Posted in: No Huddle Reviews by Dan Holland on October 24th, 2016
Yet another indie horror flick has come through the Upcoming Discs hub. Although, I wouldn’t necessarily categorize The Midnight Swim into the horror genre: it’s more of a dramatic mystery. That is not to say that the film did not have any unnerving moments, but the priority of the storytelling was to study the three main characters. In an effort to capture three very different personalities while simultaneously providing a lingering suspense, The Midnight Swim created a tension that resolved to my satisfaction. Ultimately, the film favored its character study more than it did its mystery, which hurt my enjoyment as a result.
Presented as a documentary-style “family archiving” activity, the film follows three sisters as they journey back to their childhood home after their mom has died in a diving accident. Annie (Jennifer Lafleur), the oldest, is portrayed as the most levelheaded sister, with hints of estrangement from her mother. Isa (Aleksa Palladino), the middle child, provides the film with an emotional free spirit and the most positivity through their trip. Finally, June (Lindsay Burdge), the “family archivist,” operates the camera and is the youngest and shyest of the three. As June films this vacation, the daughters begin to discover the mysteries of the lake that took their mother’s life.
Posted in: No Huddle Reviews by Dan Holland on October 23rd, 2016
Frank Sinatra is a man of many talents, although I had never really paid much attention to his acting, as I had never actually seen him outside a musical. Anchors Aweigh and On the Town are among my favorite musicals. That being said, I have never watched a film where I have been fully attentive to Sinatra’s talents as an actor. While Suddenly has other big names like James Gleason and Sterling Hayden, I was surprised that the entire film had an incredibly rocky start without Sinatra’s presence in the first twenty minutes.
In the small town of Suddenly, the sheriff (Hayden) is contacted by the secret service, alerting him that the President of the United States will be making a brief stop in town, as a way to bypass the crowds of a larger city. The President is arriving by train, so the Sheriff is instructed to clear all the shop owners and home owners within the proximity of the train station. One home owner (Gleason) used to be a high-ranking secret service agent, so he is permitted to stay with his daughter and grandson. Eventually, a group of gangsters posing as FBI agents (led by Sinatra), show up to use the house’s location to assassinate the president.
Posted in: Disc Reviews by J C on October 23rd, 2016
“Everyone is afraid of the dark…and that’s what she feeds on.”
Despite rumors to the contrary, I am a full-grown adult. That means I can’t in good conscience admit to being afraid of the dark. The most I’ll concede is a sense of uneasiness if I’m in a dark space because I might bump into something. And if I hear a strange noise in the middle of the night, my mind might start creating sinister shapes out of shadows. (Hold on…am I afraid of the dark?!) Either way, that primal and unshakable fear of what could be hiding just out of sight is what powers Lights Out, one of the leaner, nimbler, and flat-out most enjoyable low-budget horror flicks in recent years.
Posted in: Disc Reviews by Brent Lorentson on October 22nd, 2016
The third release of the Vestron Video Collector’s Series that Lionsgate has decided to put out isn’t just one film but two, Waxwork and its sequel Waxwork 2: Lost in Time. If you think just because it’s a two-for-one release that they may have taken the lazy route on handling the transfers and features, well, I can happily say that you’d be wrong. If you like campy horror, especially the kind that existed during the late 80’s on into the early 90’s, then this is the kind of double-feature set you’ll have a blast with. It doesn’t hurt, either, that it’s being released just in time to be enjoyed for those of you looking to put together some horror movie marathons during the Halloween season.
Waxwork
Posted in: Disc Reviews by Gino Sassani on October 21st, 2016
You know, I miss James Gandolfini. I know that HBO misses him as well. When The Sopranos finished, Gandolfini signed a development deal with HBO. He would not only work in front of the camera but help find and produce material for the network. We all know what happened next. Gandolfini passed suddenly, just when it seems he was breaking out of his Tony Soprano typecast, and one gets the feeling that he was going to do great things. One solid indication of that promise comes in the HBO series The Night Of... which was one of those passion projects that the man never got to see through. It's one of the best things to come out of HBO in a few years, and that is saying something when you consider the strong programming that can be found there now. Game Of Thrones is a great show. The Night Of..., well... that's something special all to its own.
It all starts out with our introduction to Nasir "Naz" Kahn, played by Riz Ahmed. He's a straight-A college student from a solid working class Pakistani family. His family is Muslim and very conservative. He tutors basketball players but otherwise keeps to himself. He doesn't date, do drugs, or pretty much anything else fun. That is until he's invited to a team party and he wants to let loose just a little bit. He sneaks out of the house and borrows the taxi that his father owns with two other partners when he's stood up by his friend for a ride. The problem is that he does not know how to turn off the "On Duty" sign, and a young, troubled girl gets into his back seat. Andrea, played by Sofia Black-D'Elia, strikes a chord with Naz, and instead of making her leave the cab he drives her around and finally takes her home. What starts as a bizarre encounter ends up changing his life forever. Naz wakes to find that Andrea has been murdered savagely in her bed. What he does next is begin a chain of events that will ultimately lead to him virtually framing himself for her murder.
