Posted in: No Huddle Reviews by Dan Holland on April 10th, 2018
Cinema is a beautiful thing, and it is really special when a film can remind you of its beauty. So often are we blinded by genre conventions: we want to see the gore of horror, feel the laughter of comedy, or the tears of drama. Yes, the films we watch are all indeed beautiful in their own right, but not every film captures the pure essence of cinema. In Search of Fellini delivers that essence on all fronts, whether it be through cinematography, on-location shooting in Italy, stylistic editing, or the fantastic acting. Naming your film after a man who’s widely considered to be a master of his craft sets the bar of expectations very high by default, and this film cleared the hurdle with no problems.
In Search of Fellini is a coming-of-age story about a sheltered girl named Lucy (Ksenia Solo), as she travels to Italy in search of her newfound favorite director, Frederico Fellini. Lucy’s mother, Claire (Maria Bello), has constructed a fantasy world for her daughter, shielding her from realities such as death, working, and sex. Once Claire receives grim news, she hides it from her daughter, but Lucy is blessed with the intuition to understand something is wrong. She begins to try to find work, but what she finds instead is a film festival that is dedicated to Frederico Fellini, and she falls in love with his work. It is from here that she sets off to Italy. This story is loosely based on a similar adventure had by co-writer Nancy Cartwright (the voice of Bart Simpson), when she traveled to Italy in her early 20’s.
Posted in: Disc Reviews by Gino Sassani on April 7th, 2018
Sports movies have been something of a cliché for years now. And it's not really a recent phenomenon. Everybody remembers Ronald Reagan appearing in the Knute Rockne All American as the famous George Gipp. That was 1940, and Hollywood is still selling films that ask teams to "win one for The Gipper". That's exactly what you get in director Sean McNamara's The Miracle Season. Substitute high school volleyball for college football, and you likely already know the story before you even order your popcorn and soda. Of course, even with established Hollywood formula and a well-trodden story, things are never quite that simple. Somehow the better films still tend to touch an emotional nerve, and when it's all based on a true and inspiring story, well then, break out the Kleenex and try to keep the tears from diluting your already watered-down drink. Still, some of these films manage to stand out from a very crowded field. So what exactly does it take to do that, and does The Miracle Season have what it takes? That's a little bit complicated.
The film begins with the story of two best friends. Caroline and Kelly have that special kind of bond, as the opening narration explains. We are treated to a montage of the close friends from young girls to adolescents who eventually find themselves teammates on Iowa City West's volleyball team. In 2010 they took home the state championship, and hopes are high as the girls begin practices for the 2011 season. All of the hope and enthusiasm is delivered by Caroline "Line" (Yarosh). Her energy and drive are contagious, and it's quickly evident why she's the natural leader of the team and a favorite of Coach "Bres" Bresnahan (Hunt). Her cheerfulness is even more amazing when we learn that her mother is dying of cancer and unlikely to survive to see her daughter win a second championship. She still manages to stay positive and keep her mother and father smiling. She decorates her shoes to dedicate the new season to her mother and encourages her friend Kelly (Moriarty) into believing she can also be a team leader. With someone like Caroline pushing the team, that second championship appears in the bag.
Posted in: The Reel World by Gino Sassani on April 6th, 2018
You might call me jaded, but I am pretty disappointed by the state of horror movies. It's not just the last few years. The truth is I haven't seen 10 really good horror movies in over a decade. Now that I've had a chance to see A Quiet Place, that number isn't going up. A Quiet Place is not a really good horror movie. It ends up making a lot of the same mistakes that filmmakers think define a horror film in the modern age. It relies too heavily on jump scares and characters who do some of the most idiotic things, thus placing them in a somewhat self-created dangerous situation. But I will make the argument that A Quiet Place is still a pretty good horror film because of a rather clever and unique concept and a filming process that allows us care for these characters more than the usual horror film red shirt fodder that too often leaves me rooting for the monster in a Darwin-like weed-out-the-gene-pool kind of way.
The film takes place in a near-future that newspapers place at about 2020. It's now day 86. We are now in the familiar post-apocalyptic world of deserted streets and a family of characters scrounging through the derelict buildings for scraps on which to survive. The difference here is that this family, a husband and wife with three young kids, are going out of their way to remain as completely silent as possible. They communicate strictly through sign language and walk on bare feet to avoid the sounds of footsteps. Each move is carefully calculated to avoid even the careless sound of placing a pill container on a counter. Silence is golden, and before the title card is revealed, we discover the reason for all of this care. The Earth has been invaded by creatures that are blind but with heightened hearing ability. They hunt strictly by sound and move at lightning speed toward any sound and attack with razor-like appendages. These attacks are over in a second, and the viewer is left with graphic evidence that in this future world, silence isn't golden, it's survival.
