Posted in: No Huddle Reviews by Gino Sassani on August 28th, 2018
NCIS is about to enter into its 16th season in just a short time. That in itself is a remarkable accomplishment in the days of short attention spans and hundreds of shows to keep that attention. What is more remarkable is that it continues to be the number one drama in the world. What could a series possibly have left to say after 15 years? Apparently, the answer to that question is: a lot. One of the reasons the series has stayed so strong for so long is the cast. And while it has changed considerably over that time, new members are brought in who always seem to fit into that comfortable family that makes up the appeal of the series. This show has become like that ragged, threadbare shirt that you can't quite part with. Comfort is the key here, and it doesn't appear to be going away any time soon. CBS's release of NCIS: The Complete 15th Season allows you to get caught up just in time.
This season is yet another changing of the guard for the show. It is the last season for Duane Henry as Clayton Reeves, the MI6 agent who has been working with the team. I have to admit that he never quite grew on me, and I'm not all that sad to see him go. He was too much James Bond and not enough...well...comfort. The same can't be said for the departure of Pauley Perrette as Abby. She's been a very important character for the show and a lot of the team's emotional center. Paired with the fact that the actress left under terms that weren't so friendly, this is a big blow to the series. She has publically claimed that she felt unsafe on the set and made some accusations that were a bit shrouded in a phrase "multiple physical assaults" that leave a huge question mark. The speculation turned to Mark Harmon's dog being a potential menace on the set. Whatever the reason, it left a cloud and there had been a couple of years of feuding between her and Harmon. The lasting effect is that the characters don't share a stage when they say goodbye. We meet her replacement for a couple of episodes this year, and the upcoming season just won't be the same.
Posted in: Tuesday Round Up by J C on August 28th, 2018
Since 1990, it's taken four different actors to bring Jack Ryan to the big screen. This week, Tom Clancy's CIA analyst arrives at UpcomingDiscs headquarters in UHD. Thanks to Paramount, we'll be reviewing the Jack Ryan 5-Film Collection in 4K. Magnolia appeals to a Higher Power, while over on the small screen Warner speeds through The Flash: Season 4 and makes a deal with the devil in Lucifer: Season 3. Finally, CBS taps into its dark side with Criminal Minds: Season 13.
We've also got a theatrical release on the docket as a father goes on an online hunt for his missing teenage daughter in Warner's Searching. One last reminder before signing off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!
Posted in: Disc Reviews by Brent Lorentson on August 27th, 2018
When it comes to Paul Schrader, I feel the argument can be made that he is the greatest American screenwriter. I know it’s a bold statement but when you look over his credits that include Taxi Driver, Rolling Thunder, Hardcore, Raging Bull, The Last Temptation of Christ and so many others I feel there just isn’t anyone out there that can compete. Lately though he’s seemed to have had a difficult time recapturing that greatness, there has even been a part of me that has felt that perhaps I should give up on hoping he’ll crank out one more great film and simply appreciate the filmography he’s delivered us cinema fans over the years. Paul Schrader, despite having some classic titles to his name he’s still a writer and a director that isn’t for everyone. His films typically are dark in tone and typically shine a light onto the underbelly of society that most would prefer to not know about. It’s because of his fearlessness in tackling these subjects that has made me a fan of his for years so when the opportunity to see First Reformed came along I didn’t hesitate, this was a screening I couldn’t miss.
As the film opens we get a long shot that pushes in to an old church, we quickly find out the church is named First Reformed. Inside we meet Reverend Toller (Ethan Hawke) as he is delivering a sermon to a very sparse crowd of parishioners. It doesn’t take long to realize that Toller is a damaged man, both physically, emotionally and spiritually. We get insight into the reverends thoughts through his journal entries that he writes and are narrated for us. Things get moving when Mary (Amanda Seyfried) approaches Toller after a service and requests he speaks with her husband Michael (Philip Ettinger) who she fears wants her to have an abortion.
Posted in: The Reel World by Gino Sassani on August 24th, 2018
Too often the word classic is overused and often misunderstood. When I hear or read a critic calling a new film a classic, my blood boils a bit. I often say that the only thing wrong with instant gratification is that it takes too damn long. It takes the endurance of time to define a classic. There must be some lasting effect on a culture. The 1973 Steve McQueen and Dustin Hoffman film Papillon fits that description, in my not-so-humble opinion. It's a film that had a strong impact upon me when I saw it so many years ago and is one of a dozen films I try to watch at least once a year or so. Because of those vivid images that remain with us so long, classics are bad choices for a remake unless there is truly something more that can be done with the material. Often it's a technical breakthrough that just wasn't possible when the film was first released. But even that rarely is reason enough. Today we can do photo-perfect images that sure beat the heck out of that constantly malfunctioning shark in Jaws, but still no shark film has ever come close to capturing the same impact. With Papillon the draw is that the second book written by Henri "Papillon" Cherriere is reported to have supplied additional material for the remake of Papillon. It wasn't enough.
The story is essentially the same. Cherriere (Hunnam) is charged with a murder he claims not to have committed and is sent to the infamous early 20th Century French prison in French Guiana where he experiences primitive conditions and inhuman treatment and from where he manages a daring and unprecedented escape. The additional material is quite scarce. This time we see how Cherriere was set up and arrested. That provides about 10 minutes of the film's opening act. The rest is a couple of minutes in the form of a coda where he returns to France as an old man to sell his story to a French publisher. The rest is pretty much all to be found in the original film.
Posted in: Disc Reviews by Gino Sassani on August 24th, 2018
"So dark. You sure you're not from the DC universe?”
