Hello, my name is John and I am your regular Tuesday Round Up host. But back in my college days, I temporarily adopted an alter ego called “Bruce” when I was heavy into ballroom and swing dancing. (I wish I were kidding.) My two separate personas were absolutely peanuts compared to the 20-something distinct personalities that battle for supremacy inside the mind of Kevin, the main character in Split. M. Night Shyamalan's latest psychological thriller was the director's biggest hit in years...and today it arrives on Blu-ray. Be sure to keep an eye on the site for our take. Elsewhere, Candy Factory brings about the end of the world with Apocalypse Child. We'll also have some Reel World reviews as a pair of new movies hit theaters: things are sure to heat up with the arrival of Free Fire, and we'll venture to the ends of the Earth (and the ends of the alphabet) to find The Lost City of Z.

One last reminder before signing off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

Ben Franklin once said that there are two things that no one should see made. He was talking about sausage and laws. In the 18th century most people had little exposure to the workings of their government. Campaigns were waged on the road in public squares, and seldom by the person running for office. Party nominations were held in halls attended only by the party faithful. It was here in the span of a few days that a nomination would be haggled out of the delegates who attended. Since the riots at the Democratic National Convention in Chicago in 1968, the selection of nominees was handed to the registered voters, usually of the party in a series of primary elections that begin in January of each election year. The campaigning has become intense and now often begins nearly a year before that first nomination struggle. It gets earlier with each cycle. We may not get to see how our laws are made, but now we get a long look at how our presidents are selected, and I thing ol’ Dr. Franklin would have been shocked to bear witness to the 2016 primary season. And just in case you missed the weekly debates, attacks, flubs, scandals, and riots, Showtime put together a weekly recap of the events over a 26-week period. They called it The Circus, and it isn't hard to see why.

The show featured two veteran political reporters who work for Bloomberg. John Heilmemann wrote for The New Yorker and Wired over the years. His bias obviously showed toward the Democratic side. He often refers to Trump as running a racist campaign. He often works with Mark Halperin, who calls the Trump election at the show's end the single most catastrophic event in American history since 9/11 and Pearl Harbor. So you won't get any balanced coverage from these two guys. Unfortunately, for them the show doesn't get much of a chance to include the Clinton campaign, because it was the most restrictive to press during the cycle. So the Democratic side is mostly represented by Bernie Sanders, who offered a lot of access to the show. The third member of the show's touring troupe is political analyst Mark McKinnon, who has worked on many Republican campaigns including George W. Bush. It's kind of ironic that he's the one tapped as the analyst and offers less of the bias reporting.

From all of us here at the Upcomingdiscs Family, I would like to wish you a very Happy Easter.

May your gatherings be blessed. Enjoy some family, sun, and when it gets later, gather around the home theater for a nice family film or two.

Family is everything to Dominic Toretto. He has said as much in Furious 7, “I don’t have friends, I have family.” Over the course of seven films, we have seen him undertake impossible task including driving a car off a plane or through a building in order to rescue or avenge a member of said family. So what would make him make him betray that very family? In The Fate of the Furious, the team will face the biggest challenge they have ever faced when they find themselves working against their very leader. The long-running film franchise continues to up the ante with the action, producing its most action-packed film to date. Every time I think that there is no way the series can top itself, they add a tank or drive off a plane. This time, they got a submarine, y’all.

When we pick up with the team, Dominic and Letty are enjoying their honeymoon in Havana, Cuba. Their bliss is cut short, when Luke Hobbs (Dwayne Johnson) has to call on Dom and his team to help him recover a stolen WMD. The heist is a success, and the team is on their way back to the rendezvous when Dom throws a curveball, stealing the weapon and disappearing. This betrayal hits everyone hard, especially Letty, who finds it impossible to believe. Adding to the shock is the return of Mr. Nobody (Kurt Russell) with a junior associate (Scott Eastwood) in tow, or Lil’ Nobody as Roman and Tej like to call him. Nobody informs the team that Dom stole the weapon at the request of Cipher (Charlize Theron) and that the two are working together.

Every year there are dozens upon dozens of horror films released, each with the intention to make an impact on the genre.  Horror is easily my favorite genre in film, but it’s a genre that easily allows itself to spill into other genres. It doesn’t matter to me what the budget is, or whether the special effects are on point; what matters most is if the story holds up.  I mention this because going into The Bye Bye Man I had heard some pretty bad things, but I don’t usually let that get in the way of my opinion of a film; after all, everyone has their own tastes.  For me the film’s tagline “Don’t think it. Don’t say it.” should have the added line, “Don’t remember it.”

