"Space... The final frontier. These are the voyages of the Starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."

Every Star Trek fan knows the words by heart. For 50 years they've heralded the promise of something special. From the television show that couldn't but did anyway to 12 feature films. Would #13 be the lucky one? The trailers left many of us worried that it would more than likely be unlucky. And we needed so much for this one to be great. Since the last film we lost Leonard Nimoy, who was most certainly the heart of the franchise on the screen. He was also the gateway between the two incarnations. That loss was eventually expected. Then we tragically lost Anton Yelchin, who was one of the industry’s rising stars. It's the 50th anniversary, and with all this we really needed something good. Trailers said we were out of luck. They say you shouldn't judge a book by its cover. I'm here to tell you that you can't judge a film by its trailers. Star Trek Beyond turns out to be not only what the fans wanted... but what we desperately needed.

This week, we are boldly going where no Tuesday Round Up has gone before: November 2016! Yes, it's a new month, and we're excited to announce that you will soon be able to read our review of Paramount's Star Trek Beyond, which arrives to us in spiffy 4K. And from the furthest reaches of  outer space we go to...the American West. Entertainment One gets us back on track with Hell on Wheels: Season 5, Volume 2.

Even though it's a brand new month, the same reminder still applies here: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

Our 31 Nights Of Terror comes to an end. The decorations contest did not go as well as we hoped. There won't be any voting because we only had one entry. The winner of a Troma 3-Blu-ray set is Paul Blacker with the following winning photo:

paul-blacker1

This is one of those titles that came along where I had no idea what to expect.  I knew it was a horror title, and really that is about it.  The problem with doing films in a single location, though it may save you money when it comes to the actual production, is that in return you put an added pressure on your performers and the story to not be boring and keeping the story moving.  It can be done; after all, 10 Cloverfield Lane is one of my favorite films of the year, and most of it takes place in a bunker.  When it comes to The Id, how did the film turn out? Well, I feel it was a victim of its own design.

Meridith (Amanda Wyss) has pretty much spent her entire life at home, and her youth has been spent taking care of her father.  Her father, Mr. Lane (Patrick Peduto) is far from the loving father who appreciates what his daughter has sacrificed to take care of him.  He’s a mean old coot, and very early on in the film we wouldn’t blame Meridith if she snapped and killed him one day.  Well, that’s actually all this film seems to really be about, a woman being brought to her breaking point where she can justify to herself that it’s OK to kill her father.

What 31 Nights of Terror list would be complete without an addition from the master of macabre himself, Edgar Allen Poe, this time in the form of an anthology series that transforms three of his dark tales into a visual experience that will haunt you. Tales of Poe treats the audience to a front-row seat for the stories of The Tell-Tale Heart, The Cask of Amontillado, and Dreams. Fair warning, these are not direct interpretations. There is some artistic license taken, but that doesn’t have to be a bad thing. Who wants to just watch imitation when you can watch recreation, and that is exactly what Tales of Poe offers.  I hope you have a strong stomach. Who am I kidding, if you are reading this, you must, because Tales of Poe pulls no punches in its tribute to the master. As I mentioned, there are a few artistic changes such as some gender changes to specific characters, but the essence of each of the stories remains the same. (Yes, I skimmed the featured stories in order to double check that they did the source material justice.)

The best way to approach this type of review is to break down each story individually and in the order of my favorite to least favorite, which also happens to be the order in which the stories unfold.

“Mankind is the cancer of its own body. Do you love humanity enough to save it?”

I remember when I was first introduced to the character of Robert Langdon. I was a late bloomer to the story, not having read the book. My first introduction came from the film. I had just graduated high school, and instead of engaging in the customary family dinner that usually precedes the event, I opted in favor of going to the see The Da Vinci Code. That is a decision that I have never regretted. Fortunately, I didn’t need to skip anything important to see Angels and Demons, and it is a good thing, as the film missed the mark with me. Now here we find ourselves on the cusp of Langdon’s redemption with Inferno.  Will the third film in the trilogy be enough to make people forget about the second one? Is Tom Hanks still convincing in what is becoming one of his most recognizable roles?

