I honestly didn’t know what to expect when I sat down to watch The Swirl. I didn’t need urban dictionary or the comically on-the-nose tagline on the DVD cover to tell me the film would be exploring the world of interracial dating, with a strong emphasis on the relationships between African Americans and Caucasians. But I assumed I’d be watching some no-budget melodrama that would (at best) be good for some unintentional laughs. Instead, The Swirl set out to be funny on purpose.

Turns out The Swirl is a “documentary” that curiously blends man-on-the-street interviews, movie clips, polling data, and wisecracks from a handful of comedians. It’s a lot to pack into the movie’s slim 45-minute running time, which is why there’s a fairly extensive amount of bonus material included on this DVD. (In fact, some of the absolute funniest riffs from comics like Rodney Perry and Reggie Jackson are relegated to the special features because there’s no time for them in the feature presentation.)

I’m going to go on record and say that it is highly likely that I do not fit into the target audience for this film. OK, now that we got that out of the way, I feel perfectly comfortable stating that I don’t believe that even the target audience will really enjoy American Bad Boy. I just knew that when Magic Mike was released that we broke the dam; now everywhere I turn there is a movie about male strippers. Now, I’m not a prude, but when it comes to this movie, it is nothing more than a shiny penny; the target audience is expected to be dazzled by the muscular bodies rather than the story itself or lack thereof.

OK, we start with a decent guy, down on this luck. He aspires to earn a record deal with his music and share his voice with the world. Problem is he is indebted to a shady club owner (Katt Williams) who makes him dance at his club to pay off his obscene debt.OK, let’s take a moment right here. A guy working at strip club dreaming of something better, does that sound vaguely familiar to anyone? Oh, come on, I haven’t even seen the movie and it sounds familiar. Pressing on, not only is this guy leading a double life, in his everyday life he is the son of a pastor who, if he discovered what his son did with his nights, would likely bring down a bit of fire and brimstone himself.

As one who loathes sports, ESPECIALLY golf, I thought I’d rather put hot pokers in my eyes than watch the golf and gambling independent film, The Squeeze. However, to my surprise, it wasn’t bad - it wasn’t great- and although the ending teed me off for not providing an adequate resolution, I also didn’t fast forward. The golf scenes were realistically boring to me, so I guess golf fans would love this, but the script needs work. The Squeeze tells the allegedly “based on true story” of Augie (Jeremy Sumpter), a cute, small-town kid who comes from a family where the patriarch of the family is an alcoholic. The dad beats the mom, and based on the reaction of the little sister, probably the kids too. Augie wants to escape that life and rescue his mom and sister by winning the US Open. After a local tournament, he is interviewed on the radio and credits his amazing success to hard work, the Almighty, and talent. Augie spends his days chilling with two friends in the small town, caddying and excelling at the game. Actor Jeremy Sumpter, whom I loved in Peter Pan, deserves props for being as natural as he was with a script that felt like an after-school special.

Riverboat, a slimy arrogant gambler and his wife, hear of his success on the radio and make a beeline to find Augie and their next con. A high five to Terry Jastrow’s casting director for casting Christopher McDonald (who got his start in Thelma and Louise in early 90s) as Riverboat, the devil always in an elegant suit and hat, oozing charm and an irritating Southern accent, who lures the innocent Augie into the illegal yet profitable business of golf for money. McDonald, well known for portraying villainous and/or ultra-obnoxious characters, filled Riverboat’s shiny shoes perfectly, dangling the forbidden fruit in front of Augie, luring him into a dangerous life.

“That’s your job as The DUFF…Designated Ugly Fat Friend.”

Let’s just get this out of the way right at the top. The idea that Mae Whitman — or any other actress cast as the lead in a mainstream Hollywood movie — is “Ugly” and “Fat” is absurd. (Not to mention entirely subjective.) So it’s tempting to dismiss The DUFF as the latest bit of evidence that there’s no truth in advertising. But then you’d be missing out on a charming teen comedy that grabs the snarky underdog baton previously held by the likes of Mean Girls and Easy A.

