Posted in: The Reel World by Gino Sassani on April 13th, 2018
Brad Anderson is a television actor who has puttered around that industry going back to David Simon's Homicide: Life On The Streets and The Wire. This is pretty much his first feature film opportunity in the director's chair, and Beirut certainly shows that he has a lot of talent... as a television director. No question the chops are there, but the framing and pacing of Beirut suffers from a kind of small thinking that fails to keep one's attention for very long. He hasn't learned how to take advantage of large set pieces and exotic locations to expand the experience for his audience. Some will believe I'm talking about action or the kind of cheap thrills that sell tickets, but that's not exactly my point. There's enough action here, and the thoughtful script by writer Tony Gilroy is actually clever and engaging. It's even a little old-school, and I like that kind of thing. But Brad Anderson just doesn't know exactly what to do with it, and it suffers at his inexperienced hands.
It's 1972 Mason Skiles (Hamm) is a skilled diplomat stationed in Beirut where he must juggle the concerns of the warring PLO and Israel along with his obligations to America and the restless population. It's a job he does well, and he's managed to balance the necessary agendas with some success. He's celebrating with a party at his home when gunmen crash the party and kill his wife. They also kidnap a local boy whom he was trying to help, who ends up being the sibling to the terrorist who orchestrated the attack. The loss sends Skiles into a downward spiral of alcohol and depression.
Posted in: The Reel World by John Delia on April 13th, 2018
Bold and incredibly compelling, the movie Chappaquiddick is a “tell all” with a lot of authority. Much like last year’s The Post, it tells its story pulling no punches, playing out the characters and holding nothing back. Although I’m familiar with the incident, many of the facts were clouded, squashed, or lost due to current events at the time. If you liked The Post, then here’s a film that will enlighten you and make you cringe. In 1969 about one year after the assassination of Robert F. Kennedy while he was touring for votes to be nominated for President, his brother Ted Kennedy (Jason Clarke) was already thinking about his chance at the highest position in America. On the fateful night of July 18, however, things ran amok, taking him out of any chance for the Presidency.
It was late in the evening on Martha’s Vineyard, Chappaquiddick Island, Massachusetts, and a party was going strong in a cottage following the yearly sailing regatta. At the cottage were Senator Ted Kennedy, attorney Paul Markham (Jim Gaffigan), Ted’s cousin Joe Gargan (Ed Helms), Ray Larosa (Damien Di Paola) and six ladies in their late 20’s who served as the “boiler room” campaigners for Robert F. Kennedy. They included Susan Tannenbaum (Katie Henoch), Esther Newberg, Rosemary Keough (Gillian Mariner Gordon), Mary Jo Kopechne (Kate Mara), sisters Maryellen (Angela Hope Smith) and Nance Lyons (Lexie Roth).
Posted in: Disc Reviews by Gino Sassani on April 13th, 2018
When David Ayer's Suicide Squad film was released a couple of years ago, the reviews were certainly mixed. One of the biggest complaints from the diehard fans was that Warner opted for a PG-13 version of the film, which took away much of the edge of the material. One only need look at the success of Deadpool to understand that there is a place for a comic film that pushes envelopes and doesn't shy away from an R rating. It almost appears that the new Warner/DC animated feature film Suicide Squad: Hell To Pay would attempt to make up for that decision. This may very well be an animated "cartoon" film, but it's a hard-edged R-rated experience that doesn't shy away from brutality, blood, and violence. But if you're thinking that maybe this is the film the live-action movie should have been, you are in for a disappointment of the epic kind.
The film begins with a bloodbath before the title credits even roll. A squad of Tobias Whale (Fennoy), Count Vertigo (Pirri), Punch (Devall) and Quinn lookalike Jewlee (Nathanson) are betrayed on a mission and graphically slaughtered. What was their mission, and what were they after? Amanda Waller (Williams) quickly puts together an A-team of criminals to follow up. In this film the team is made up of Deadshot, voiced by a badly-cast Christian Slater, Harley Quinn, voiced by Tara Strong, who has the unenviable job of following Margot Robbie's performance, Flash rouge Captain Boomerang, voiced by Spartacus himself, Liam McIntyre, Killer Frost, voiced by Kristin Bauer van Straten, Copperhead, mostly slithered by Gideon Emery, and Bronze Tiger, voiced by Billy Brown. They are sent after an object sought by a few bad guys, most notably the not-so-immortal Vandal Savage, voiced by Jim Pirri. The object is where the film wastes its violent mayhem. The object of such desire is literally a "Get Out Of Hell Free" Card. Yeah, that's what I said. It's a card that says "Get Out Of Hell Free" on its surface. The idea is that anyone who dies in possession of said card gets to bypass the eternal flames and head directly to the Pearly Gates. It can only be used once, and in the film's final crimson massacre, a few characters attempt to meet their end with the card.
Posted in: No Huddle Reviews by J C on April 13th, 2018
- “We’ll get another chance…to go home. It wasn’t the right time.”
- “What’s the right time?”
