Posted in: Disc Reviews by Gino Sassani on August 15th, 2018
In September there is going to be a new film in The Predator franchise called The Predator. It's directed by Shane Black, who actually starred in the 1987 original film and soon after went on to develop the Lethal Weapon series and make a bit of a name for himself in the buddy-cop genre. It's no surprise that Fox wants to capitalize on the release by giving us UHD/4K releases for the other three films in the franchise. Let's try to forget those Alien vs. Predator disasters and focus on the three films of this particular franchise. I don't yet know what to expect from the upcoming film. I was glad to take a journey back in time with the other films, and this 4K release is just the ticket for you to upgrade those nasty DNR crapfests that were the original Blu-ray releases and see these films once again as they were originally meant to be seen.
This was the film that brought together two tough guys who both made it into acting after having big careers in athletics. The two would also share a bit of an odd future, as both would eventually serve as governors in the real world. Of course, I'm talking about Arnold Schwarzenegger and Jesse Ventura. No one knew about their political futures then, but the reality puts Predator in a lost of historically significant films as well as the beginning of a new franchise.
Posted in: Disc Reviews by Gino Sassani on August 15th, 2018
"My name is Oliver Queen. After five years in hell, I returned home with only one goal: to save my city. Today I fight that war on two fronts. By day, I lead Star City as its mayor. But by night, I am someone else. I am something else. I am the Green Arrow..."
Who the heck is this Green Arrow of whom you speak? If that's your first question, you need to go back a couple of grades and catch up with the rest of us. The comics are good place to begin, but the television universe is its own place and not tied so tightly to the DC comic book universe. Your best place to go to catch up would be the first five seasons. It'll be worth the effort, and I can get you started with those reviews found here. This review will not contain spoilers from the sixth season but very well must contain some from the previous year. So if you're not caught up, do that first.
Posted in: No Huddle Reviews by Gino Sassani on August 15th, 2018
"It's what I do."
What David Boreanaz does is create iconic television characters. He has had no trouble getting work over the years. He has had the ability to jump from one successful series to another and enjoy longevity in those roles. Unlike many actors who have had big television roles, he doesn't get at all pigeonholed or typecast. In Buffy The Vampire Slayer he originated the role of the vampire Angel, who spun off to his own series for several years. Immediately after that he took on the role of an FBI agent and partner to the title character on Bones. That job lasted a decade. Before the remains of Bones could be laid to rest, he was already working on his next new series. Now he's the field leader of a Navy Seal team, and if the first season of Navy Seals is any indication, he's going to be dodging bullets and RPG's for the foreseeable future. CBS has a big tradition of long-running shows, and I wouldn't be surprised if a decade from now I'm talking to you about the 10th season of Seal Team.
Posted in: Tuesday Round Up by J C on August 14th, 2018
Figuring out which movie to highlight in this week's Round Up was a snap. We'll be reviewing Disney/Marvel's spectacular superhero smackdown Avengers: Infinity War on Blu-ray. The Mouse House will also host play time with Muppet Babies: Time to Play. Elsewhere, CBS returns to the Big Easy with NCIS: New Orleans — Season 4 and goes on high-stakes missions with Seal Team: Season 1. Shout! Factory visits the House of Tomorrow, while HBO gets in on the action with Strike Back: Season 5. Finally, Mill Creek makes a mockery out of some of the most well-known nonfiction flicks with Documentary Now! Seasons 1 & 2.
Before you run off until next week, here's your customary reminder: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!