The premise here is dirt simple. They've taken the buddy cop idea and found a way to work in the forensics science fad and deliver a procedural with a few twists. Angie Harmon plays Detective Rizzoli. She's wanted to be a cop all of her life and is living the dream working with a special unit out of Boston PD. Her best friend in life happens to be Dr. Maura Isles, who is the Chief Medical Examiner for the unit and is played by Sasha Alexander. These are the kind of friends who finish each other's sentences and share a lot of history together. That's not to say they are at all alike. 

Rizzoli is a relative free spirit. She doesn't let a lot of things get her down and doesn't take things outside of the job very seriously. But this season she has to deal with severe loss. She ends up having a miscarriage, and the show loses one of its cast members as Detective Cross is killed and Lee Thomas Young leaves the series.

by Dustin P. Anderson

At the end of a long sentence, a notorious inmate, Viktor Khadem, is sent to a minimum-security prison where he works until he can be rehabilitated to join society. His handler, Matt Perry, sees a certain skill for taking care of birds within Viktor, and decides to start a new program for rehabilitating inmates. He puts Viktor in charge of two other prisoners tasked with caring for the injured birds of prey until they are well enough to fly, and hunt on their own. The guards and warden of the jail believe the program is dangerous and will only invite more trouble. A gang of the prison’s thugs harasses the group as they are jealous of their position and makes life even more difficult for them as they try to heal. Through this adversity the three inmates start to form a bond with the birds they are watching and try to let the effect of caring for them wash the violence from their past out of their mind.

I don't enjoy writing negative reviews. It's a struggle when the film experience was joyless and then to have to go back and relive that. I also don't enjoy reading reviews by other critics that get everything completely wrong. It's even worse when almost all the critics get it wrong. Even worse than that is when I see critics dumping on a film that's actually good, but that's a story for a different day. How can I say Spy is so bad? Because I had to sit through the movie. I can get some enjoyment out of even the worst movies, and that's true here, but I would not recommend it to unsuspecting viewers. I do imagine a lot of people will enjoy the movie despite themselves if they are paying for babysitters, etc. Again, I do think every movie has some entertainment value. I will try to find it in the new movie Spy. The first good thing I can say is that Spy is a chick flick that lets chicks save the day. They don't look great doing it, but they save the day. That's one of the problems. Almost no one looks good in this film.

The film has a great cast. Melissa McCarthy is the big star, but she shares billing with Jason Statham, Jude Law, and Rose Byrne. You can also throw in sturdy supporting players like Allison Janney and Bobby Cannavale. There are plenty more, but those are the names. I will say that the person who comes off the best is Rose Byrne. She plays a super-bitch super-villain who you truly believe doesn't like anyone. She dispatches people with the unpleasant venom of someone who doesn't like the service she is receiving at a restaurant. Jason Statham has the thankless job of making fun of himself. He seems game, but he doesn't really pull it off. He gets some of the funniest material but almost flubs most of his lines with his mush-mouth delivery. Jude Law gets the part of the perfect James Bond-type spy, but you get the hint of embarrassment in his facial mannerisms like he's trying too hard to spoof the trope.

Our buddies over at Arc Entertainment have given us a few treats for our loyal readers. The Squeeze is out now on DVD. A young golf talent gets caught up with a ruthless gambler. All he wants to do is take care of his family and now it might cost him everything. It's a mix of a con film with the added interest of golf. Arc Entertainment has given us 3 copies to give away. Here's your chance to see how it ends on us.

To win a copy, just follow these simple instructions.

"Some things stay the same. I mean the gamer is the game."

Stop me if you've heard this one before. A newspaper reporter and a cop go into a bar... It sounds like a setup for a pretty lame joke. It's actually the story of how one of the greatest television shows to ever air got started. It was the brainchild of two real-world players who hadn't yet seen their worlds portrayed accurately in television of film. They set out on a mission to change all of that. And, changing all of that is exactly what they did.

“You look at life like it’s a burden. Life is a gift.”

The best thing about Rectify — SundanceTV’s excellent, thoughtful slow-burn of a Southern drama — is that it gives equal weight to each of those viewpoints. Daniel Holden has spent more time as death row inmate than he has as a free man. As an 18 year old, he was convicted of the rape and murder of a teenage girl and spent the next 19 years in prison awaiting his execution. Daniel was suddenly freed after DNA evidence vacated his sentence, and season 1 showed him struggling mightily to adapt to life on the outside. (It also showed the outside world struggling mightily to adapt to him.)