Let me preface this review by clarifying that this is not M. Night Shyamalan’s 2016 thriller about a dangerous man with different personalities. Instead, this review addresses Deborah Kampmeier’s Split (2016). It is an unfortunate circumstance for films to share the same name when released in the same year, especially if one of the directors has a considerable amount of fame under his belt. Thankfully, Kampmeier’s film came through the Upcoming Discs hub; otherwise, I might never have heard about it through my traditional consumption. Split is most certainly worth the watch, but the imagery is uncomfortably intense for the majority of the film. To the average film consumer, I offer a fair warning to stay away. However, Split delivers image after image of disturbing symbolism, nearing the caliber of Alejandro Jodorowski.

Split tells the story of an exotic dancer/actress Inanna (Amy Ferguson) in New York who is finding it hard to overcome her stage fright. As the film progresses, she falls in love with Derek, her production’s mask maker (Morgan Spector), a troubled man unable to let go of his traumatic past. As their relationship grows, they marry, but that only begins to create a restlessness within their relationship. She discovers that Derek is now cold and distant: instead of the mysterious, charming man she met on set, he is a tortured, brooding soul indoors. Derek’s behavior becomes more erratic when Inanna’s production includes a scene in which she must sleep with a man. As Derek’s behavior worsens, Inanna begins to have surreal hallucinations involving the production she’s involved in.

There’s more than a little magic in the air for this week’s Round Up. Warner Bros. casts an enchanting, ultra-HD spell with the blockbuster Harry Potter spinoff Fantastic Beasts and Where to Find Them, which we’ll be reviewing in 4K. And speaking of “fantastic beasts,” I hope you don’t mind if I spend a few words on Baby, the sweet and loyal German Shepherd/Chow mix who could usually be found welcoming guests to UpcomingDiscs HQ. Baby, who was also a part-time movie critic, passed yesterday and she’ll be greatly missed.

In other Round Up news, Paramount holds a moment of Silence for Martin Scorsese’s latest religious epic, while Candy Factory tries to put the pieces of a murder together in Americana. Finally, we'll also check in with The Zookeeper's Wife later this week and offer our take on the World War II drama. One last reminder before signing off for the week (and for March): if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

You ever hear that old adage about not putting your hands too close to the flame? Obviously Walter Stackhouse, Patrick Wilson’s character in A Kind of Murder, did not heed the warning as he finds himself embroiled in a murder conspiracy of his own while investigating a separate one. This film noir is based on a novel from the famous author of The Talented Mr. Ripley, Patricia Highsmith. Murder mysteries in recent months have become a huge interest of mine, so when presented with this film, I was extremely excited with the opportunity. However, after watching, though I was intrigued by the whodunit aspect, I found the other areas lacking, specifically connecting with the lead character.

Walter Stackhouse (Patrick Wilson) appears to be the man who has it all: a successful career as an architect, a beautiful home, and a gorgeous wife (Jessica Biel) to share it with. But a happy man is the last thing he appears to be, escaping his seemingly perfect life in order to delve into the macabre world of murder. After a gruesome murder of a woman, Walter begins to investigate her death, which eventually leads him to her widow (Eddie Marsan) and puts him at odds with investigating detective Laurence Corby (Vincent Kartheiser).

I am not the target audience for this Hallmark Channel series. Despite this fact, it was not hard to find something to like about When Calls the Heart: Heart of Faith. This Christmas special which takes place between the Season 3 finale and the impending Season 4 premiere tugs on the heartstrings and provides a festive feeling in the month of March. Odd, I know, but who says you can only have holiday cheer during the winter season? More than that, the special preaches the true meaning of Christmas as we watch a town come together to accomplish something not for themselves but for the betterment of the committee.

Picking up where the Season 3 finale left off, it’s Christmas time in Hope Valley (formerly Coal Valley) and Miss Elizabeth Thatcher (Erin Krakow) finds herself heading up the Christmas committee, including organizing the Christmas play. Determined to do a good job, she dives head first into her work, rallying everyone she can to assist with the preparation, as well as trying to teach her class the true meaning of Christmas by assigning roles in a very creative way. Meanwhile, the townspeople are working to build new homes for the settlers who apparently lost their homes as well as their families in the mine collapse that predated this special. Working day and night to complete the project before the holiday, Canadian Mountie Jack Thorton (Daniel Lissing) must overcome many obstacles, all the while serving in his official capacity as the town’s law enforcement officer.

