"We don't have time for square one."

If you are at all familiar with the NCIS franchise, you know that the show tends to follow a bit of a formula. Each spinoff has some unique style aspects, but the episodes tend to be relatively self-contained. That means you can start with Season 4 of NCIS: New Orleans and still be able to appreciate most of what's going on. You'll get to know and understand the characters pretty quickly. The franchise has leaned more toward continuous story arcs of late, and NCIS: New Orleans does that more than the others. So while you could certainly enjoy this release on its own, I still recommend you go back and catch up on the first three seasons just to get caught up and maximize your enjoyment. The good news is that we can help you with that. You don't have to wade through 10 years of Jag, 15 years of NCIS and 8 years of NCIS: L.A., although that might be one heck of a fun binge. Just catch up on the first three seasons of this show and you'll be ready to go. You can check out those reviews here.

"It is a remarkable saga. It's the story of how the American hunter made this country great. Hunting has been a part of the American experience right from the very beginning. Hunting has defined a large part of the American character. American hunting has forged a unique relationship between the nation's people and the land on which they live and share with its wilderness. Indeed, American hunters were the first conservationists."

I get it. Hunting isn't for everyone. Recently Philadelphia Eagles quarterback Carson Wentz drew an unexpected backlash when he posted pictures to his Twitter account of his dog celebrating her birthday among a pile of shot birds. He called the dog his best hunting buddy ever. And he was greatly criticized over the post. I guess he should have known better. I guess he should have known that there are people out there who would be offended. And we live in a day and age where people appear to believe they have a right to not be offended. If that sounds preachy, I guess it is. You see, I grew up in Reading, Pennsylvania where hunting was and still is a huge tradition. My father taught me gun and hunting safety before I was 10 years old. In Reading the first day of deer season is a school holiday. Yes, there are even locals there who abhor the practice and will tell you all about it while they munch on their Big Mac. But the truth is that there are more deer in Eastern Pennsylvania now than there were thousands of years ago. Turns out that hunting is actually good for the populations and makes the animals that remain healthier and stronger. And by the way, the company that cleared the land where your house was built killed more natural wildlife than any hunter could in a lifetime. If you're not into it, this isn't the show for you. Get yourselves some fries with that burger and watch something else. The rest of you just might enjoy this 6-part documentary on American hunting.

“Nothing...no one...will ever separate us. We are one.”

Four young siblings take this vow shortly after arriving in America from Great Britain, having just experienced their latest tragedy. Unfortunately for them, these words are spoken less than 10 minutes into Marrowbone, so you just know their vow is bound to be severely tested. But while the movie looks and sounds like a typical horror flick on the surface — and is even largely set in what seems like a classic haunted house — Marrowbone is much more of a soulful, spooky family drama than it is a bloody good time.

"Thanos Is Coming..."

Whenever a filmmaker is doing a middle film in a trilogy, or merely a film that's intended to be a companion film in a series, they often talk about attempting to capture The Empire Strikes Back. For years it's been the standardbearer for anyone trying to end a blockbuster with a cliffhanger knowing it might be years before the ending is resolved for the audience. That's harder to do today than it was in the 1980's. I often say that the only thing wrong with instant gratification is that it simply takes too darn long. The Avengers: Infinity War is exactly that kind of film. It ends with huge elements left up in the air, but at least we'll only have to wait a year for its resolution. After watching how Anthony and Joe Russo have handled this nearly impossible task, I think the bar has now shifted. In Empire Strikes Back lexicon, let's just say the Russos just pulled out a huge chunk of carbonite, and future filmmakers will be using this as an example of how to pull of that herculean task in the future. The Avengers: Infinity War is finally here, and it pretty much lives up to all of my expectations. Now my expectations are going to need a bigger boat.

In September there is going to be a new film in The Predator franchise called The Predator. It's directed by Shane Black, who actually starred in the 1987 original film and soon after went on to develop the Lethal Weapon series and make a bit of a name for himself in the buddy-cop genre. It's no surprise that Fox wants to capitalize on the release by giving us UHD/4K releases for the other three films in the franchise. Let's try to forget those Alien vs. Predator disasters and focus on the three films of this particular franchise. I don't yet know what to expect from the upcoming film. I was glad to take a journey back in time with the other films, and this 4K release is just the ticket for you to upgrade those nasty DNR crapfests that were the original Blu-ray releases and see these films once again as they were originally meant to be seen.

This was the film that brought together two tough guys who both made it into acting after having big careers in athletics. The two would also share a bit of an odd future, as both would eventually serve as governors in the real world. Of course, I'm talking about Arnold Schwarzenegger and Jesse Ventura. No one knew about their political futures then, but the reality puts Predator in a lost of historically significant films as well as the beginning of a new franchise.

"My name is Oliver Queen. After five years in hell, I returned home with only one goal: to save my city. Today I fight that war on two fronts. By day, I lead Star City as its mayor. But by night, I am someone else. I am something else. I am the Green Arrow..."

Who the heck is this Green Arrow of whom you speak? If that's your first question, you need to go back a couple of grades and catch up with the rest of us. The comics are good place to begin, but the television universe is its own place and not tied so tightly to the DC comic book universe. Your best place to go to catch up would be the first five seasons. It'll be worth the effort, and I can get you started with those reviews found here. This review will not contain spoilers from the sixth season but very well must contain some from the previous year. So if you're not caught up, do that first.

