve our gift guides for the Christmas shopping season but we have a couple of folks we want to bring to your attention during haunting season. The first of these is Mill Creek Entertainment. The folks over at Mill Creek Entertainment specialize in bringing classic television and films back to life for your home theatre. You'll find plenty of classic films and shows on DVD and even Blu-ray. We'll be talking about that closer to Christmas. They also have a few sweet horror titles for you to check out. This is not a paid advertisement.
Strait Jacket & Berserk Double Feature: (Blu-ray)
Posted in: The Reel World by Gino Sassani on October 26th, 2018
"When someone is shooting at you, you know their intentions."
Submarines have had their own fascinations since Leonardo da Vinci first designed one. Jules Verne took us 20,000 Leagues Under The Sea and used a fantastical submarine to inspire and dazzle readers for centuries. Even television has gotten into the act as Irwin Allen took us on a Voyage To The Bottom Of The Sea. But it's the cinema that truly captured the idea of submarine warfare, from the German classic Das Boot to the equally classic Run Silent Run Deep. Modern films like Crimson Tide and The Hunt For Red October took advantage of modern f/x technologies to bring us even closer to the perilous depths. But things have improved significantly since then. Now with computer-generated images able to show us anything the mind can imagine, submarines are positioned to go to the next level. It's all of that that I took with me when I went to see Hunter Killer. I got some of it before. But I can't quite escape the feeling that I've seen all of this many times.
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