Posted in: Disc Reviews by Brent Lorentson on April 13th, 2018
Lin Oeding has been involved with stunt work in film and TV for nearly two decades; it should come as no surprise that his first feature film would showcase some excellent stunt work throughout. Before Braven, I knew Jason Momoa had done work on Game of Thrones and had his bit as Aquaman in Justice League, but I had never gotten the chance to see him genuinely flex those acting muscles of his till now. I’m not about to say Momoa delivers a tour-de-force performance here, but it’s nice to see that he’s attempting to show a little range while beating up on the bad guys in the process. One would think the pairing of Oeding and Momoa would equal a surefire action hit, but instead we get an action film that unfortunately lacks any substance beyond some of its unique kills.
Joe Braven (Momoa) is a logger but is also a family man who seems to go days at a time without seeing his wife or daughter, so their time together you’d think would be more precious. Momoa does a good job at playing the loyal husband and loving dad, but the relationship that the film focuses on most is between Joe and his father, Linden (Stephen Lang) whose mental health is deteriorating. After Linden gets into a bar fight that has him leaving the hospital in stitches and a warning from the police that next time Linden will be serving some jail time, Joe decides it’s time to have some one-on-one time to decide what he needs to do about his father. The problem is, rather than use this as a springboard to move the plot along and give us a chance to see this father-and-son relationship play out, it’s clear the film only used this as a device to get the characters from point A to point B.
Posted in: Disc Reviews by John Delia on April 11th, 2018
by John Delia, Jr.
"Everyone has an act."
Posted in: No Huddle Reviews by Gino Sassani on April 11th, 2018
"Hey, it's Hannah... get a snack. Settle in because I'm about to tell you the story of my life. More specifically, why my life ended. But if you're listening to this tape, you're one of the reasons why."
13 Reasons Why started out as a novel in 2007. It didn't catch the world on fire and went largely unread until something appeared to cause the novel to pick up steam in 2011. It hit the New York Times Best Seller list and started to become a teen phenomenon around middle and high school campuses throughout the nation. If Harry Potter didn't provide enough proof that kids were still reading and doing it for their own enjoyment, this novel should do the job. There are no wizards or superheroes or distant alien worlds to explore here. The work is a very straightforward drama about some of the topics that real-world teens deal with everyday. Nothing is really taboo here; from cyberbullying to rape, it's all covered. It's even possible this particular work has saved a few lives over the years. Now Netflix has taken on the book and its serious themes in a new original series bearing the same title. Suicide is the second cause of death among teenagers these days, and this teen drama doesn't shy away from the circumstances that might lead a young teen with their entire life ahead of them to a tragic and irrevocable decision.
Posted in: No Huddle Reviews by J C on April 11th, 2018
“Did you hear what the teacher wants?”
We’ve all had that especially demanding teacher whose class we quietly dreaded. Yet instead of pushing her students toward academic excellence, the educator at the center of The Teacher is infinitely more interested in what her kids’ parents can do for her. This Czech/Slovak drama hints at some interesting points about compliance. But like a student — or perhaps even a certain movie reviewer — who uses too many flowery words before finally getting to the point…the movie ultimately can’t get out of its own way.
Posted in: Tuesday Round Up by J C on April 10th, 2018
Looks like the hellraising bad guys of DC’s Suicide Squad didn’t wreak quite enough havoc during their recent big screen debut. The butt-kicking, wisecracking villains are back this week — in animated form — thanks to Warner Bros.’ Suicide Squad: Hell to Pay (4K). Elsewhere, Lionsgate gets in on the action with Braven (starring Aquaman himself, Jason Momoa) and Western adventure Gone are the Days. Meanwhile, Paramount tries to find itself with Tad the Lost Explorer and the Secret King Midas and tokes up with the Cheech and Chong stoner classic Up in Smoke. Finally, Hugh Jackman and Co. sing and dance their way into our living room with Fox’s The Greatest Showman (4K).
One last reminder before signing off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!
Posted in: Disc Reviews by Brent Lorentson on April 10th, 2018
When you are about to sit down for a comedy with Ed Helms and Owen Wilson, you pretty much know what you’re getting yourself into. Sometimes you just want to watch a movie for a few good laughs; then when it’s over, you return to your day-to-day routine. When it comes to Father Figures, the problem is that the film from the get-go is trying to get you to believe that Helms and Wilson could possibly be fraternal twins. Yeah, we’ve seen this before with the film Twins, only this time around we have a film about brothers attempting to overcome their differences as they work together to find their real father. When you have Glenn Close, Christopher Walken, and J.K. Simmons filling out your cast, the potential for a solid drama with great performances could be expected. Unfortunately, it seems everyone here for the most part showed up to the set to phone it in, and the film suffers for it.
Things get started when Peter (Helms) and Kyle (Wilson) meet up at their mother’s wedding. Peter is a successful yet lonely proctologist, while Kyle is the life of the party, making money off of residuals for having his likeness on a bottle. It doesn’t take much to get the joke that despite being twins, these guys couldn’t be any more different. As an odd twist of fate would have it, while watching an episode of Law & Order Special Victims Unit, Peter sees a character in the show that looks a lot like his dad. When he confronts his mother (Glenn Close) about this, she reluctantly confesses that she had lied, and that their real father is none other than Terry Bradshaw. This in turn has the brothers setting off on a trip together to confront and meet their dad for the first time. Since this is a movie, things obviously don’t go as planned.








