“These movies that I’ve done, they are massive movies. They take a lot out of you.”

That’s director Michael Bay talking about his decade-long work on the Transformers franchise on the eve of the fifth(!) film’s arrival. The movie also doubles as Bay’s swan song in the director’s chair, so when he says, “They take a lot out of you,” the filmmaker is presumably talking about the massive amount of energy and manpower (and horsepower) these big-budget bonanzas require. The problem is “They take a lot out of you” has also applied more and more to each subsequent movie in this series. Transfomers: The Last Knight isn’t just a bad movie…it is painful and exhausting to watch.

We all remember Ed O'Neill as Al Bundy from Married With Children. It's an iconic role that he'll never be able to shake no matter what he does for the rest of his life. After that series ended its 11-year run, he even attempted to get out of comedy and take more dramatic roles. I'm sure there was a deliberate intent to try to distance himself from Al. It's not that he likely didn't love playing the role. He just wanted to avoid getting forever typecast in the mold. Those efforts weren't all that successful. But now he's back where he belongs again in a pretty solid sit-com. He's not playing Al Bundy any more, although you won't have to look very hard to find some of Bundy in Jay from Modern Family.

Jay (O'Neill) is the patriarch of his extended family. He's a pretty wealthy businessman who lives in relative comfort. He's married to a Columbian woman who is much younger than he is. Gloria (Vergara) also brings her son Manny (Rodriquez) to the Pritchard home. Jay has two children. Mitchell (Ferguson) is gay and living with his partner Cameron (Stonestreet). The two have adopted a Vietnamese daughter named Lily. Mitchell is an attorney who supports his family, while Cameron is the jolly stay-at-home dad. Jay's daughter Claire (Bowen) has a more traditional family. Husband Phil (Burrell) sees himself as a cooler, hip kind of dad, which usually leads to some embarrassing situations for him and his family. They have three kids. Luke (Gould) is the only boy and more clueless than his father. He's obviously not playing with a full deck. It's ironic, because actor Nolan Gould is a Mensa member and somewhat of a child genius. Now that's acting. Daughter Alex (Winter) is the smart one in the family and finds herself the most embarrassed by everyone else. Daughter Haley (Hyland) has become quite worldly.

With a title like 2:22 it’s more than a little on-the-nose to point out something major is going to occur at this time.  For a film about premonitions, it’s a shame the film opens up as it does, because it leaves no mystery to the audience and simply tells us what is going to happen, or at least something close enough in the film’s final act.  I hate films that are done in flashback just as much as I hate it when it doesn’t put in the effort to conceal how things are going to unfold.  In a lot of ways the film is like Groundhog Day, only instead of the same day replaying over and over, it is the same events occurring over and over for our protagonist to figure out.

Dylan (Michael Huisman) is an air traffic controller who is good at his job; he claims it’s his ability to see patterns that helps him do his job as well as he does, though after a freak accident in the control center nearly causes two planes to collide, he is put on a temporary suspension. It just so happens that Dylan meets Sarah (Teresa Palmer), who was on one of the flights that almost collided, and the two seem to fall for one another at first sight.

Taking a few ideas from superhero films, the animated adventure Captain Underpants: The First Epic Movie flies onto DVD, Blu-ray and Digital HD for home viewing.  The comical kids’ movie has some great characters and a cool plot that will keep tots to tweens laughing and talking about the fun film.  The movie comes with over 30 minutes of fascinating extras, mostly for the youngsters. The movie opens with fifth-grade-schoolers George Beard and Harold Hutchins showing off the comic book they created about a world called “Underpanty” where people only wear underwear.  Much like the beginning of Superman, there hero gets catapulted to Earth from a distant planet about to blow up.  Landing on Earth, the child starts to save cities from the likes of Egg Salad Sandwich Man.

Switch to reality and we find George and Harold in the school yard being surprised by their Principal, Mr. Krump. He thinks that George and Harold spend too much time thinking up and drawing comic book characters instead of schoolwork. The boys are remanded to Krump’s office where he goes over many of the pranks the two have played and warns them if he ever gets proof, they’ll be sorry.

"In between the years when the oceans drank Atlantis and the rise of the Sons of Aryas, there was an age undreamed of, when shining kingdoms lay spread across the world. Then came the dark empire of Acheron, where cruel Necromancers sought 'Secrets Of Resurrection'. They crafted a mask from the bones of kings, and awakened its wrath with the pure blood of their daughters. The mask summoned spirits of unspeakable evil, giving them power that no mortal man should possess."

