We’re only a couple of weeks away from the start of tax season, so it won’t hurt to have your trusty accountant nearby. Fortunately for us, Warner Bros. was kind enough to send a copy of The Accountant, the action hit that stars Ben Affleck as a math savant/killing machine. Elsewhere, Comedy Central yuks it up (and lights up) with Broad City: Season 3.

One last reminder before signing off for the week: if you’re shopping for anything on Amazon — maybe a present or two — and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

There is something about a Rob Zombie film that will always be a draw, and it is always the realism that he brings to the screen.  Whether it’s The Devil’s Rejects or his version of Halloween, he always presents it in a way that I feel is grounded in reality.  Perhaps it’s also because I live in Florida, and there are some small towns that you don’t want to break down in at night for fear of crossing some crazed backwoods types.  To put it out there, I was a fan of Rob Zombie before he was putting out movies, and I have all of his albums; he’s just a guy who does stuff that I really dig.  That being said, I can be objective in saying his films have been a bit all over the place, but Lords of Salem was a piece of work that I simply loved, and I felt it showed a lot of growth from his previous films and worked well as a slow burn.

And the Ultimate Legacy makes three, marking the third installment in what will undoubtedly become known as the "Ultimate" series. Please don't misunderstand my meaning; I say that as a good thing. Granted, before I watched the film I would have likely said that sardonically, but I must admit to being genuinely touched by the story and have gained an appreciation for the message behind it. Given this is the third go-around for the franchise, the themes and some of the cast is already well established by this point, which opens it up to becoming boring and stagnant; however, despite those obstacles it remains fresh and engaging. It is definitely a movie that should be shared with the whole family.

Mission: Jimmy Stewart And The Fight For Europe. You've been hearing a lot about this wonderful book by Robert Matzen. I had the opportunity to talk with him. You can revisit that chat Here. We also made it one of our unpaid Holiday Gift Guide Spotlights. Now you're going to have a chance to win a copy for yourself. We truly saved the best for last. Thanks to our new friends at GoodKnight Books I have a hardbound copy to give to one Upcomingdiscs reader. If you enter just one of our contests this year, make it this one.

To win a copy of this prize, follow these instructions.

“America is the only industrialized nation with a higher murder rate than countries at civil war.”

2016 might technically be in the rearview mirror, but it feels like last year left an indelible mark on the psyche of the United States. In addition to the most polarizing presidential election in a very long time, last year was marked by the deadliest shooting in U.S. history about an hour away from where I’m currently sitting, along with other highly-publicized instances of gun violence. So it feels like an appropriate time to revisit The Killing of America, a 1981 documentary that was never granted a commercial U.S. release after being deemed too exploitative.

The Odd Couple: Season 1 on DVD. First it was Jack Lemmon and Walter Mathau. Later it would be Tony Randall and Jack Klugman. An early 1980’s black version featured Ron Glass and Demond Wilson. In 1998 the original pairing of Lemmon and Mathau reprised the roles. Now it’s Thomas Lennon and Matthew Perry. Of course, I’m talking about Felix Unger and Oscar Madison from Neil Simon’s brilliant The Odd Couple. CBS has brought back the popular concept now heading into second season. They’ve given us 2 copies of the complete first season to give away to a couple of Upcomingdiscs readers.

To win a copy of this prize, follow these instructions.

The first Tuesday Round Up of 2017 is getting the New Year off to a spooky start. Lionsgate ventures back into the woods to meet up with the Blair Witch, while Fox makes us lose our heads thanks to Sleepy Hollow: Season 3. Finally, Reel Gore Releasing has a bloody good time with The Orphan Killer. Meanwhile in non-horror news, Cinedigm leaves behind The Ultimate Legacy, while HBO takes us back to the Big Apple (with a detour to Japan) to hang out with Girls: Season 5.

It might be a new year now, but you're going to get the same weekly reminder before we sign off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

Noma: My Perfect Storm & Entertainment on Blu-ray. Magnolia has been a powerhouse this Christmas for Upcomingdiscs and for all of you guys. I have 1 copy each of these films on Blu-ray. Noma: My Perfect Storm: Noma is the name of the award-winning Copenhagen restaurant operated by Chef Rene Redzepi. The film dips into Redzepi’s origin story. Entertainment: An aging comedian ends up on a tour of dive venues while attempting to re-connect with his estranged daughter.

To win a copy of this prize, follow these instructions.

Since we are knee-deep into the holidays, it would only be fitting to discuss the independent horror film Never Open the Door; after all it takes place on Thanksgiving Day. It’s a shame we don’t have more horror films to watch during turkey day, but for some this new title may be a nice fit to change all that.  When I picked up the title I hadn’t heard a peep about it, but I’m a sucker for horror, and seeing that it was shot in B&W just made it all the more enticing.  Now, when I watch a title like this, one thing has to work. It has to have a story that engages me; story is what matters with these smaller films, because the budgets tend to not have room for big makeup FX or big-name actors.  The limitations placed upon the filmmakers seem to force their hand and have them get more creative with the execution of scenes, whether this means creative camera work or unique storytelling.

Road to the Well is about what you would expect from an independent thriller: atmospheric and character-driven, sporting a slow pace. While the pacing was indeed slow, it was most certainly deliberate and aided in the storytelling. I can’t necessarily say that I would watch the film again, but I can say I understand why it has won awards while on the festival circuit, especially given the fact that it is writer/director Jon Cvack’s first feature length film. It is a good movie. It satisfies. And even though good movies have their faults, Road to the Well succeeds in balancing its failures with tremendous amounts of successful feats.