In 1997, $17.3 million dollars (or $25.5 million adjusted for inflation) was stolen from Loomis, Fargo & Co in Charlotte, N.C. It was the second largest cash robbery on U.S. soil after a Loomis Fargo armored car robbery by the driver earlier in the same year for $18.8 million in Jacksonville, Florida. The facts of the robbery and subsequent events are pretty ridiculous, and now Hollywood has made an out-and-out silly farce out of something that in reality was a silly farce. After having seen the movie, I tried to compare actual events with the insane stupidity that happened in the movie. That was actually my biggest problem with the movie. If they had tried to adhere closely to reality, it might have played funnier.

Before The Twilight Zone, Rod Serling had a fruitful career writing teleplays in the early 1950’s. One of his earliest successes, Patterns (1955), was aired on a program named Kraft Television Theatre. The popularity of the play was so enormous that a second encore performance was aired the same week of its release, and it was written as a feature film the following year. Given its impressive history and my love of Serling’s writing, I was really looking forward to watching the the film. However, I was surprised that I did not enjoy myself as much as I was expecting.

Fans of The Johnny Carson Show know who Joan Embery is. If you love animals you know who she is. She has been working with and for animals all of her life. She's been an ambassador to the world famous San Diego Zoo. Time Life is releasing its second collection The Tonight Show With Johnny Carson The Vault Series. Joan Embery appears in some of these 12 full episodes. I had the honor of talking with her for a short time. I invite you to eavesdrop on that conversation. Bang it here to listen in on my conversation with Joan Embery

joan

A creature that gestates inside a living human host…and has concentrated acid for blood.”

If you're a fan of sci-fi, horror, or action films, chances are you're also intimately familiar with the creature at the center of the Alien franchise. Ridley Scott's 1979 original is a masterpiece of space horror, so it would've been foolish for any follow-up to try and replicate the same formula. Instead, James Cameron's classic sequel succeeds by transplanting an entirely new genre into the series (Aliens is basically a war movie) while maintaining the sense of terror that made its predecessor a classic. You can get a fresh look for yourself now that Fox has released a 30th Anniversary Edition.

Shonda Rhimes now has a fourth series running on ABC this past season. Joining Scandal, Grey's Anatomy, and How To Get Away With Murder is the new series The Catch. The series is based on a series of novels by Kate Atkinson and was actually created by Jennifer Schuur. And while The Catch distinguishes itself rather nicely from the usual Rhimes formula, you can still expect the bed-jumping antics that Rhimes is so obsessed with. It's the one thing that all four shows have in common. It doesn't matter whether she's a writer, creator, or just a producer; there's never been an episode of a series with her name on it that doesn't have plenty of sex. In this case it's a sad distraction from what turned out to be a rather clever show.

The title might be a bit misleading. Alicia is not so "good" these days. She's tougher and more willing to make the hard choices. She's more cutthroat in court and even when it comes to asserting her position in the firm and with her cheating husband. This is not the "stand by your man" show it might have appeared to be when it began. It's evolved, and that only makes for better television. And now that it has finally come to an end, it's easy to see that Alicia is now just as calculating and manipulative as her husband ever was. If the show was going to stay on the air, there might have been need for the title to change. Of course, I always took it as ironic anyway. Fans will have all the time in the world now to debate such subjects.

It's getting to be that time of year. The color orange and the sheer number of pumpkin spice-flavored offerings are about to officially become overwhelming. That's right...it's almost October, which also means the arrival of the spooky season. As always, we'll have plenty more on that front once October properly kicks off. But in the meantime, this week's Round Up is highlighted by a pair of creepy throwback flicks. Lionsgate takes a violent trip to the Chopping Mall and has a killer meal at the Blood Diner. Meanwhile, ABC/Disney is on the case with The Catch: Season 1, while Warner Bros. courts some royal drama with Reign: Season 3. Finally, Film Detective discovers some Patterns in a Rod Serling-scripted 1950s drama.

One last reminder before signing off for the week (and for September): if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

“This is when we roar.”

When Fox’s Empire premiered in early 2015, it became an instant sensation that re-wrote the ratings record books. The show’s mix of high drama and hip-hop obviously struck a chord with an underserved segment of TV viewers. Of course, that also means expectations were sky high for this second season. While Empire has inevitably lost some of the sizzle from its unprecedented debut, this unapologetically over-the-top soap rap-era has also managed to avoid the dreaded sophomore slump.

"My name is Brian Finch. I was your average 28-year-old screw-up until I took a pill called NZT. Suddenly I had access to every brain cell. And that's why the FBI hired me. There's just one problem. The NZT will kill you unless you have this shot."

Brian is a guy with a lot of dreams but no ambition to actually make them work. When we find him he's pushing an album that he hasn't even written the songs for. Hey, don't we all? His friends and family nod understandingly, all knowing he'll never get around to any of it. He likes to get stoned, and there goes any real ambition he might have actually had.

When it comes to titles from Blizzard Entertainment, I was always more into the Starcraft and Diablo franchises. I played World of Warcraft (WoW) for a small period of time when it became a popular MMORPG (Massive Multiplayer Online Role Playing Game), but my interest in the game quickly died. The aesthetics were a little too cartoony for my liking, plus, you paid for a subscription. Regardless, I am just one fan of Blizzard: WoW caught on like wildfire. I still know people who are playing the game to this day.