All aboard! We’re only a hair more than two weeks into 2017, but there’s already plenty of exciting stuff going on around these parts. (For example, check out our review of one of the top-of-the-line Ultra HD Blu-ray players on the market.) Fortunately, there’s still more than enough time for you get on this UpcomingDiscs train. Speaking of which, Universal hops aboard The Girl on the Train in 4K and plays a deadly game with Death Race 2050. Fox puts its faith in The Story of God: Season 1, while Magnolia Home Entertainment counts down to Zero Days. Candy Factory delivers The Babymooners, while Warner Bros. bids farewell to Rizzoli & Isles: The Final Season. Meanwhile, Paramount returns with Jack Reacher: Never Go Back in 4K and boldly goes to Star Trek: Enterprise — The Complete Series.

But wait…there’s more! We’ve got a couple of theatrical releases we’ll be reviewing for the weekend. So be sure to check back and see if we’re lovin’ The Founder, and how we rate XXX: The Return of Xander Cage.

The young Ultra High Definition Blu-ray market has pretty much been a limited competition between a couple of players. Upcomingdiscs obtained an early version of the Samsung player in order to get UHD 4K reviews to our readers. The player allowed me to do that but had so many limitations that those reviews certainly suffered. The most obvious was an inability to provide codec bitrates. All of that changes now that Oppo has entered the UHD market. Oppo is no stranger to 4K. Previous models that we've reviewed here already provided rather sweet 4K upconvert options to early adopters of 4K televisions. We received our unit during the holidays, and I have been putting it through some serious paces. Needless to say this will be our go-to unit going forward. However long you think the UHD market has been out there, it truly begins with the release of the Oppo UDP-203

“It’s been a long time getting from there to here.”

35 years, to be exact. Enterprise is the fourth spinoff from the original 1960’s hopeful series. The Earth is finally ready to send its first starship to explore the vast galaxy. This first starship Enterprise is smaller than the ships we’ve become used to. There are no shields or photon torpedoes. The transporter has only been cleared for inanimate objects. Not that this stands in the way of its occasional “emergency” use. The ship is very much like the cramped spaces of today's submarines. It adds an even greater sense of reality to the show. The crew is composed of Captain Jonathan Archer (Bakula), First Officer and Vulcan High Command liaison, T’Pol (Blalock), Chief Engineer Charles (Trip) Tucker (Trinneer)

It would seem as though Ben Affleck is finally starting to shed the stigma of doing bad films.  He’s been on a roll since he took on the role of George Reeves in Hollywoodland and has also in the process become an accomplished director.  When the trailer first dropped for The Accountant, I wasn’t sure what to expect, but as you look at the laundry list of talent that fills the cast, it quickly became a film I had my eye on.  What is surprising is despite there being franchises that seem to cover the same territory i.e.: Jack Reacher and the Jason Bourne films, is there room for another lone-wolf killing machine film?  Before going into this it was a question that bothered me; heck, I’m already burnt out of the Jason Bourne films, and with a new Jack Reacher film on the horizon, the saturation is noticeable.

When a movie makes a bold claim such as being “a tour de force murder flick that defies classification,” it is inviting a hefty amount of preconceived criticisms prior to anyone actually viewing the film. It’s like titling a horror film This Will Scare You. Naturally, your first thought would be something along the lines of “Yeah, whatever, movie.” Needless to say, that want to criticize burns within you until you watch it. Then, with all the satisfaction in the world, you get to say “No, that wasn’t scary at all.” In the end, you are stuck with a movie that wasn’t what it promised to be, but realistically, you knew that would be the case anyway. It is a cheap marketing ploy that entices you to watch for all the wrong reasons.

Too soon? That’s a question filmmakers looking to tackle a real-life tragedy from the recent past must ask themselves. The past several months have nevertheless brought us a mini-run of movies based on true calamities. Clint Eastwood’s Sully used the “Miracle on the Hudson” to explore the nature (and context) of heroism. Peter Berg’s Deepwater Horizon painstakingly chronicled the events that led to the famous oil rig disaster on the Gulf of Mexico. But the best movie of that bunch is Patriots Day, Berg’s visceral, all-encompassing, and thrilling account of the Boston Marathon bombing in 2013.

On Feb 17th, 2017 Warner Brothers will release the comedy Fist Fight starring Ice Cube and Charlie Day. The two teachers come into conflict when one gets the other fired. An old-fashion afterschool fist fight between the stars is the consequence. I'll have a chance to tell you my thoughts on the film when it comes out.  I had the rare opportunity to sit down with Ice Cube to talk about the film. Fortunately, he didn't challenge me to a fight after our talk. You can check out the film in Feb. Click here to watch the video with Ice Cube

 

“I don’t want to be in this relationship anymore, and I don’t know how to get out.”

A TV show’s fifth season is around the time it starts to feel like you have to see things through to the bitter end. I mean, it seems downright irresponsible to ditch a series after five years of investing in its characters’ lives, no matter how flawed and frustrating they are. And there’s no doubt the self-absorbed millennials on HBO’s Girls are among the most flawed and frustrating people on TV; so I was delighted to find that the series produced one of its strongest seasons as it nears its conclusion.

In 1999 The Blair Witch Project was released, and it was a horror film that created a stir like I had never seen before.  I remember going to Tampa Theatre to see it opening week.  The line was wrapped around the building for the sold-out screening.  Discussions were going on in the line about the film actually being real, some even talking about how they heard the bodies of the three filmmakers were never found.  It’s this kind of mindset going into the film that made it such an impact as I walked out of that first showing.  At the time I knew I had seen something unique, but I never would have expected it to spawn an entire style of genre filmmaking that would be copied over and over again.

"Evil has returned to Sleepy Hollow."

With the big bad finally destroyed and an apocalypse averted, the dynamic duo of Sleepy Hollow have gone their separate ways. Abby is now with the FBI, while Crane has gone into seclusion and ends up in jail for trying to sneak an artifact into the country from his homeland of Scotland. Abby gets him out of trouble only to discover that the tablet Crane found in his family crypt back in Europe holds more prophesy for the pair of witnesses. The two have to come back together to save the world from yet another end of times