Posted in: No Huddle Reviews by Jeremy Butler on October 21st, 2016
Most villains on earth are those who believe that they are the good guys. She Who Must Burn proves that in spades when a local preacher wages war against a woman’s counselor for Planned Parenthood (not called that during the film, but that is the best way to describe it). This is another welcomed addition to the 31 Nights of Terror, again featuring human evil rather than supernatural evil, which in my opinion makes it even more terrifying, because it could easily go from a fiction to reality.
In a mining town plagued by stillborn children and cancer, Angela is a women’s counselor for a local clinic. In wake of the murder of two doctors at the clinic she works at by a religious fanatic, the state decides to stop funding for the facility. Angela decides to remain in the town in spite of the decision, in order to help those in need. She is met with contempt from many of the townsfolk who view her profession as a sin and want to drive her out of town.
Posted in: The Reel World by Archive Authors on October 21st, 2016
Forbes magazine called Jack Reacher and author Lee Childs as the strongest brand in publishing as much for his over 100,000,000 in sales and billion dollar imprint as for the strong loyalty of fans and favorable ratings of the readers. The 21st Jack Reacher novel, Night School, is coming out in a couple of weeks (which I’m sure Simon & Shuster would thank me for mentioning, but they don’t need my help), and Reacher fans will buying in droves. The second Reacher movie will be out on November 21.
One of the first things I want to address is that Lee Childs had been actively involved in the picking of Tom Cruise to be Jack Reacher. It was a controversial decision, but Childs rightly said there are no big movie stars who could accurately portray the physical characteristics of Reacher. I personally am 6 ft. 4in tall and 250 pounds, so I could be a close proximity except for the fact that I am not a movie star nor could I disable eight opponents simultaneously. The closest movie star I could name who approximates Reacher’s physical dimensions is Vince Vaughn, and I doubt anyone would say he is as big a movie star as Tom Cruise (box-office-wise, that is). Five Mission Impossible movies alone demonstrate that Cruise’s box office is as strong as ever based on their increasing popularity.
Posted in: Disc Reviews by Gino Sassani on October 21st, 2016
"The universe, a vast expanse of space and matter. It includes all that we see and all that we know. Since the beginning of time, we have wondered how it all came to be. A gloriously orchestrated plan? A chance series of events? Or something much, much dumber?"
Space really is the final frontier. It's where they send tired franchises to die. They sent Jason and Pinhead to space. They sent the Three Stooges into orbit. Abbott & Costello ended up in space. They even sent Machete into space. It's the filmatic version of jumping the shark. In Ice Age: Collision Course they send lovable Scrat into space. Maybe it's time to put this beloved animated franchise on ice for a little while. It's clear they've pretty much run out of ideas, and the box office is the proof in the pudding. What the heck does that mean, anyway? And this is from a reviewer who has been rather fond and kind to the Ice Age films up to this point. Need more proof for that pudding? Bang it Here for past Ice Age reviews.
Posted in: Contests, Expired Contests by Gino Sassani on October 20th, 2016
Do you know what scares me about this Halloween? It's all these prizes I'm going to be sending out in about a month. You could say The Devil made them do it. Our friends at Allied Vaughn have given us a copy of Lucifer: The Complete First Season on Blu-ray to give away. Now you can catch it all in high definition.
To win a copy of this prize, follow these instructions.
Posted in: Disc Reviews by Brent Lorentson on October 19th, 2016
I can’t be the only one who misses seeing Mel Gibson in a tent pole movie for the studio every year. Sure, he said some rotten things, but does it matter what he does in his personal life? The man still is a great actor and an even better director. Hollywood has always been forgiving of its talent; it’s a system that seems to enjoy seeing talent make a comeback and do some amazing work. What it seems is that sometimes we forget that these icons on the screen are human, and they make mistakes and do stupid things and they have to own these experiences for the rest of their lives in the spotlight. I bring this up simply because when you look back at Mel Gibson and his downfall, Blood Father seems in many ways a reflection of the past decade for Gibson, minus the body count, of course. Rather than just roll over and phone in some roles like many of his contemporaries have, Gibson has been finding roles that continue to remind me why audiences connected so much to his work.
John Link (Gibson) is an ex-con and also a recovering alcoholic who struggles every day to make up for his past mistakes. He’s lost his wife and hasn’t seen his kid in years; he manages to get by running a tattoo shop out of the trailer he also lives in. He’s living on hard times but owns up to his mistakes and is working towards the day he can be forgiven for those mistakes. His sponsor, Kirby (William H. Macy), is pretty much his only friend and does what he can to keep John on the right path, but things get more than a little complicated when John hears from his daughter, and she is asking for help.








