What in the world am I watching? That was my initial thought at the beginning of Blood, Sweat and Terrors, a film anthology featuring several short films on varying topics. One common element of all the stories is that they all delve into violence during their run. Some with great success, and some that turned out to be so surreal and dark that my wife had to leave the room due to fear of nightmares. Let me tell ya, at one point I considered joining her. To its credit, not all the short films are that deranged, and after a while it was like having my very own film festival in my living room. 

I was raised on the mean streets of Charlotte, North Carolina. Yes, that's meant to be a joke, since I was raised in the suburbs primarily. My Aunt Donna on my father's side was working in California (San Diego) most of my life, and that's where she lives to this day. I would always wonder what life in California was like and how my aunt did it. Like most non-California residents in that time period (80's), I dreamed that everybody was from the Valley and talked about being "So Sure". Fast forward 35 years later ,and we have a collector's edition of the movie simply known as Valley Girl. Let us take a look.

As we open the movie, we listen to a radio station playing in Hollywood, CA. They are promoting tickets to the next concert, and it's 75 degrees. The voice changes and the scene shifts. It's 83 degrees in the valley. "Girls Like Me" by Bonnie Hayes plays on the radio, and we see a bunch of girls try on clothes and use their Mastercard quite liberally.

“You’re not good...you’re super.”

For a while, it honestly felt like Disney/Pixar was messing with us. When The Incredibles swooped into theaters in 2004, it was simultaneously one of the best animated/action/superhero movies I’d ever seen. Plenty of people shared that opinion, so a sequel seemed like a no-brainer. That’s why it seemed like a cruel joke when we got not one but two forgettable Cars sequels before The Incredibles got a chance to suit up again. Guess what…the wait is officially over!

Ever since I was a kid, I’ve been fascinated by UFO stories. It’s a big part of what got me into watching The X-Files.  Whether you are a believer or not, there are groups all over the world where people get together and share their experiences about their abductions and how they attempt to cope with the trauma of the event.  Beyond the Sky is a film that is sort of a mockumentry about Chris Norton (Ryan Carnes) who has been attempting to find out what happened to his mother after she went missing on his seventh birthday.  Now years later, he takes his “documentary” to a UFO convention to meet with abductees and in the process comes across Emily (Jordan Hinson), who may help him on his journey to find the truth.

The trouble I had with the film is its inability to stick with a style as it juggles between being a documentary and simply being a film.  It being inconsistent with its style is kind of annoying and only gives the impression that the director really didn’t know what they wanted to do with the film, and that’s a shame, because there is a good story to be found here.

My first attempt at watching Mandy wasn’t a successful one. After fifteen minutes I was nodding off, so I stopped it and held off viewing it for another night.  This isn’t a movie you want to throw on too late at night. The first half is definitely a slow burn, but once this film picks up steam, you are in for one crazy, psychedelic, violent experience that will leave an impression on you.  It’s no surprise that Mandy has already developed a buzz through the internet and is well on its way to becoming a cult classic.  Is the hype for this film real?  Can Nicolas Cage still deliver a memorable performance as his career has seemed to have dissolved into constant direct-to-DVD content?  Well, the short answer to both these questions is yes, but this film is not for everyone, and to a degree I may be on the fence on the first half of this film.

Red (Nicolas Cage) is living the simple life in the woods as a logger and living with his girlfriend, Mandy (Andrea Riseborough).  Mandy is a bit of an artist and enjoys reading fantasy novels. One could assume her and Red’s fate could easily be the storyline of one of the books that she’s read; their story is the fodder of hellish nightmares.  Our time with Red and Mandy is spent showing us how well they work together as a couple, but it’s done so in a way that is filled with flat and monotone performances, with a drone-filled score that gently lulls the audience to the brink of sleep or boredom.  This all changes when we meet Jeremiah (Linus Roache) and his loyal cult.  It’s a strange obsession at first sight for Jeremiah when he sees Mandy for the first time and demands that she be brought to him, and everything that follows is simply another step further down this insane rabbit-hole that director Panos Cosmatos has orchestrated for us.

By John Delia Jr.