Daniel Clowes  is one of a handful of writers in the industry that when I see his name attached to a project I can’t help but be curious to see what he’s up to.  In 2001 he wrote Ghost World, which was based on the comic he created. It was an independent film smash, and I’d consider it a cult sensation.  Then he had Art School Confidential that had the same humor and a great cast, but it just didn’t seem to connect as well with audiences.  I love the odd little characters Clowes manages to bring to life, despite many being so over-the-top, he manages to somehow keep them grounded in reality.  So when the offer came along to review Wilson, the new film he’s written based off his graphic novel, it was an offer I couldn’t pass up.

Wilson (Woody Harrelson) is one of those guys who at some point we’ve all come across, the one who just manages to offend you by his very presence, and when he opens his mouth he manages to say the least appropriate thing.  He’s been divorced for 17 years, and his most loyal companion is his dog.  Wilson is definitely a frustrating guy who you can understand how no one could really want to be around, though when his father dies, as a member of the audience we still manage to feel some empathy with the guy.  Out of fear of dying alone, Wilson reaches out to attempt to find his ex-wife.

“Did you just slap me?”

“Yeah….weird, right?”

“Black women aren’t bitter. We’re just tired of being expected to settle for less.”

When people talk about racial and gender equality, they typically point to notions like everyone having the right to vote or the same opportunity to pursue their personal or professional passion without fear of discrimination. The premise of Insecure — HBO’s funny and insightful comedy series about modern relationships — is not quite that lofty, but no less worthy: black women reserve the right to be just as neurotic and lead love lives that are every bit as messy as their white counterparts.

Probably the most silly of animated films this year, and that’s a good thing for Sing. Enjoyable, very funny, touching, and absolutely incredibly wacky. The family film targets children, but the adults will enjoy it a lot more than the average toon. I’m surprised the filmmakers waited so long to put the film in theaters, but with no children’s anime to stop it from becoming a blockbuster, it’s a very possible chance it will. Buster Moon (Matthew McConaughey voiced), the grandson of a theatre owner, has the tough job of bringing the venue back to its glory after he inherited the entertainment palace. Heading for oblivion, he will have to come up with entertainment that will bring in the crowds, or it’s doomsday for the young entrepreneur. With his back to the wall, he comes up with a contest for the best singer who will win $1,000, every cent he has to his name.

His assistant Karen Crawly (Garth Jennings) doesn’t have a clue about her job, but takes orders just the same.  One of her duties is to print out the flyers that will be spread all over town for the competition.  But, unbeknownst to Buster, Miss Crawly makes a typo on the flyer offering $100,000 to the winner, and a gust of wind blows them all over the city.

“Some people build fences to keep people out, and other people build fences to keep people in.”

In its transition from stage to screen, Fences — the Pulitzer Prize-winning play by the late August Wilson — doesn’t venture far beyond the Maxson household. And that’s precisely the point: director/star Denzel Washington isn’t overly concerned with masking the story’s stage origins. The existential claustrophobia that the characters in the play have been carrying their entire lives is right up there on the cramped screen.Fences is set in 1950s Pittsburgh and centers around Troy Maxson (Washington), a boisterous former Negro League baseball player who works as a garbage collector alongside best friend Jim Bono (Stephen Henderson). Troy shares a home with Rose (Viola Davis) — his wife of 18 years — and their son Cory (Jovan Adepo), who is being recruited to play college football. The other people in Troy’s orbit include Lyons (Russell Hornsby) — Troy’s musician son from a previous relationship who has a penchant for visiting on his father’s payday — and Gabriel (Mykelti Williamson), Troy’s mentally disabled younger brother who also lives in the neighborhood. Gabriel was previously under Troy’s care after suffering a head injury in World War II; Troy used the subsequent government payout to buy his family’s house.

Help! UpcomingDiscs HQ has been overrun by a koala, a couple of pigs, a gorilla, an elephant, a porcupine, and other adorable animals! Fortunately for us, these crooning critters happen to be the stars of Universal’s Sing, which we’ll be reviewing in 4K pretty soon. Meanwhile, Candy Factory leaves us torn with Split, while Magnolia Home Entertainment examines A Kind of Murder. Shout! Factory answers When Calls the Heart: The Heart of Faith, and HBO navigates the (often awkward) lives of two contemporary black women with Insecure: The Complete First Season. Finally, we'll bring you a pair of theatrical reviews this weekend, including Woody Harrelson's star turn in Wilson. We'll also try to determine if there is Life on Mars (and in this sci-fi horror flick starring Jake Gyllenhaal and Ryan Reynolds).

Now it's time for your weekly reminder before signing off: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!