Posted in: Disc Reviews by J C on June 29th, 2015
It honestly took me a while to get over the opening shot of The Forger. The shot itself is rather unremarkable: it's a simple close-up of star John Travolta sitting in a small room by himself and staring straight ahead. But between his ridiculously obvious wig and the waxy texture of his face — the actor now looks like he's wearing a Michael Myers-style “John Travolta” mask — I knew it was going to be pretty difficult to take him seriously, no matter who or what was playing. It's a shame because there's actually a pretty decent family drama to be found within The Forger.
Turns out Travolta is playing Ray Cutter, a Boston-based, world-class art forger who has 10 months remaining on a five-year prison sentence. With the light at the end of the tunnel in sight, Ray suddenly decides 10 months is too long to wait, so he makes a deal with local crime boss Keegan (Anson Mount) to pay off a judge and get out of prison early. In exchange, Keegan forces Ray to forge Claude Monet's “Woman with a Parasol”, steal the real thing from a local museum, and replace it with the forgery. So why would Ray indebt himself to a volatile mobster instead of merely serving out the rest of his sentence?
Posted in: The Reel World by J C on June 27th, 2015
“Are you a believer in order?”
The natural order of things during the summer movie season is to be pummeled by one would-be blockbuster after another, each aiming to be louder and more extravagant than the last. So debuting A Little Chaos — a 2014 British period drama about a seemingly esoteric chapter of French faux-history — amidst all this noise is a curious decision. While the film certainly nails the “extravagant” part and largely adheres to costume drama conventions, there's just enough here to make it a thoroughly pleasing alternative to the typical multiplex fare.
Posted in: The Reel World by Jeremy Butler on June 26th, 2015
The original Ted movie gave us the answer to what would happen if a beloved toy came to life. I know what you are thinking; Toy Story provided us with the same answer, except Ted went a step further and revealed what happens when the little boy and the beloved toy grow up. Ted was a hard-drinking and drug-taking movie that was beloved by many. When it came to that movie I was thoroughly satisfied, and I did not believe that it could be improved upon, so when I heard the announcement of the sequel, I had reservations. In my opinion, the sequel was clear money grab that was going to ruin all that the original accomplished. I told you that to tell you this: I stand corrected. As it turns out, there was more story to tell, and I am glad that I got to experience it.
The story picks up some years later, Ted is set to marry his girlfriend Tammy-Lynn (yes, it is the original girl from the first one, so it earns points for bringing back most of the original cast) while his best friend John (Mark Wahlberg) is recovering from his recent divorce from Laurie. Fast forward a year later. For Ted and Tammy-Lynn the honeymoon is over, and the day-to-day work of marriage has the two at each other’s throats. Looking for a way to solve their marital problems, Ted decides the two need to have a child (yeah, because that solves everything). After hilarious hijinks involving finding a sperm donor, the two opt for adoption, only to discover that their application was denied because in the eyes of the law Ted is not a real person.
Posted in: Disc Reviews by Gino Sassani on June 26th, 2015
"In these mountains roams one of the rarest species on our planet. A shy, elusive, and gentle creature: the giant panda."
If you are old enough you will remember President Richard Nixon's famous trip the China. He was the first President to make the voyage, and it was heralded as a foreign policy breakthrough for the nation. Long after, the hoopla had died down and the only time it seemed Nixon was in the news was for Watergate. But even amid the scandal, one bright legacy of that trip remained for years to come. That was, of course, the Chinese gift to the United States to celebrate the event. We received two pandas named Ling-Ling and Hsing-Hsing that would capture the hearts of a nation even as Nixon was losing them. We all paid close attention as various attempts were made to mate the animals. Unfortunately, there were only five successful matings, and the pups only lived a few days at most. It was a disappointing end to a marvelous story. The pandas did live into the 1990's, breaking records to panda lifespans outside of China. Today there are new pandas at the National Zoo, and they have given birth to pups that have been returned to China based on the deal we brokered to get them. You can still see those guys today.
Posted in: No Huddle Reviews by Gino Sassani on June 25th, 2015
"We're just a typical American family that just happens to run a multimillion dollar outdoor empire. We create, test and sell the world's coolest products for the modern outdoorsman, and we find our inspiration on a little slice of Heaven called the Busbice Family Ranch in Louisiana."
