Posted in: Disc Reviews by J C on November 29th, 2016
"In penance for their uprising each district shall offer up a male and female between the ages of 12 and 18 at a public reaping. These tributes shall be delivered to the custody of the Capitol and then transferred to a public arena where they will fight to the death, until a lone victor remains. Henceforth and forevermore this pageant shall be known as The Hunger Games."
Now that all four films are out on UHD Blu-ray in glorious 4K, we have the opportunity to view them all again from the very beginning. It's easier to catch the subtle nuances that were planted in the earlier films that would pay off over the four-film run. It took us four years to do that originally. Now you can do it in a day. John Ceballos takes us on the first part of that journey with The Hunger Games (2012).
Posted in: Disc Reviews by Gino Sassani on November 29th, 2016
1n 1972 Charles Bronson played The Mechanic, Arthur Bishop. He was a hitman with a high level of skill. When he tries to pass on that skill, he's betrayed, and he has to get himself a heaping helping of revenge. In 2011 Bronson did indeed pass the character to Jason Statham when the film was remade. Unfortunately, Bronson had passed in 2003 and couldn't actually pass the torch on the screen. Statham turned the character into more of an action anti-hero, and the film really didn't perform at the box office. It never made back its budget in the domestic market and barely made money when the worldwide take was finally counted. It certainly didn't appear as if the world was clamoring for a sequel. Instead of going for a direct-to-video release, the film tanked at the American box office but was saved by a reasonable take worldwide. Not enough, I suspect, to see the character return, at least not to the box office. The Mechanic: Resurrection couldn't raise the franchise from box office death, but it might just be a solid direct-to-video franchise if the star and filmmakers have the desire to keep playing in this particular sandbox.
Arthur Bishop (Statham) is a professional killer who is believed dead himself. He's no longer in the assassin business. He's been keeping a low profile until he's approached by a woman who represents a Mr. Crain (Hazeldine). Crane wants Bishop to kill three targets that are almost impossible to get to. If he doesn't do the job, Crain will reveal to the world that Bishop is still alive. Of course, Bishop refuses, but it sends him on the run hoping to find Crain before Crain can find him. That's when he meets Gina (Alba) who is also being blackmailed by Crain and has been placed in Bishop's path as a damsel in distress to force him to do the jobs. When that doesn't work, Gina is kidnapped, and now Bishop sets out to do the jobs while trying to rescue Gina.
Posted in: Disc Reviews by Brent Lorentson on November 29th, 2016
Fresh out of the vaults comes another cult classic. Vestron Video has decided to unleash Return of the Living Dead 3 for horror fans to snatch up this holiday season. Considering the titles that Vestron has already released, for some this might be a title that will leave fans scratching their heads about there being an urge to re-master this film, much less crank out a Blu-ray with so many features. Well, the simple answer is that the person in charge of acquiring and releasing these titles knows that there are fanboys like me out there who will shell out the money for a product that’s given this kind of attention. Return of the Living Dead is a cult classic and is mostly responsible for casual moviegoers making the connection with zombies and brain eating (yes, we real horror fans know better, but I always thought it was cute when an old girlfriend would dress as a zombie for Halloween and shuffle around moaning “brains”). If I’m being straight with you, I can’t remember the sequel at all, but the third I do remember, and there are some fond memories that still hold up with this title.
When Curt (J Trevor Edmond) picks up his girlfriend Julie (Melinda Clarke), he’s got a surprise for her, only it ends up being the start of the many bad decisions to follow. He’s decided to steal his dad’s key card and use it to access Top Secret areas on the base his father works at. His father is Colonel John Reynolds (Kent McCord), and as it would turn out, the Colonel is in charge of a program that uses a unique chemical, Trioxin, to re-animate corpses. That’s right; the military is at it again trying to create a weapon that will no doubt turn against them. Curt and Julie slip far enough into the base to get a glimpse at some of the gruesome experiments and reluctantly decide they’ve seen more than they can handle.
Posted in: The Reel World by Gino Sassani on November 27th, 2016
"Santa ain't no arms dealer?"
OK, maybe he's not selling arms to the Middle East, but when Billy Bob Thornton puts on the Santa suit, there's no telling what kind of dirty dealing might be going on. Bad Santa was a kind of surprise hit back in 2003. It made a respectable $60 million at the box office and pretty much disappeared from most people's holiday film radar. Let's be honest here. Bad Santa wasn't going to make the list for traditional family gatherings in quite the same way as It's A Wonderful Life, Miracle On 34th Street, or even among the irreverent favorites like A Christmas Story. I just can't see the grandkids on granddad's knee watching Santa tell some kid to go f#%@ himself. The whole Spirit of Christmas thing, and all. But it was a rather funny movie. Still, I never expected there would be a sequel. But someone's Christmas list must have been begging for some naughty, and Billy Bob is back, older if not any wiser. If you can handle some rough language and a rather raunchy good time, Bad Santa 2 might just be on your Christmas list, too.
Posted in: Holiday Gift Guides by Gino Sassani on November 25th, 2016
I think I see your problem. You have this list. It’s a list of people you need/want to buy a Christmas gift for. The trouble is that they’re into home theatre, and you don’t know Star Trek from Star Wars. You couldn’t tell a Wolf Man from a Wolverine. And you always thought that Paranormal Activity was something too kinky to talk about. Fortunately, Upcomingdiscs has come to the rescue every Christmas with our Gift Guide Spotlights. Keep checking back to see more recommendations for your holiday shopping. These gift guides ARE NOT paid advertisements. We take no money to publish them. We shine our first spotlight on two great gift ideas from Universal Studios.