The character started as a pulp fiction serial by Robert E. Howard in the 1930's.  But Howard killed himself in 1936, and the character stood still for a time. There were several attempts to revive him, but it was likely Marvel Comics that gave Conan his greatest popularity in the 1970's. By 1982 the character was huge enough to justify a major feature film. That movie would start the movie career of a bodybuilder named Arnold Schwarzenegger. Arnie would return to the character a couple of years later for Conan the Destroyer. The franchise was doing well, but a third film fell into development hell, and nothing much happened for a while. Rights would move around, and finally the property was rebooted in 2011 with Jason Momoa in the lead role. He appeared perfectly cast. He was a somewhat barbarous alien in Stargate: Atlantis and was a hit in HBO's Game of Thrones. Conan appeared to be a good fit for the action actor, and it was. Momoa is quite good in the part, helping return the character more to his Howard origins. But that's about all that went right with the reboot.

“Ma'am, you need to understand that the president doesn't actually want you to do anything other than continue to be a woman — which you're doing a pretty okay job at.”

While Selina Meyer has done a passable job as a woman throughout the first five seasons of Veep, the vice president-turned-(temporary)president and her staggeringly incompetent staff have failed at pretty much everything else. The good news is Veep itself still does far more than an okay job of poking profane fun at the absurdity of Washington, D.C. and its swollen egos, even though season 6 finds Selina's squad more scattered than ever.

"My name is Oliver Queen. After five years in hell, I returned home with only one goal: to save my city. Today I fight that war on two fronts. By day, I lead Star City as its mayor. But by night, I am someone else. I am something else. I am the Green Arrow..."

Who the heck is this Green Arrow of whom you speak? If that's your first question, you need to go back a couple of grades and catch up with the rest of us. The comics are good place to begin, but the television universe is its own place and not tied so tightly to the DC comic book universe. Your best place to go to catch up would be the first three seasons. It'll be worth the effort, and I can get you started with those reviews found Here.

After a whirlwind past couple of weeks, things are finally starting to get back to normal around these parts. Of course, what passes for normal at UpcomingDiscs HQ doesn’t quite fit everyone’s definition. Case in point: is it normal to have a bunch of Autobots and Decepticons matching wits with the likes of Mark Wahlberg, Sir Anthony Hopkins(!), and Merlin the Magician(!!!)? Of course not! But that is exactly what is going down here this week thanks to the fine folks at Paramount, who were kind enough to send along a UHD copy of Transformers: The Last Knight (4K). Elsewhere, Magnolia Home Entertainment clocks in at 2:22, while Lionsgate brings a particular set of skills to the small screen with Taken: Season 1.

Before signing off for the week (and for September), here’s the usual reminder: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

You have been my greatest love. Be careful, Diana…they do not deserve you.”

Ever since Richard Donner made us believe that a man can fly with 1978’s Superman — considered by many to be the first modern superhero film — we’ve gotten three different Men of Steel, along with five different versions of Batman (if you don’t count Will Arnett’s voiceover work). Heck, in the last 15 years alone we’ve had three Spider-Men and (incredibly) gone through three Hulks! Yet in all that time, a movie starring Wonder Woman — a superhero just as iconic as all the ones I just mentioned — could never get off the ground…until now. I’m happy to report it was worth the wait.

When it comes to ranking the top 10 cool movies of the past five years, Kingsman:The Secret Service would easily make the list.  From the opening sequence to the final credits, the movie was simply a fun ride with so many kick-ass moments. I mean, the fight in the church alone is worth the price of admission. The moment I heard Matthew Vaughn was returning to helm the sequel, I instantly got giddy with excitement. Heck, ever since his first film Layer Cake, the guy has managed to produce a stream of cool films that I’ve enjoyed. It’s when the trailer for the sequel first dropped something didn’t feel right; it still looked like a fun movie, but it just didn’t suck me in like the previous film’s trailer did.  I ignored my doubts, because after all, Vaughn has proven himself  again and again, so when it came time to see the screening for the film, I had forgotten about my doubts and I was just ready to have a good time.

Now that we know how the Kingsman organization works, the film wastes no time throwing Eggsy (Taron Egerton) into the heat of action. We watch Eggsy engage in a fight/car chase as Prince’s “Let’s Go Crazy” plays in the back of a cab.  It’s a fun and flashy fight  with the camera moving around in impossible angles as the fight literally does some off-the-wall stuff.  It’s great for an intro, but this is what we get hit with again and again as the film goes on, and it quickly loses its flair.