I've said many times in these pages that expectations can kill. That might have been more true for Deadpool 2 than any other film I've seen since the re-launch of Star Wars. The first movie didn't push boundaries. It obliterated the boundaries and kept on going. Fans had certainly been ripe for a raunchy R-rated superhero film, and the box office for Deadpool certainly proved that out by bringing in nearly a half a billion bucks. For a superhero film that might seem like small change, but for what was essentially a comedy, it was awesome money and demanded a sequel before the first run was over at the multiplexes. The problem is that raunchy comedies, like superhero films, share the deadly expectation curse. Rarely does a comedy film sequel live up to those expectations, and if you're anybody but Marvel, it doesn't happen often in the superhero genre either. If all of this sounds like it's leading up to a death knell for Deadpool 2, you're right. It does sound that way. Fortunately for us Deadpool 2 manages to escape its fated demise and not only work as well as the first film; Deadpool 2 is better.
Posted in: Disc Reviews by J C on August 24th, 2018
“Who do you think you are, Jackie Chan?!”
I'm going to do my very best to describe how insane this movie is, but it still might not be enough. I want to try and be fair because there aren't many people who have worked harder to entertain audiences than Jackie Chan. The 64-year-old martial arts legend has more than 100 acting credits to his name in a career that has spanned well over 50 years. Naturally, there are bound to be some turkeys along the way. Unfortunately, Bleeding Steel — an obnoxiously incoherent sci-fi departure for the action star — firmly (and gloriously) falls into the turkey category.
Chan stars as Lin, a Hong Kong special agent with an ailing daughter who is in critical condition. Lin is rushing to the hospital to be by her side when he gets an urgent work call about a witness that needs to be protected. The witness is Dr. James, a geneticist who has been working on creating a mechanical heart(!) and bioengineered blood to create super soldiers. Lin chooses duty over his daughter and rushes to protect Dr. James just in time to be ambushed by a deranged, mech-enhanced villain named...Andre (Callan Mulvey), who looks like Darth Vader without his helmet on. Lin and his team face off against Andre's stormtrooper-sequel army, Dr. James gets caught in the crossfire, and half a dozen explosions later we finally get the Bleeding Edge title card. (Yes, everything I've just described happens in the first 15 minutes!)
Posted in: Disc Reviews by Gino Sassani on August 23rd, 2018
"This is not just about Gotham. This is all about Bruce Wayne."
It really is about Gotham. And it's about Jim Gordon. It's also very much about Bruce Wayne. The third season ended with Bruce finally starting to embrace his vigilante role, but it was crude and very much only a shadow of the hero he will become. There's a reason why all of the episodes of this season are subtitled The Dark Knight. Bruce is becoming more and more like Batman. Bruce even confronts his future alter-ego in a vision state. He's being propelled to that future because of Gotham and because he's also being manipulated toward his destiny by none other than Ra's Al Ghul himself, played by Star Trek: Deep Space Nine's awkward Doctor Alexander Siddig. He's taking center stage this season, and he knows Wayne's future and sees himself as the guiding force to make sure he gets there.
Posted in: No Huddle Reviews by Gino Sassani on August 23rd, 2018
For eight years Blue Bloods has been a staple on CBS, giving Tom Selleck a chance to completely redefine his television career. The once cocky and carefree Magnum P.I. now has established himself as the wise patriarch. It's a transition that a 1970's audience would never have bought. But now he's become a new kind of airwaves icon. The show has also managed to make it through eight years with very little change in the cast, and most of that coming from additions. This season is the first for the show to lose one of the major players and a rather beloved character on the show. Instead of making the season weaker, I think this might well be one of the strongest yet for the series.
Amy Carlson leaves the show, so the season begins with the Reagan family mourning the loss of her character, Linda. It turns into quite an emotional season for the cast. Of course, Danny (Wahlberg) is hit the hardest. Throughout the season he has to deal with a ton and anger over Linda's death. He also starts to question his life as a police detective. He starts to second guess his decisions and be a bit gun-shy about dangerous positions. He's dealing with having to be the single parent for his kids, both financially and for safety. He's going to need the help of his family, and that's what makes Blue Bloods the kind of show that it is. It's a cop show, but it is more a series about this family. There's always a lot of emotional stuff here, but this season goes above and beyond the call of duty.
Posted in: No Huddle Reviews by Gino Sassani on August 21st, 2018
"There's been a new development."
Actually there have been many. But first I have to credit Blindspot's creator Martin Gero with providing one of the more memorable moments on television with the opening minutes of the series in the first season. We see a police officer in Times Square approach a bag with a sign on it that asks the FBI be alerted. The cop approaches the bag a bit frightened it might be a bomb and blow up on him at any time. It could have been a nice iconic moment when he opens the bag to reveal a naked woman who is covered with tattoos. She is shivering as the camera pulls back to reveal the emptied Times Square.
Posted in: Tuesday Round Up by J C on August 21st, 2018
The Fall TV season is upon us! While the number of channels and streaming services producing original content has erupted in recent years, the five major broadcast networks still roll out a glut of new and returning small screen offerings each September. This week's Round Up features a handful of shows that has us playing catch up before next month. Warner Bros. makes its mark with Blindspot: Season 3, while a young dark knight continues to rise in Gotham: Season 4. Over on CBS, family comes first in Blue Bloods: Season 8, while justice is served in NCIS: Season 15. Meanwhile, Mill Creek isn't afraid to experiment with Masters of Sex: The Complete Series. We've also got a couple of big screen offerings arriving on Blu-ray from Lionsgate as Jackie Chan springs into action in Bleeding Steel, while Ethan Hawke questions his faith in First Reformed. Fox comes alive with Deadpool 2 The Super Duper $@%!#& Cut out on UHD/4K.
Don't forget: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!
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