Just in time for the holidays, Universal offers The Gregory Peck Centennial Collection on Blu-ray. It’s two of Peck’s most important films in restored high definition. It’s all part of Universal’s celebration of 100 years since Peck’s birth. If you have a classic film fan on your shopping list, this is an easy choice indeed.
Posted in: The Reel World by Gino Sassani on November 25th, 2016
Brad Pitt appears to be making this World War II thing a bit of a niche. In recent years he went from Inglourious Basterds to the superior Fury and now to Allied. I wish I could say that he's getting better, but Allied marks a step backwards for the actor in more ways than just the performance. It's an unfortunate aspect of Hollywood that sexy rumors and scandals sell more theater tickets than a good movie. Hollywood power couple Brad Pitt and Angelina Jolie have called it quits, and the scuttlebutt is that it was Pitt's fling with Allied co-star Marion Cotillard that caused the split. I don't know if any of that is true and honestly wouldn't care a hill of beans if it were. I only bring it up because if Pitt was having some kind of on-set torrid romance, it's a shame that none of that passion ever made it to the screen. These two have about as much romantic chemistry as Donald Trump and Hillary Clinton. (Too soon?) If only that were all there was to sink this period drama.
Max Vatan (Pitt) is a member of military intelligence during World War II. He's dropped into French Morocco to take down a high-priority target. The inside contact for the mission is the famous French liberation legend Marianne Beausejour (Cotillard), who poses as his wife. Together they complete their mission and return to England where their fake romance has blossomed into a real one. They are soon married with a child. Both are enjoying a break from the spy world as the war continues to rage about them. It's wedded bliss until Vatan is told that his wife might not be who she says she is. She might be a plant and a German spy. Needless to say his world tumbles down around him as he tries to stay one step ahead of his superiors to discover the truth.
Posted in: Disc Reviews by Gino Sassani on November 24th, 2016
"Stop me if you've heard this one before."
The first thing you need to know about The Secret Lives Of Pets is that it's not terribly original. Fans of the Pixar Toy Story Franchise will find pretty much every element of this script has been lifted from one of the three Toy Story films. Of course, if you're going to lift an idea, you might as well steal from the best. Of course, there are always formulaic ideas in films, particularly animated films geared mostly toward children. And while I really did enjoy almost everything about this film, I just can't escape the fact that I've seen it all before. Sometimes that feeling got a little uncomfortably obvious. And by sometimes, I mean the entire length of the movie. Look beyond the plagiarism, and you will find the film a delightful collection of characters and circumstances that just so happened to have been ripped off from Toy Story.
Posted in: Disc Reviews by Brent Lorentson on November 24th, 2016
There is a way this film could have been great if not a little amusing. Imagine if James Bond was being stalked by Q; what would Bond do? Sure, I’ll admit it’s a silly notion, but it’s all I could think about as I watched this film about a millionaire and his family being stalked by a disgruntled I.T. worker. In general, it’s a story we see a couple of times a year, the seemingly charming figure that comes into a person’s life that turns out to be crazy and throws everyone’s life into chaos. Films like Cape Fear and One Hour Photo are just a couple of examples of films that tackled the stalker sub-genre; even last year’s overlooked gem The Gift showed you can still be terrifying with a little creativity.
Mike Regan (Pierce Brosnan) is a millionaire who has it all. He has a beautiful, loving wife, Rose (Anna Friel) and a teenage daughter, Kaitlyn (Stefanie Scott) as well as a successful enterprise. Mike is looking to expand his brand and create a new business venture, one that looks to embrace the future of technology as our society continues to grow all the more dependent on our smart phones and computers. After helping save Mike’s pitch to the company, Ed (James Frencheville), an I.T. temp, gets hired full time to the company. Impressed with Ed’s talents, Mike even goes so far as to invite the new I.T. guy out to his home to check out his home security system. I don’t think you need a Magic 8-Ball to see where this is going.
Posted in: Disc Reviews by Gino Sassani on November 24th, 2016
"Space...the final frontier. These are the continuing voyages of the Starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no one man gone before!"
Of course, we never did get five years from that original show when it ended after just three years in 1969. The new film series has tried to fix that for us. The latest film picks up the five-year mission just after three years have gone by. It's a double homage to the original show. The number of days reflected the series start, and it picks up where they left off...kind of. But we did get a fourth and partial fifth year of the original voyages, and while it has never been considered truly canon, the original cast joined many of the original writers in 1973 to bring Star Trek back to the small screen. It was Filmation's Star Trek: The Animated Series, and it appeared on Saturday mornings from 1973 until 1974.
Posted in: Disc Reviews by Brent Lorentson on November 23rd, 2016
It’s been a while since Nicolas Cage has been in a big studio-released film. It doesn’t mean he’s doing bad movies; it just means he’s not doing any tent-pole releases that flood the multiplex. Seeing Nicolas Cage in a film like Army of One is simply a snapshot of how modern cinema has to evolve for better or for worse. Really, I don’t mean to come off as though this is a bad film or inferior to any other films past or present, but ten years ago this is a film that would have had a much wider release and would easily have gotten more attention. After all, who could resist Nicolas Cage in a film helmed by the director of Borat?
I vaguely remember hearing the story in the news. American Gary Faulkner (Cage) decides to set off on his own to capture Osama Bin Laden and bring him back to the US. It was a story that was a little more than a blip in the headlines, but thankfully we have Army of One that delivers a film that embraces the insanity of the scenario and takes some liberties with the true story, all in the name of comedy.
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