Sounds like an infomercial, doesn't it? It's actually the intro to A&E's latest in their collection of redneck families who happen to be in the dough. If you like Duck Dynasty, this show was made for you. It's another one of those eccentric families in the outdoors business. With names like Uncle Hard Luck, these guys fit right in with the Robertson family over at Duck Dynasty. In fact, they're buddies, and Willie guests in the pilot episode. He'll also pop up later as well. It's the whole A&E family of outdoorsmen as Swamp People's favorite Troy "Shoooooot" Landry comes by a couple of times to visit. It's more down-home reality television and "accidental" humor.
Posted in: No Huddle Reviews by Archive Authors on June 25th, 2015
Right off the bat, the first 10-minute flashback in Lost for Words that repeats verbatim at the end could have been left on the cutting room floor. If you’re looking for an in-your-face, action-packed summer blockbuster, this isn’t for you. If you have more sophisticated tastes and are seeking a slow to medium-paced love story that transcends country and race, Lost for Words tells the beautiful bilingual tale of American ex-Marine-now-IT-guru Michael and Chinese modern dance ballerina Anna.
Almost stealing limelight from the story is the incredible backdrop in which the story unfolds. Lost for Words is set against the exotic setting of cosmopolitan and rural Hong Kong. Over 40 days, the cast and crew of Lost for Words travelled across Hong Kong to capture its beauty on film. Though Jimmy Wong, cinematographer, is a veteran of Asian film, this was his first English-language feature film. The contrasting imagery is stunning and rich, and I expect Mr. Wong will be finding more work in American theater.
Posted in: The Reel World by Archive Authors on June 25th, 2015
I should say right up front, it seems like everyone loves this film but me. That is pretty much true of all Pixar films. They seem to be above reproach, regret and retribution. I love some Pixar films very much, but many I find to be overpraised. In the case of the new film Inside Out, it is not so much bad as disturbing. It is well made but suffers from two problems. It is not overwhelmingly profound while being somewhat bewildering. Some people might say it is a film for kids, so I should give it a pass, but I disagree. It raises many interesting questions, but it not only doesn't answer them but gives deliberately wrong answers. I need to take an extreme viewpoint here, because I honestly believe most critics are not doing their jobs. This film tries to tackle a fairly complicated subject for a kid's film and then blasts us all with a flurry of confusing concepts and an excessively frightening tidal wave of misinformation. Some bloggers are mentioning that the film bears some resemblance to the 90's sitcom Herman's Head. One could even say it might have gotten some inspiration from Woody Allen's Everything You Wanted To Know About Sex, But Were Afraid To Ask.
Inside Out is a look inside the brain of an 11-year-old girl called Reily. Her brain's central control is run by five animated characters, Joy (Amy Poehler), Sadness (Phyllis Smith), Fear (Bill Hader), Anger (Lewis Black) and Disgust (Mindy Kaling). That is a simplistic view of the brain, but the film gets way more complicated than that. It also gets confusing and mystifying.
Posted in: Disc Reviews by J C on June 25th, 2015
“Jihadists are people too!” That’s probably the big, blinking takeaway from Timbuktu, director Abderrahmane Sissako’s Oscar-nominated drama about the occupation of the titular city by extreme Islamists. But it’s also the most reductive possible interpretation of a film that doesn’t shy away from portraying some of the beauty in thoroughly ugly circumstances. More importantly, Timbuktu tells a volatile story with tremendous grace.
“Here, in Timbuktu, he who dedicates himself to religion uses his head and not his weapons.”
Posted in: No Huddle Reviews by Archive Authors on June 23rd, 2015
by Dustin P. Anderson
Design activists Matt and Emily come to a small town in North Carolina which is struggling to get by. Their goal is to start Project H, a design class for high school students, to help get kids interested in school and lift the town out of a recessive period. The students start by building things as simple as a cornhole game, to designing a real building for a farmers market to help the town. Matt and Emily must work against incredible odds, like not getting a salary for their work and an oppressive school board, in order to see this dream come to reality.
Posted in: No Huddle Reviews by Gino Sassani on June 23rd, 2015
"My name is - . This is my true story like it's never been told before."
You can fill in that blank with any one of six names or groups for the first season of Gunslingers. Each episode picks up the story of a legendary icon of the West. We're not talking about the fictionalized characters from the long run of television westerns. These are the real infamous gunfighters whose history has become the stuff of mythology over the years. The episodes are told from the point of view of that week's subject, as played by an actor, of course. Other parts are also played out, but the focus is the point of view of that gunslinger. That means the story is going to be slanted somewhat. To balance that perspective we have input from western historians and even actors who might have portrayed the story in Hollywood. Together with dramatization of the pivotal moments, we get a somewhat unique look at an otherwise widely known story.
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