Posted in: Disc Reviews by Brent Lorentson on April 6th, 2018
Ever since Jon Bernthal left The Walking Dead, he has managed to create quite the impressive resume over the years. From having some standout performances in Fury, Baby Driver and recently taking on the role of Frank Castle in The Punisher, he is easily making a name for himself. Now we get to see him take on the role of Sam in the new small town indie thriller, Sweet Virginia. In a film that is filled with well-crafted characters matched with some terrific performances by the cast, it’s a shame the film didn’t reach Blu-ray with more of a buzz around it. From the film’s violent opening, the film percolates with menace and unease to the final climax.
When we first meet Elwood (Christopher Abbott), it’s obvious there is something a little off about this guy, and it doesn’t take long before we see what the man is capable of. To put it simply, this may be the most intimidating hitman we’ve seen on screen since the Coen Brothers gave us Anton Chigurh in No Country for Old Men. A bold statement, but as we see Elwood unravel on screen, we see a man who is desperately wanting to be accepted, whether it’s being a son or simply a friend, but the guy is a pillar of rage and violence. And it’s when we see him show up to the motel as a guest and he’s trying to befriend Sam, you just know this will only end badly.
Posted in: Disc Reviews by Gino Sassani on April 5th, 2018
"And so we ran on. Into Summerland and the place they said did not exist. And all the while, wolves were at our heels. Black masks, boots and the one they called The Eye. We had come to do the work that must be done. To strip ourselves of the fog of life before."
If the first season of Legion was intended to lift any fog, it failed miserably. In fact, keeping you in a fog is series creator Noah Hawley’s superpower. He was also the creator of the television adaptation of Fargo, which was often more than a little confusing. But with Legion Hawley has taken these "skills" to the next level, and how you respond to the series will absolutely depend on how much you like your brain messed with while you're watching a show. If the answer is a lot, this is the perfect show for you.
Posted in: Disc Reviews by Jeremy Butler on April 4th, 2018
John Cena continues to attempt to branch out from the WWE, this time with an animated film featuring a peace-loving bull in Spain. Granted, John Cena is not first person I envision when I think about nonviolence, but it is an interesting choice nonetheless. Ferdinand tells the story of a bull raised to participate in the matador competitions featured in Spain. Disney continues to buck against the grain, creating a character that contrasts with his circumstances. Naturally, this is an animated film, and being well into adulthood, I am clearly outside the target audience. However, I am fortunate enough to have a daughter who does fit that demographic, so I enlisted her services for this film. Ironically, I actually ended up enjoying the story a lot more than she did. Too be fair to the film, my daughter only possesses a 20-minute attention span. To her credit, she stuck out the entire film, and we can both provide you with the benefit of our experience.
Continuing my earlier statement about the character, Ferdinand (John Cena), unlike the other bulls, does not desire the glory of competing in the matador competition (at this point, the bulls are unaware that they will be killed in the competition). He would much rather spend his time grazing and smelling the flowers. This also contrasts with his size, as he has grown to be a large and intimidating-looking animal, but he remains a gentle giant.
Posted in: Disc Reviews by J C on April 4th, 2018
When The Sandlot first came out 25 years ago, I connected to the coming-of-age baseball story as strongly as Babe Ruth connected with one of his titanic, 400-foot homers. I grew up in baseball-obsessed Puerto Rico and I happened to be the exact same age as dorky protagonist Scotty Smalls. I’ve kept in touch with the film over the years, but Fox’s new 25th Anniversary Blu-ray re-release of The Sandlot was a great excuse to watch it from start to finish.
An adult version of Scotty Smalls recounts the story of his most memorable summer. As a fifth grader, Scotty (Tom Guiry) moved to a new town with his mom (Karen Allen) and stepdad (Denis Leary) just before the end of the school year. Scotty’s mom wants her sweet, nerdy son to actually get into a little bit of trouble during the summer, so he falls in with a group of kids who play baseball in a raggedy patch of grass called The Sandlot. The only problem is Scotty doesn’t even know how to throw a baseball. Fortunately, Scotty is taken in by Benny (Mike Vitar), the group’s leader and the best baseball player by far. During that one remarkable summer, the kids encounter a dream girl, arrogant Little Leaguers and a legendary canine menace known as The Beast, which swallows up any baseball that finds its way into his yard.