Three friends decide to move in together in an off-campus home, Elliot (Douglas Smith) and his girlfriend Sasha (Cressida Bonas) seem to be the happy couple as Elliot’s childhood best friend, John (Lucien Laviscount) seems to be the third wheel.  They think they are supposed to be moving into a fully furnished home, yet upon walking through the door, the furniture is out of sight.  After investigating the new home they find that all the furniture has been stashed away down inside the basement.

“Think inside the box.”

One of the major through lines in season 3 of Silicon Valley is that our heroes at Pied Piper have created a product so ahead of its time that it is failing to connect with consumers, which puts the start-up company in peril. Fortunately, HBO’s brainy and bawdy tech comedy hasn’t had any problems connecting with its audience: the show’s confident and hilarious third season seamlessly mixes talk of “compression algorithms” with outrageous sight gags involving horses getting, um, familiar with each other.

The trouble with most holiday films is that once the holiday passes, there is about another year of waiting till it seems right to put the film on again.  Everyone knows about A Christmas Story and Polar Express, but really, the staple holiday films are sparse, but they are great.  Every year, despite the high probability to fail, studios churn out some holiday films in the hopes that one of these attempted swings will turn out to be a box office giant. I believe it’s safe to say that there hasn’t been a holiday hit for a while, but despite the long odds, Office Christmas Party comes out strong with a big cast and raunchy intentions.  Is it enough to lure people into the darkened Cineplex or have you want to go out to Netflix or Redbox to cure those holiday fever blues?

T.J. Miller plays Clay, a childlike CEO who has a big heart for his company and his employees. He’s the likeable boss everyone wants to have, but really, you just can’t picture him ever successfully running a business.  As Clay’s right hand man is the serious face of the corporate branch, Josh (Jason Bateman), who has just finalized his divorce in time for the holidays.  There is a fun chemistry between Miller and Bateman that seems to fizzle after the first quarter of the film because for some reason there was a need to create romantic tension between Josh and Tracey (Olivia Munn), one of the heads in the tech department.  Right out of the gate this film feels familiar and uninspired, as though it served no other purpose than to be a paycheck for all involved.  Miller has moments in the film but simply is never given much to really work with.

“At the turn of the century, Sea Island Gullahs, descendants of African Captives, remained isolated from the mainland of South Carolina and Georgia. As a result of their isolation, the Gullah created and maintained a distinct, imaginative, and original African American culture.”

Prior to watching Daughters of the Dust, I was completely unfamiliar with Sea Island Gullahs. To tell their story, the film (intentionally) deviates from the traditional narrative playbook, which doesn’t necessarily make for the most pleasurable movie-watching experience. However, the three key adjectives used in the opening text — “distinct,” “imaginative,” and “original” — absolutely apply here.

Drunk History is a good example of a good idea that lost steam very quickly. I remember when initial idea was aired as a web series produced by Funny or Die in 2007, and it was a rather brilliant idea. The show was not picked up by a major network for six years; then in the summer of 2013, it made its premiere on Comedy Central. Granted, I remember being excited about this premiere. However, about midway through that first season, I realized how too much of a great idea can be a bad thing. The format just became tiresome and dull after a few episodes. Now, four years later, the show has returned for four entire seasons, but it definitely feels it has run its course.

If you are not familiar with the series, Drunk History was created by Derek Waters, and the format is as follows: Someone from the world of comedy is interviewed by Waters about some historical event as they are getting incredibly drunk. Meanwhile, the show cuts from the talking-head style interview to a dramatization of the event in question, being performed by other comedic actors. However, rather than actually using original dialog, the actors perform pantomime while lip-syncing to the voiceover provided by the drunken musings in the interview. It is this lip-syncing that really makes the show impressive, but the drunken musings provide the primary entertaining content.

Election season is firmly in the rearview mirror, but I reckon this week’s weekly Round Up could easily be dubbed “Super Tuesday.” Veep is in its second term as the Emmy winner for Outstanding Comedy Series…that being said, I’m not sure anything in this fiercely funny and profane show can match the levels of ridiculata we’ve already witnessed in real life. You’ll get a chance to cast your vote this week as the brilliant HBO comedy’s fifth season arrives on Blu-ray. And speaking of brilliant HBO comedies arriving on Blu-ray this week, be sure to pay a visit to Silicon Valley: Season 3. Elsewhere, Universal says hello to The Bye Bye Man, Cohen Media Group releases a 25th anniversary edition of Daughters of the Dust, and Showtime opens up the big top for The Circus: Season 1.

Oh and I almost forgot: later this week, a certain street racing franchise speeds into theatres with The Fate of the Furious, so be sure to check back for our review. Now it's time for your weekly reminder before signing off: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!