You can't save the world alone. You also can't properly kick off your week without knowing what Blu-ray/4K/DVD releases are on the horizon. I'm sure you've probably guessed this by now, but one of the titles being released this week is Warner Bros. superstar-laden superhero smackdown Justice League, which we'll be reviewing both on Blu-ray and in 4K. It's also case closed for Warner as they release Major Crimes: The Sixth and Final Season. Elsewhere, Indiepix is feeling spirited thanks to Pastor Paul, while MPI Home Video delves into the life of famous cop Frank Serpico. CBS/Paramount fights The Good Fight: Season 1, and Cinedigm searches for love When the Starlight Ends. (FYI: you can win a free copy of When the Stralight Ends.) Last and certainly not least, Lionsgate shuffles into the mix with Fear the Walking Dead: Season 3.

On top of all those home video releases, we are also embarking on an adventure to review the new big screen incarnation of Tomb Raider. One last reminder before signing off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

In a SEAL platoon, then as in now, you’re there for your mates. That’s what the men fight for on the ground. They don’t fight for their country’s objective. They don’t fight for their higher headquarters. They fight for the guys left and right of their patrol order.”

Though I'm not a SEAL nor a member of this branch of service, I am still able to attest to the truthfulness of the statement. Normally, the foot soldier is not privy to the bigger picture. Without that knowledge, you must find your own reasons to fight. That signal purpose that you will end up holding onto and reminding yourself of on a day-to-day basis in order to survive the difficulties that you will face.

Cinedigm is releasing When the Starlight Ends on DVD this week. It’s the major motion picture debut of Arabella Oz, daughter of the famous television Dr. Oz.  A writer loses his muse only to find himself rewriting their time togetheer looking for a happy ending. You’ll have to separate real from fantasy with this one. To help you along, Cinedigm has sent a copy for a lucky Upcomingdiscs fan.

 

"Well, I tried to start a revolution, but didn't print enough pamphlets, so hardly anyone turned up. Except for my mum and her boyfriend, who I hate. As punishment, I was forced to be in here and become a gladiator. Bit of a promotional disaster that one, but I'm actually organizing another revolution. I don't know if you'd be interested in something like that? Do you reckon you'd be interested?"

DC has finally gotten a recent comic superhero movie right with Wonder Woman.

We can't take any credit for our talents. It's how we use them that counts.”

Much has been made about the fact that Ava DuVernay's A Wrinkle in Time is the most expensive movie ever directed by a woman of color, carrying a reported $103 million price tag. The good news is the filmmaker has absolutely infused her own personality and perspective into this live-action Disney spectacle. (No small feat, by the way.) The bad news is that DuVernay has taken those considerable resources and made a wildly uneven movie that, at various points, somehow manages to look both way more expensive and way cheaper than its budget would suggest.

Sometimes I think I'm cursed.”

Up until recently, Pixar Animation Studios had a pretty spotless reputation. (At least when it came to the quality of their films.) But while the studio's last three efforts (Cars 3Finding DoryThe Good Dinosaur) have been financially successful, Disney's own in-house animation studio (MoanaZootopiaBig Hero 6) has been out Pixar-ing Pixar in terms of delivering creative, crowd-pleasing blockbusters for all ages. (I didn't even mention a little movie called Frozen.) That's why I'm pleased to report that Coco — Pixar's moving, colorful and exhilarating take on Mexico's Day of the Dead holiday — is a thrilling and touching return to form.

“Don’t give them all of you Dominika. Hold something back. That is how you will survive.”

There appears to be nothing Jennifer Lawrence can’t do: she is an Oscar winner, the face of a successful movie franchise, and now she is a Russian spy that specializes in seduction techniques. Now in the looks department, there are scores of men that would gladly hand over their social security number for the opportunity to be seduced by J Law, so her casting was a no brainer. But she went much deeper than that, showing an unparalleled intellect and natural aptitude for the world of espionage.

What exactly is the purpose of an art museum? Oftentimes, people travel from all over the world to visit Da Vinci’s “Mona Lisa” at The Louvre or Seurat’s “A Sunday Afternoon on the Island of La Grande Jatte,” spending upwards of $50 on admission only to stand in line for a chance to see. That is just one of many issues covered in #artoffline, a documentary created for the sole purpose of exploring the philosophical questions that arise when thinking of art (physical media) in the digital age.

Keeping the country safe is big business now. It's getting bigger.”

Much of this sixth season of Homeland is spent exploring the notion that the CIA's cloak-and-dagger activities in the Middle East might have outlived their usefulness and a new course of action is required. But considering that Showtime's previously white-hot spy drama — a Best Drama series Emmy winner for its stellar first season — is six seasons in and a lot less buzzy these days, it's hard not to extend that central question to the show itself: Is Homeland obsolete? Well judging by this twisty and thrilling collection of episodes, the answer is a resounding, “No!”

It was just two years after the release of the first Tomb Raider film that the second one reached the big screens. The film came with a ton of expectations not only from fans of the first one but fans of the video game who either loved the first movie or were disappointed and had hopes that their particular quirks would be addressed. To be sure, some of them were. Without the need to establish character and settings, Cradle Of Life wastes no time getting to the action at the heart of the video game experience. Gone were the rather laughable inflatable breasts as new director Jan de Bont wanted a more natural look for the character, abandoning the prominent look of the video game.