It would seem as though Ben Affleck is finally starting to shed the stigma of doing bad films.  He’s been on a roll since he took on the role of George Reeves in Hollywoodland and has also in the process become an accomplished director.  When the trailer first dropped for The Accountant, I wasn’t sure what to expect, but as you look at the laundry list of talent that fills the cast, it quickly became a film I had my eye on.  What is surprising is despite their being franchises that seem to cover the same territory ie: Jack Reacher and the Jason Bourne films, is there room for another lone-wolf-killing-machine film?  Before going into this it was a question that bothered me; heck, I’m already burnt out of the Jason Bourne films, and with a new Jack Reacher film on the horizon, the saturation is noticeable.  But thankfully The Accountant didn’t just come out swinging but exceeded all expectations and has raised the bar for this brand of action film.

Christian Wolff (Ben Affleck) is, as the title would lead you to believe, an accountant.  He runs his own firm and is exceedingly good at what he does when it comes to solving accounting problems people may have.  He’s exceptional at solving problems, and what makes this all the more impressive is he does all of this as a high-functioning autistic.  This may be one of the first times I’ve seen a character with a disability on screen, but not once is it ever played as a way to sway sympathy; instead it’s just another layer to this character.  We see the everyday hell Wolff goes through, but we also see how far he’s come from his childhood after his mother gives up hope and abandons her family.

To help us with this year’s 31 Nights Of Terror our very good friends over at Barron’s want to share some reading that’s to die for. Yes, we’re giving away a copy of their wonderful book: 101  Horror Movies You Must See Before You Die. We've reviewed 2 editions of their 1001 Movies You Must See Before You Die. It’s a perfect companion for your frightening book shelf. These Barron’s books are a ton of fun and are sure to start the debates flying when you share it with your friends.

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Imagine if Three Men and a Baby was remade with just two guys, a baby, a battle axe, and a bunch of arrows. Despite its exceedingly generic Americanized title, The Last King has a little something different to offer action-weary movie watchers. The story is set in a time and place — 13th century Norway during the country's civil war — that is probably unfamiliar to U.S. audiences. And while much of the hand-to-hand combat and royal treachery will prove cliched to some, they are presented with some fun tweaks and an occasionally sentimental tone that doesn't always mesh with the hard-hitting action.

The Last King is set in 1204 and is inspired by actual events in Norwegian history. King Hakon Sverresson (Benjamin Helstad) is killed in a plot hatched by power-hungry younger brother Gisle (Pal Sverre Hagen). Everyone assumes the culprit is Gisle's older brother Inge (Thorbjorn Harr) in a move to seize control of the country, and Inge is subsequently jailed. However, Gisle's path to power remains blocked thanks to a surprise wrinkle: the king has an illegitimate son with a stronger claim to the throne.

“Everything they've built will fall! And from the ashes of their world, we'll build a better one!”

Since Disney has taken over The Bullpen at Marvel, they have had an unprecedented run of successful comic book superhero films. During that same time DC/Warner has had trouble finding a direction for their cinematic universe. But the Marvel titles still in the hands of other studios haven’t shared in that run of good fortune. Sony finally had to relinquish control of Spider-Man, and Fox has followed disaster with disaster with The Fantastic Four. The single exception to that rule has been the Fox handling of The X-Men universe. Since Bryan Singer’s 2000 hit the series has had some ups and downs, but the box office verdict has generally been good. Since the series was revived with prequels in 2011, we’ve enjoyed two solid X-Men films sporting a younger cast. Spinoffs with Wolverine and Deadpool have added to the Fox/Marvel winning combination. But it seems the X-Men can fight end-of-the-world events but can’t seem to quite get the hang of third movies in trilogies.

When you have a title like Satanic, it’s kind of hard to not start to build up expectations right out of the gate.  I like a horror film that isn’t afraid to go dark and play with the subject matter of the occult, because honestly it’s the only topic that can manage to get under my skin.  The Exorcist in my opinion is hands down the best horror film of all time and manages to haunt me after a viewing simply because the boy I once was who went to Catholic mass every Sunday knew that it could happen.  That’s the thing about films like Satanic; you have a built-in audience that you already will have hooked from the start and have a reason to be afraid, simply because of faith. So when a movie has so much momentum going for them and it delivers such a lackluster result, it shows that certain people just shouldn’t be playing in the horror sandbox.