"It's what I do."

What David Boreanaz does is create iconic television characters. He has had no trouble getting work over the years. He has had the ability to jump from one successful series to another and enjoy longevity in those roles. Unlike many actors who have had big television roles, he doesn't get at all pigeonholed or typecast. In Buffy The Vampire Slayer he originated the role of the vampire Angel, who spun off to his own series for several years. Immediately after that he took on the role of an FBI agent and partner to the title character on Bones. That job lasted a decade. Before the remains of Bones could be laid to rest, he was already working on his next new series. Now he's the field leader of a Navy Seal team, and if the first season of Navy Seals is any indication, he's going to be dodging bullets and RPG's for the foreseeable future. CBS has a big tradition of long-running shows, and I wouldn't be surprised if a decade from now I'm talking to you about the 10th season of Seal Team.

Figuring out which movie to highlight in this week's Round Up was a snap. We'll be reviewing Disney/Marvel's spectacular superhero smackdown Avengers: Infinity War on Blu-ray. The Mouse House will also host play time with Muppet Babies: Time to Play. Elsewhere, CBS returns to the Big Easy with NCIS: New Orleans — Season 4 and goes on high-stakes missions with Seal Team: Season 1. Shout! Factory visits the House of Tomorrow, while HBO gets in on the action with Strike Back: Season 5. Finally, Mill Creek makes a mockery out of some of the most well-known nonfiction flicks with Documentary Now! Seasons 1 & 2.

Before you run off until next week, here's your customary reminder: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

Ever since Jaws splashed onto the screen back in 1975, Hollywood has been attempting to follow its success, and though some films have been valiant efforts, nothing seems to come close to the Spielberg classic.  Sure, effects have come a long way over the years,  and through the Hollywood magic of special effects they can create a more realistic looking shark, but to be fair, many of the film’s more memorable moments don’t even have the shark on screen.  When I first heard about The Meg, it was going to be in the hands of Eli Roth of Cabin Fever and Hostel fame. This seemed to be like a good pairing that would result in a blood-fest filled with shark carnage that would leave shark fans pleased, but eventually the studio decided to pass, and the project seemed almost dead in the water.  I had known about the film’s struggles to get made for years but hadn’t known that it went back to the 90’s when the rights to the book by Steve Alten had been first purchased.  When the studio signed Jon Turteltaub (National Treasure), it was clear they were aiming to produce a summer tent-pole film, and as my excitement grew, I caved and started reading The Meg series that Alten had published, and I was hooked.  I’ve been looking forward to this film for a while. Could it possibly live up to my expectations? …Well, it came close.

The film opens up with Jonas Taylor (Jason Statham) as he is on a deep-sea rescue mission.  While he and the few members of his crew are searching for survivors on a wrecked sub, there seems to be something in the water with them that is attacking the sub.  All we know is that it is something massive, and it forces Taylor to have to make a quick decision that results in several casualties.  It’s years later when a scientific research team is exploring the Mariana trench and is planning to dive deeper than ever before, past a layer that was believed to be frozen.  It’s when the dive team passes beyond this cold layer that we see some beautiful effects, as this underwater world we are getting to explore with the team is filled with numerous deep-sea dwellers, though it doesn’t take long before the team is attacked.  Apparently Jonas is the only one available who can possibly save the deep-sea crew. As it just so happens, one the crew members turns out to be Taylor’s ex-wife Lori (Jessica McNamee).  This is also the point where it’s discovered Taylor’s claim that the prehistoric megalodon is haunting the deep sea turns out to be true. Why Taylor would make this jump in reasoning from what we saw in the opening scene is beyond me, but I’ve accepted that this is a popcorn ride, not something we’re meant to dwell on.

Ever since Do the Right Thing came out in 1989, Spike Lee has been a director critics and fans have kept an eye on. Over the span of his career he’s done everything from music videos with Michael Jackson, documentaries, television shows -- but mostly he’s made his claim to fame in film. His films have been all over the place. As critical and box office successes, Inside Man to this day may be his biggest success financially, but of all his films it is the one that feels the least like a Spike Lee film.  The man has a distinct visual style; most of his films take place in New York, but the typical thing you’ll find in his films is the “black culture” and the topic of race relations.  With his latest film Blackkklansman, Lee ventures into some familiar territory, but for the first time in quite a while he delivers a movie with a strong message but also manages to be entertaining.

It’s the 1970’s when we meet Ron Stallworth (John David Washington). He’s in the middle of an interview to become the first black officer of the Colorado Springs police department. The interview is equally as uncomfortable as it is amusing at the same time, and this kind of tone is what plays out over the course of the film.  Let me say from the start, this film doesn’t shy away from delivering racial slurs that are pretty much spoken from start to finish of this film.  When Stallworth first gets hired, he’s stuck down in the records room, but it isn’t long before he is asked to help out on an undercover assignment that requires him to infiltrate a gathering where a prominent Black Panther member will be speaking.  This is a scene that is handled really well by Lee as we watch Stallworth listen to the speech; it’s also here where Stallworth meets a potential love interest, Patrice (Laura Harrier), who happens to be a black activist leader.