Girl in Woods is a very conflicting film. The writing and direction were wonderful, as well as the setting: I have previously written about my fondness of independent horror films set in the woods (see my review of The Interior). However, the film’s post-production and the acting were not up to par with the maturity set forth by the intricate story and overall tone of the film. The film succeeds in establishing an atmosphere of fear and mania through cleverly fragmenting the narrative through cryptic flashbacks, but it fails to impress with visuals, simply because of poor quality.

Grace and her boyfriend, Jim, enjoy a weekend alone in the woods, wherein Jim proposes to his loving partner. After a few scenes of flirtatious banter from the couple, a terrible accident leaves Grace stranded in the woods alone. The “terrible accident” in question is coincidently linked to a traumatic event from Grace’s past, one that she never entirely recovered from. As the “indoors-y” woman navigates the vast woods by herself, she must overcome both memory and temptation as she tries to survive the wilderness and her own mind.

There's a black man in our kitchen cooking eggs!”

The kitchen-bound black man in this case is Eddie Murphy in Mr. Church, which on the surface appears to be the latest in a sneakily long line of movies (Driving Miss Daisy, The Help, The Butler) where saintly, subservient African Americans enlighten their white counterparts. Those movies can be cloying at best and downright insulting at worst if placed in the wrong hands. But if done right, they can really resonate with audiences. (As evidenced by the fact that the movies I mentioned earlier were pretty big hits.) Mr. Church falls somewhere in between.

When it comes to spy novelist John le Carre (Tinker Taylor Soldier Spy, The Night Manager), his books seem to produce great films and mini-series but are far from being box-office darlings. Each production of one of his novels seems to be filled with talent in front of and behind the camera.  When it comes to the release of Our Kind of Traitor, despite the impressive cast it’s a film that managed to slip through the cracks and seems to have limped its way to a DVD/Blu-ray release when really it’s a film that deserves to be appreciated more on the big screen.  While it may not be filled with the spectacle of special effects and explosions, it’s a film that garners some impressive performances throughout and has a story that quickly pulls the viewer in.

Perry (Ewan McGregor) and his wife Gail (Naomie Harris) are supposed to be on a romantic holiday.  It’s the kind of holiday a couple takes together to try to salvage their relationship before throwing in the towel and heading to divorce court.  Perry is a professor with infidelity issues, while his wife is the breadwinner of the family as an overworked attorney.  For them it seems the vacation has worked and the intimacy in their relationship has been rekindled, that is until Perry accepts an invitation from a Russian stranger.  Dima (Stellan Skarsgard), is an overpowering presence as he convinces Perry to tag along with him as he goes to a lavish house party and later for a morning tennis match.  What Perry believes is nothing more than generous hospitality is instead a charade to pull him into doing something very dangerous.

"Lets go find you a fish."

I've been told enough times that it is often not a good idea to meet your heroes. It's too often impossible for anyone to live up to expectations, particularly when they are already up on a pedestal in our minds. All humans have their flaws, and Ernest Hemingway was no exception. I never met him. He killed himself around the time I was busy being born. I often joked to my writing professors that he feared my arrival. The truth is that he had so many demons. It isn't a secret today, and it wasn't then, at least not for anyone familiar with his work. But Denne Bart Petitclerc did meet Hemingway after writing him a bit of a fan letter in 1957. The result was that Petitclerc was invited into Hemingway's inner circle at a time in Hemingway's life where his demons were beginning to catch up with him. Place that encounter in the larger environment of Castro's rebel uprising in Cuba at the time, and you might have an interesting story. Petitclerc certainly thought that he did. He wrote a screenplay and shopped it around for decades even up to his own death in 2006. Unlike the many fish on Hemingway's line and tackle, no one bit. It's possible that Papa Hemingway In Cuba is the reason.