Chloe (Sarah Hyland) is on a road trip to a music festival with her boyfriend David (Stephen Krueger), but along the way they’ve decided to make some stops at the locations of some famous occult murder sites.  The decision to make these stops comes at the suggestion of Elise (Clara Mamet), her cousin, along with Elise’s boyfriend Seth (Justin Chon).  If not for the blood relation between Chloe and Elise, it would be difficult to imagine these couples ever being together, since Chloe and David seem to be more traditional college students, while Elise and Seth seem to be nothing more than Goth kids who are trying so desperately to be “dark”.  This is a problem I had from the start; I never bought into this Goth couple.  We’ve seen this story played out before in Kalifornia, where two odd couples go on a reluctant road trip to visit murder sites, but what worked is  they cast the roles and made it more believable.  By making Elise and Seth a joke from the start it simply pulls away any chance for attachment to these two despite blood relation. Even trying to imagine people on a road trip to the Coachella but deciding to detour for this murder tour is a hard leap for me.

"...And then all light will end, and the world will live in darkness. The very air will be pestilence to mankind. And our brethren, the night creatures, will emerge and feed."

We could be talking about the end of the world. We could also be talking about the untimely demise of Penny Dreadful with just its third season at Showtime. It came with a suddenness, and not without controversy. John Logan originally planned for the series to go 6-7 years. Something abruptly changed, and he has stated rather forcefully that it is impossible to continue the show beyond this third season. The finale is marked with a solid The End to punctuate his feelings. Showtime did not want to part with the show so quickly. Neither did the fans, and quite frankly neither did I. I haven't been this disappointed in a creator since Calvin & Hobbes went away because Bill Watterson got tired. Hell, I get tired, too. John Logan might have been finished with Penny Dreadful, but I wasn't.

Who wants to party in Hawaii? Fox Home Entertainment and Upcomingdiscs are going to send one lucky winner on a vacation to Hawaii. Okay, we're not actually going to fly you out to the islands. We're going to send you a copy of Mike & Dave Need Wedding Dates on UHD (4K) Blu-ray. Zac Efron and Adam Devine will be your hosts. Don't have a UHD 4K player yet? No problem. There's a Blu-ray copy included in the package. In ultra high definition it will just be like sending you on vacation... without the airfare/hotel/rental car hassles. This is our first 4K giveaway; let's make it a big one.

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If you are looking for action and adventure, then you will not want to miss X-Men: First Class, a top-notch production that thrills.  The storyline under the able direction of Matthew Vaughn contains all the explosiveness you would expect from a prequel to Marvel Comics’ famous X-Men. It’s the beginning of the saga, and we find Magneto (Michael Fassbender) being haunted by the death of someone close him.  Escaping the clutches of the evil Nazi war criminal Sebastian Shaw (Kevin Bacon), Magneto meets Charles Xavier (James McAvoy).  The two make a pact of finding other mutants and helping them work for justice.  When Shaw rears his ugly head with superpowers of his own, the world puts everything on hold in hopes for a miracle to protect them; enter the X-Men.

I love the screenwriting style of Ashley Miller (Thor) who brings so many dynamic characters to life with amazing superpowers, and in X-Men: First Class she presents some very realistic baddies along with her heroes.  Directed by Matthew Vaughn who gave us the action-laden Layer Cake and Kick Ass, nothing’s held back on his radical style of introducing characters with pugilistic powers. Here he puts Lee’s characters to the test and comes up with a winner.

Look who's swinging into UpcomingDiscs HQ this week! (And he's doing it in an extra dimension.) Warner Bros. reacquaints us with The Legend of Tarzan 3D, which headlines our latest Tuesday Round Up. Elsewhere, Lionsgate gets paternal and protective with Blood Father, and Allied brings the heat with She Who Must Burn.

And now here's your weekly reminder before signing off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

Our pals over at Broadgreen Productions wanted to get in on the act for our 31 Nights Of Terror. They've sent us over an extra copy of The Neon Demon to give away. This one has some wickedly crazy images for you. Keanu Reeves stars in this modern-day metaphor. Explore the killer model industry through the lens of Nicolas Winding Refn.

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