"This is not just about Gotham. This is all about Bruce Wayne."

It really is about Gotham. And it's about Jim Gordon. It's also very much about Bruce Wayne. The third season ended with Bruce finally starting to embrace his vigilante role, but it was crude and very much only a shadow of the hero he will become. There's a reason why all of the episodes of this season are subtitled The Dark Knight. Bruce is becoming more and more like Batman. Bruce even confronts his future alter-ego in a vision state. He's being propelled to that future because of Gotham and because he's also being manipulated toward his destiny by none other than Ra's Al Ghul himself, played by Star Trek: Deep Space Nine's awkward Doctor Alexander Siddig. He's taking center stage this season, and he knows Wayne's future and sees himself as the guiding force to make sure he gets there.

For eight years Blue Bloods has been a staple on CBS, giving Tom Selleck a chance to completely redefine his television career. The once cocky and carefree Magnum P.I. now has established himself as the wise patriarch. It's a transition that a 1970's audience would never have bought. But now he's become a new kind of airwaves icon. The show has also managed to make it through eight years with very little change in the cast, and most of that coming from additions. This season is the first for the show to lose one of the major players and a rather beloved character on the show. Instead of making the season weaker, I think this might well be one of the strongest yet for the series.

Amy Carlson leaves the show, so the season begins with the Reagan family mourning the loss of her character, Linda. It turns into quite an emotional season for the cast. Of course, Danny (Wahlberg) is hit the hardest. Throughout the season he has to deal with a ton and anger over Linda's death. He also starts to question his life as a police detective. He starts to second guess his decisions and be a bit gun-shy about dangerous positions. He's dealing with having to be the single parent for his kids, both financially and for safety. He's going to need the help of his family, and that's what makes Blue Bloods the kind of show that it is. It's a cop show, but it is more a series about this family. There's always a lot of emotional stuff here, but this season goes above and beyond the call of duty.

"There's been a new development."

Actually there have been many. But first I have to credit Blindspot's creator Martin Gero with providing one of the more memorable moments on television with the opening minutes of the series in the first season. We see a police officer in Times Square approach a bag with a sign on it that asks the FBI be alerted. The cop approaches the bag a bit frightened it might be a bomb and blow up on him at any time. It could have been a nice iconic moment when he opens the bag to reveal a naked woman who is covered with tattoos. She is shivering as the camera pulls back to reveal the emptied Times Square.

The Fall TV season is upon us! While the number of channels and streaming services producing original content has erupted in recent years, the five major broadcast networks still roll out a glut of new and returning small screen offerings each September. This week's Round Up features a handful of shows that has us playing catch up before next month. Warner Bros. makes its mark with Blindspot: Season 3, while a young dark knight continues to rise in Gotham: Season 4. Over on CBS, family comes first in Blue Bloods: Season 8, while justice is served in NCIS: Season 15. Meanwhile, Mill Creek isn't afraid to experiment with Masters of Sex: The Complete Series. We've also got a couple of big screen offerings arriving on Blu-ray from Lionsgate as Jackie Chan springs into action in Bleeding Steel, while Ethan Hawke questions his faith in First Reformed. Fox comes alive with Deadpool 2 The Super Duper $@%!#& Cut out on UHD/4K.

Don't forget: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

“We take a look back at the films that helped shape, change, and innovate the world of documentary.”

Between the rise of streaming services like Netflix and the growing number of nonfiction films making noise at the box office, documentaries have never been hotter…or more accessible. At the very least, they certainly don’t feel like the cinematic equivalent of eating your vegetables anymore. As a result, this feels the perfect time for Mill Creek to release the first two seasons of IFC’s obsessively hilarious comedy series Documentary Now!

“Welcome to the future.” 

This is how Josephine (Ellen Burstyn) introduces a church group that is touring her geodesic home, which also doubles as a museum dedicated to inventor R. Buckminster Fuller.  Josephine and her grandson, Sebastian (Asa Butterfield) have their own way of living in their home, a place where it is assumed Sebastian has never left long enough to experience how the real world functions.  His interactions with the public don’t stretch beyond the casual tourists who come by the home, and as a teenager he’s never experienced “junk food” of any kind.  But Sebastian’s reality crumbles after his grandmother has a stroke in the middle of a tour and he meets Jared (Alex Wolff).