Posted in: No Huddle Reviews by Brent Lorentson on April 3rd, 2018
Ever since Disney purchased the rights to the Star Wars property, it was no surprise that Disney would take full advantage of it. Between the movies and TV shows it’s fairly easy to get your Star Wars fix, but is too much of a good thing a bad thing? For Disney XD we have the animated LEGO series Star Wars: The Freemaker Adventures, and though it is targeted towards kids, there is plenty of fun for the long-time fans as well. What I already enjoyed about the series is that instead of following established characters in the Star Wars canon, we get to get a glimpse at the life of the mechanics who repair the ships after returning to battle. Granted, the story seems to always venture off to other planets and many adventures throughout the galaxy.
I missed out on season one, but it was fairly easy to jump into the second season of the show. The second season generally takes place during the same time as Return of the Jedi, so for fans of the movie, we can finally get to see what else the Rebellion and the Empire were up to during this time.
Posted in: The Reel World by Brent Lorentson on March 30th, 2018
Like so many others, when I read the book Ready Player One by Ernest Cline I simply fell in love with the nostalgic ride through the 80’s, all thanks to the virtual reality world called The Oasis. From start to finish it was a book filled with pop culture references that would make film and video game geeks squeal with delight, and it was no surprise that the book was a hit and would be turned into a film. There were only two names I could think of that could ever come close to making this film a reality: Robert Zemeckis and Steven Spielberg. With Spielberg involved, he was the only person I could imagine that had the clout to get all the licensing rights needed to pull this adaption, but still the biggest question I had was does Spielberg still have it in him? I’m not questioning the man’s talent, but instead it’s the magic and wonder he would bring to his films, from Close Encounters of the Third Kind, ET, to Jurassic Park, where he could get us to believe the fantastic and impossible was real while we sat in a dark auditorium watching his film.
The Oasis is an open virtual realty world like nothing we have ever seen before, but with the way our technology is developing, it is quickly becoming a possibility for things to come. There are worlds and planets within The Oasis where you can be in constant battles to win coins, or go to exotic places for a vacation. It’s a world where you can be whatever you want and experience just about anything you want. Basically think about Westworld but on steroids. The creator of this world is Halliday (Mark Rylance), who before dying announced to all of The Oasis that he created an Easter Egg hidden somewhere in The Oasis, and whoever was to find it would gain sole control of The Oasis and all of Halliday’s fortune.
Posted in: No Huddle Reviews by Jeremy Butler on March 30th, 2018
Curious what happened to Diane Lockhart after slapping the taste out of Alicia’s mouth? Well, I wish I could say that all was well, as tragedy strikes again just as she is on the cusp of retirement. That’s where we find Diane at the start of The Good Fight. I had heard rumbles about the show shortly after news that it was moving into production, the spin-off series that would focus on the powerhouse that is Diane minus Julianna Margulies’ character. More interesting was the decision to make the series only available on the CBS’s streaming service. Clearly, streaming service has become a big part of home entertainment, so naturally it was only a matter of time before the networks joined the party in order to compete. However, I must admit that I was skeptical about shows only available through these means, as I doubted that the content was truly worth the price of admission. I must confess that after watching the series, I am tempted to sign up for a subscription. The Good Fight actually turned out to be one of the most well-written and clever legal dramas that I have ever seen. This is made more impressive by the fact that I am not the target audience, but my wife is, and let me tell you, once we started one episode, she wouldn’t stop until we had watched them all.
Picking up some time after the events of The Good Fight, Diane is motivated to make a change following the inauguration of Donald Trump. She decides that it is time to retire as name partner of Lockhart, Deckler, Gussman, Lee, Lyman, Gilbert-Lurie, Kagan, Tannebaum, & Associates (yeah that’s quite the mouthful, but notice whose name is at the front), her prestigious law firm, and plans to purchase her dream home. Wrapping up her last case, she must bump heads with Adrian Boseman (Delroy Lindo), a well-respected attorney representing the victim of police brutality in Cook County. This case brings her in direct contact with her former employee, Lucca Quinn (Cush Lumbo), which reopens old wounds about a certain someone (Alicia). Determined to go out on a win, Diane plays hardball, but Adrian, who has something to prove, does not make it easy for her.
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