The recent earthquakes in Los Angeles: facts of life or foreshadowing the big one?”

I'm not saying the makers of L.A. Apocalypse — a SyFy-level TV movie centered on catastrophic earthquakes in California — timed the release of their low-budget action flick so it premiered well ahead of San Andreas, the would-be summer blockbuster starring Dwayne Johnson about catastrophic earthquakes in California. It's just funny how things often work out that way. L.A. Apocalypse doesn't have The Rock (or anyone you've likely heard of) and is working with a very small fraction of San Andreas' budget. The result is as underwhelming as you'd expect.

"Will you follow me, one last time?"

It's time to say goodbye to Middle Earth, at least from a cinematic perspective. The Hobbit: The Battle Of The Five Armies marks the last time we shall see Peter Jackson's version of Middle Earth. Sure, Ian McKellen has told us he wouldn't be surprised to see some kind of a return. I would. There is certainly enough work from Tolkien to support future adventures, but the rights to anything beyond these books belongs to the Tolkien estate.

When it comes to the modern epic, director Ridley Scott is the go-to guy to pull off the sprawling and mega-budget storylines.  From Gladiator to Kingdom of Heaven, Scott has constantly proven himself behind the camera in executing tales with lavish sets and battles involving hundreds to even thousands of extras.  With the release of Exodus: Gods and Kings, a retelling of the Bible story where Moses frees the slaves of Egypt, Ridley Scott would seem the perfect choice for this film.  Unfortunately, this is a Bible story that is sure to anger religious scholars and put some general audiences to sleep.

"Baby, if you've ever wondered, wondered whatever became of me. I'm living on the air in Cincinnati,
Cincinnati, WKRP. "

It almost sounds like a take on Harry Chapin's WOLD, and in many ways it is. The song was hot for a while on radio stations. It seems that DJ's couldn't resist songs about DJ's. Who saw that coming? Of course, the song is the opening theme to WKRP In Cincinnati. The show is back on DVD thanks to the folks at Shout Factory. If that's not big news, this absolutely is.

The Norwegian oil boom of the early 1980s isn’t the most obvious setting for a thriller, but director Erik Skjoldbjærg manages to squeeze plenty of intrigue out of what seems like a pretty dry subject. Of course, Pioneer could never be described as “dry” in the literal sense since the film follows a group of commercial divers in Norway as they try to establish the country’s first petroleum pipeline 500 meters underwater.

What if monsters were not just a thing of our imagination, that all the movies we’ve seen and books we’ve read were not just creatures that entertained and horrified us, but actually existed beyond the woods and in the darkness?  That is the jumping off point for director Adam Green’s new project Digging Up the Marrow.  Only this time his film takes a very Meta approach and is done as a documentary. What instantly came to mind was Blair Witch Project in the execution of the film.  Sure, there have been many copycat films since the release, and it has spawned an entire genre of filmmaking with found footage, but how does Digging Up the Marrow measure up?

There’s a new horror film out from Anchor Bay. It’s called Muck, and it’s actually the middle part of a trilogy. If you find that more than a little bit confusing, Upcomingdiscs is here to help you sort it all out. We’re going to be delivering a series of interviews with cast and crew to answer all of those burning questions. For our second interview we decided to go the big guy himself. No we're not talking about Mr. Carlson from WKRP. (That comes later). Of course, I'm talking about Steve Wolsh. He's the writer and director of the ambitious project. He took the time to talk to us twice last week. Trust me, you'll want to hear what he's got to say. Bang it here to listen to my chat with Steve Wolsh.

When Divergent ended, it planted the seed for the sequels that would follow.  I really enjoyed the first installment and our introduction into the factions that supported this society.  What I enjoyed most after revisiting the film is how the film handles the budding relationship between Tris (Shailene Woodley) and Four (Theo James), never too sappy but being a couple we could root for since they were both outsiders to their community.  Now that the factions and the characters have all been set up, and with the rebellion beginning to take shape at the end of the first film, Insurgent wastes no time in jumping into the story and delivering one of the better sequels in some time.

There's a new horror film out from Anchor Bay. It's called Muck, and it's actually the middle part of a trilogy. If you find that more than a little bit confusing, Upcomingdiscs is here to help you sort it all out. We're going to be delivering a series of interviews with cast and crew to answer all of those burning questions. My first talk was with Bryce Draper. He's a newcomer to feature films, and he's hip-deep in the Muck now. He's pretty enthusiastic about it all. Bang it here to listen in on my chat with Bryce Draper.

From the moment Son of a Gun opens up taking you behind bars as JR (Brenton Thwaites) is being processed into an Australian prison, it is the start of a journey that throws everything at its audience till the final credits roll.  I have a hard time figuring out just how to classify Son of a Gun; it is everything from being a film about self-discovery, a guys-behind-bars film, to being a heist film and so much more. The title refers to JR as he goes about serving his time behind bars and captures the attention of an infamous thief Brendan (Ewan McGregor).