Posted in: The Reel World by Brent Lorentson on August 12th, 2018
Ever since Jaws splashed onto the screen back in 1975, Hollywood has been attempting to follow its success, and though some films have been valiant efforts, nothing seems to come close to the Spielberg classic. Sure, effects have come a long way over the years, and through the Hollywood magic of special effects they can create a more realistic looking shark, but to be fair, many of the film’s more memorable moments don’t even have the shark on screen. When I first heard about The Meg, it was going to be in the hands of Eli Roth of Cabin Fever and Hostel fame. This seemed to be like a good pairing that would result in a blood-fest filled with shark carnage that would leave shark fans pleased, but eventually the studio decided to pass, and the project seemed almost dead in the water. I had known about the film’s struggles to get made for years but hadn’t known that it went back to the 90’s when the rights to the book by Steve Alten had been first purchased. When the studio signed Jon Turteltaub (National Treasure), it was clear they were aiming to produce a summer tent-pole film, and as my excitement grew, I caved and started reading The Meg series that Alten had published, and I was hooked. I’ve been looking forward to this film for a while. Could it possibly live up to my expectations? …Well, it came close.
The film opens up with Jonas Taylor (Jason Statham) as he is on a deep-sea rescue mission. While he and the few members of his crew are searching for survivors on a wrecked sub, there seems to be something in the water with them that is attacking the sub. All we know is that it is something massive, and it forces Taylor to have to make a quick decision that results in several casualties. It’s years later when a scientific research team is exploring the Mariana trench and is planning to dive deeper than ever before, past a layer that was believed to be frozen. It’s when the dive team passes beyond this cold layer that we see some beautiful effects, as this underwater world we are getting to explore with the team is filled with numerous deep-sea dwellers, though it doesn’t take long before the team is attacked. Apparently Jonas is the only one available who can possibly save the deep-sea crew. As it just so happens, one the crew members turns out to be Taylor’s ex-wife Lori (Jessica McNamee). This is also the point where it’s discovered Taylor’s claim that the prehistoric megalodon is haunting the deep sea turns out to be true. Why Taylor would make this jump in reasoning from what we saw in the opening scene is beyond me, but I’ve accepted that this is a popcorn ride, not something we’re meant to dwell on.
Posted in: The Reel World by Brent Lorentson on August 9th, 2018
Ever since Do the Right Thing came out in 1989, Spike Lee has been a director critics and fans have kept an eye on. Over the span of his career he’s done everything from music videos with Michael Jackson, documentaries, television shows -- but mostly he’s made his claim to fame in film. His films have been all over the place. As critical and box office successes, Inside Man to this day may be his biggest success financially, but of all his films it is the one that feels the least like a Spike Lee film. The man has a distinct visual style; most of his films take place in New York, but the typical thing you’ll find in his films is the “black culture” and the topic of race relations. With his latest film Blackkklansman, Lee ventures into some familiar territory, but for the first time in quite a while he delivers a movie with a strong message but also manages to be entertaining.
It’s the 1970’s when we meet Ron Stallworth (John David Washington). He’s in the middle of an interview to become the first black officer of the Colorado Springs police department. The interview is equally as uncomfortable as it is amusing at the same time, and this kind of tone is what plays out over the course of the film. Let me say from the start, this film doesn’t shy away from delivering racial slurs that are pretty much spoken from start to finish of this film. When Stallworth first gets hired, he’s stuck down in the records room, but it isn’t long before he is asked to help out on an undercover assignment that requires him to infiltrate a gathering where a prominent Black Panther member will be speaking. This is a scene that is handled really well by Lee as we watch Stallworth listen to the speech; it’s also here where Stallworth meets a potential love interest, Patrice (Laura Harrier), who happens to be a black activist leader.
Posted in: No Huddle Reviews by Jeremy Butler on August 9th, 2018
The Boxcar Children: Surprise Island is the second film adaptation of the popular literary series of 1920s. Going into the series I knew very little about it. I wasn’t even aware that there it was a book series until the making of featurette, but we will get to that later. The series focuses on the Alden children, who live with their grandfather following the tragic death of their parent. What these children are most known for his going on adventures and solving mysteries. However, the director said it best, “When the boxcar children solve a mystery, it doesn’t end with someone going to jail, but with someone being emotionally healed."