This one proved to be too juvenile for my kiddo and was way too juvenile for me. However, I maintain that with the right demographic, it is guaranteed hit. Muppet Babies: Time to Play is a reimagining of the original series and airs on Disney Junior. It brings back everyone’s favorite muppets, including Kermit, Piggy, and of course Gonzo. Imagination is key for this disc, as the characters transport themselves out of their daycare class and into several fantastic scenarios, like flying a plane or imagining themselves as a knight to overcome a fear of the dark. As I said, not really my cup of tea, but it was done in a charming way that it is easy to see it appealing to a younger audience. Just not my kid, who immediately asked to watch something else.

The disc is broken down into six episodes, with each episode having two parts usually featuring one muppet as the central focus. In every part there is a specific lesson, such as in the first episode with Kermit imagining himself a knight as a way of overcoming a fear of the dark. I know I mentioned this plot already, but it was the one that I most identified with as I recall how difficult it was for me as a child, and I remember that my imagination is what got me through. That speaks to the relatability of the disc, as I am nowhere close to the desired age group, but I was still able to find something to identify with.

When it comes to films about man vs. nature, we typically see films where they are defending themselves in the wild where weather and predators are the biggest dangers they have to face. (The Grey and The Revenant are the titles that first come to mind.)  In the new release Flora, writer/director Sasha Louis Vukovic is here to show us that there is more to fear than wolves and bears, but how deadly pollen can be.  Somewhere I can imagine M. Night Shyamalan is happy to see that someone else has tackled this subject since his disastrous film The Happening made a whimper at the box office years ago.  Fortunately for Vukovic, he didn’t make the same mistakes and instead has crafted a film that is perhaps one of the more realistic horror scenarios that has come out in some time.

The film takes us back to 1929 when a team of students head out into an uncharted forest to meet up with their professor on an expedition to study the local flora. Unfortunately, when they arrive their professor is nowhere to be found.  To make matters more dire, the supplies they were expecting to be at camp for them to survive have been destroyed, and the only way out of the forest is by foot and more than a few weeks’ hike to civilization. While this is a nice setup with many horror elements in place, the film never quite commits to being a horror film.

Never before have I seen a series that managed to captivate my daughter the way that Elena of Avalor: Realm of the Jaquins did. I mean, it was amazing. To give you some context, my daughter is six years old and has enough energy to exhaust a brand new puppy. Her attention span is usually no more than five minutes, but when I put this show on; she never looked away from the television. In fact, I’m not even sure that she blinked. I will admit that I enjoyed the series myself, especially the two-part titular episode that focused on the fictional Jaquin creatures that serve as the guardians of Avalor. Charming, and full of catchy original music, Elena of Avalor: Realm of the Jaquins is an excellent bonding experience for both child and parent.

Fair warning to parents: you are dropped right into the action, so I would recommend some research before attempting to watch; that way you can better follow the story. For me, my research was asking my daughter, who apparently knew everything about the show. To summarize, Elena Castillo Flores is the Crown Princess of Avalor, a magical kingdom that she must protect from an evil sorceress. Despite only being a teenager, Elena must shoulder the same responsibilities as any ruler, such as meeting with her Grand Council and making decisions that affect all the people under her charge. In this four-episode feature disc, Elena breaks tradition and travels to the world of the Jaquins in order to convince their leader to give Jacquin Nico, another chance to take the guardian test. As humans are not allowed in the world of the Jaquin, her enemies take advantage of her desires to help a friend and a free a dangerous forest sprite named Marimonda who was imprisoned centuries earlier. With the sprite determined to destroy Avalor, Elena must call upon her magical scepter, a weapon she is still learning to use, to save her people and defeat the sprite. The following two episodes set up a showdown between Elena and her archenemy, Shuriki.

"Some of you may know he history of The Section. Rumors of operatives going rogue, the Whitehall assassination. None of that matters now. What matters is that Section 20 stood for something. They were the soldiers who kept going when others fell, who saw the odds and didn't blink, who got the job done, even when it meant paying the ultimate price." 

Two years ago I wrote a review for the fourth and final season of the Cinemax series Strike Back. Now here I am telling you about the fifth season. So what's up with that?