The fabled story of the Nutcracker has many experiences, from plays, to musicals, to theater, and to operas; it has entertained us all for a century. What if these stories are real, and these Christmas toys really do have a world of their own? That would be a tale we all would love to hear. Enter Disney's The Nutcracker and the Four Realms. After the death of their mother, Clara (Mackenzie Foy), Fritz (Tom Sweet), Louise (Ellie Bamber), and their father, Mr. Stahbaum (Matthew Macfadyen), must endure the Christmas holidays without her. Struggling to move on with the events of the season, Mr. Stahbaum pushes them all to attend the annual event at Drosselmeyer’s house.

This week’s Round Up can best be summed up with one word: incredible. Disney has released its superpowered smash hit Incredibles 2 on Blu-ray, so keep an eye on the site for our review a little later this week. The Mouse House also returns to the Hundred Acre Wood to re-connect with Christopher Robin. Elsewhere, CBS fights The Good Fight: Season 2 and revisits a pair of TV hits from the past by casting a spell with Charmed: Season 1 and getting resourceful with MacGyver: Season 1. RLJE Films travels Beyond the Sky and pours its Blood, Sweat and Terrors into an action-packed anthology. Finally, Shout! Studios shares a few of its favorite things with a 60th anniversary edition of Rodgers & Hammerstein’s The Sound of Music Live to commemorate the Broadway classic.

On the big screen, Fox Searchlight asks Can You Ever Forgive Me, while Universal gets green and mean with Dr. Seuss’s The Grinch. And now it's time for your customary reminder: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

“We had a job to do.”

When The Americans received a two-season renewal back in 2016, the news was met with unanimous enthusiasm. Fans of FX’s acclaimed (but low-rated) spy drama were guaranteed two more years’ worth of stories, while TV critics applauded the fact that creator Joe Weisberg and Co. could carefully plot out their show’s endgame. Sadly, the first half of that deal resulted in a penultimate fifth season that frustratingly punted a lot of the show’s more pressing plotlines. The sixth and final season of The Americans offers a thrilling and heartbreaking conclusion, even though it also kind of comes off as the brilliant kid who waited until the very end to cram before a big test.  

When I think of buddy cop movies, two movies spring to mind as favorites. No, not Lethal Weapon and Beverly Hills Cop. Not Bad Boys 2 and Rush Hour, either. While all of those are good films, the best for me are Hot Fuzz and 48 Hours. 48 Hours was a classic match-up of Eddie Murphy and Nick Nolte, while Hot Fuzz lampooned every single cliche they could think of and then some. Also, if you said The Heat or Ride Along as your two favorite buddy cop movies, I'm going to need you to move along. Move along to reading my Blu-ray review for Dragnet, because seriously, you need better taste.

"Because even in the City of Angels, from time to time, some halos slip. That's where I come in, doing my job to the best of my ability on a daily basis. I work here. I carry a badge."

"Is this the real life or is this just fantasy?"

I think even Queen's biggest fans might have trouble distinguishing between the two in the Freddie Mercury/Queen biopic Bohemian Rhapsody. And that's absolutely okay. If you look at the film's trailers, the movie looks less like a bio-film and more like a celebration, and that's exactly the kind of experience you're going to have from beginning to end. I'm sure that a lot of film and Queen fans shared more than a little skepticism over the project. I know that I certainly did. But all of that magically disappeared when the first trailer hit the internet and we all watched in amazement as actor Rami Malek appears to be channeling the manic spirit of Queen front man Freddie Mercury down to the smallest of detail. Suddenly I believed that everything was going to be okay. But just as our hopes and expectations were about to hit the ceiling, the film started gathering controversy after controversy like a snowball rolling down a steep hill in the winter. Everyone already had an opinion before the film was even finished. For months the web has been filled with issue after issue, and it all seemed to threaten the buzz we all got from the trailers. We're going to talk about those issues, to be sure. If you let any of that filtercrap keep you from checking out Bohemian Rhapsody, you're going to be missing the next best thing to actually seeing Freddie and the boys live in concert. Since that's not going to happen, this is where you want to be.