In this latest film, the group learns that they will be spending their summer on a private island that their father and their grandfather before him used to spend their summers on. Excited for this new adventure, the group meets a kind stranger who lives on the island. He is very pleasant and always eager to help the children out, but it is very clear that he has a secret, one that affects him very much. It is up to these junior investigators to discover what is and help their new friend.
Posted in: Disc Reviews by Gino Sassani on August 9th, 2018
"You know me, always saving the day."
After the disappointment that was the recent Suicide Squad animated feature, Warner and DC needed to save the day with the release of The Death Of Superman, and that's exactly what they did. The Death Of Superman was a major milestone in the history of The Man Of Steel in the comics. It all started in December of 1992. DC announced they were killing off their most iconic hero and ending the Superman run of comics. Of course, that was only partially true. Once Supes was "killed off", the comic split into four new branches, as the vacuum created by his death needed to be filled both in the fictional universe as well as the commercial side of ours. Eventually the lines were reunited, and Superman has been alive and well ever since. But this was a huge event in the world of comics. The Justice League and Batman vs. Superman films used aspects of the story in the recent film but this animated feature goes back to its comic roots and more faithfully brings that comic series to life.
Posted in: Disc Reviews by Jeremy Butler on August 8th, 2018
This Melissa McCarthy film flew completely under the radar for me, with me only hearing a few whispers about it. Ironically, I expected to see her in more films following the conclusion of Mike and Molly. Oh well, Life of the Party will have to suffice. Though it was not as entertaining as The Heat or Spy, it had its moments, and exudes the charm that McCarthy has become famous for. I’m sure many of you are like: a movie about going back to college? it’s been done. Not by Melissa McCarthy.
Deanna Miles is a woman who has her world rock as her husband tells her he wants a divorce right after they drop their daughter off for her final year of college. Having dropped out of college in her last year due to becoming pregnant, Deanna is not left with any prospects for how she will support herself. Upon self-reflection about her regret of never finishing college, she decides to enroll at her daughter’s college, to her child’s chagrin.
Posted in: No Huddle Reviews by Brent Lorentson on August 8th, 2018
You have to go back to the early 40’s for when Archie, Jughead, Betty and Veronica first appeared in comic book form. Over the years, though, their characters have changed with the times, though the town of Riverdale always seemed to maintain an innocent charm where nothing bad ever seemed to happen. Well, that is until recently where the comics took a shift and thrust our characters into various scenarios, one even including Riverdale being overrun by zombies. These changes occurred when Roberto Aguirre-Sacasa took over the brand, and now he has brought the town of Riverdale and its inhabitants to the small screen for the CW network. Though this iteration differs from the early days of the Archie comic universe, all the familiar characters are here, and they are showing us the shady underbelly of Riverdale that I’m so glad we are getting a glimpse of, one episode at a time.
When Season 1 left us, we were with Archie (K.J. Apa), and his dad, Fred Andrews (Luke Perry) lay bleeding in Pop’s Chocklit Shoppe after a “botched robbery”. Season 2 picks up right where the previous season left us and wastes no time ramping up the danger in town as a mysterious killer dubbed “The Black Hood” begins killing off the residents of Riverdale. Wanting to protect his town and his friends, Archie forms a group called The Red Circle. As you can expect, this glorified neighborhood watch group is simply a recipe for disaster, but also entertaining television. While Archie is on the hunt for “The Black Hood”, Betty (Lili Reinhart) finds herself caught up in the mess as well as the killer plays a sort of cat-and-mouse game with her by leaving her clues to their identity. Jughead (Cole Sprouse) is keeping busy this season, as he’s relocated to Southside High and he is adjusting to his life while becoming a member of The Serpents. Personally seeing how Jughead evolves as a member of the Serpents, from his gang initiation to the power struggles we see develop over the course of the season, is one of the best things going for this season. Finally we have Veronica (Camila Mendes) who is adjusting to her father’s early release from prison and coming home to continue with “The Family Business”. As you can imagine, Season 2 is loaded heavily with material for our characters, and there is so much that continues to work its way into the story that it almost never hits a lull.
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