Posted in: Tribute by J C on August 25th, 2014
“I wanted to show them something that wasn't an illusion. Something that was real, something that they could see and touch. An aim not devoid of merit.”
Those words were spoken by John Hammond, the man who (in)famously brought dinosaurs back to life in Jurassic Park. However, they also applied to the acclaimed actor/filmmaker who played him. Sir Richard Attenborough died Sunday, leaving behind an indelible mark on movie history thanks to his work in front of and behind the camera.
In addition to directing a dozen films — and winning a pair of Oscars for producing and directing Gandhi — Attenborough earned more than 70 screen credits as an actor. His most widely-seen role came in Steven Spielberg’s blockbuster (and a couple of months shy of Attenborough’s 70th birthday), but Attenborough also stood out in films like The Great Escape and the 1994 remake of Miracle on 34th Street. Join us in celebrating Sir Richard’s work with a trip through the UpcomingDiscs archives.
Posted in: Disc Reviews by J C on August 25th, 2014
One of the miracles of modern technology is its ability to shrink the world down so you can practically (well, proverbially) hold it in the palm of your hand. The cheerily square Smithsonian Channel series Aerial America goes the other way. In fact, the best thing about the show is how it uses technology to fill every inch of your screen with some of the most famous — along with some of the more underappreciated — U.S. landmarks, employing a larger-than-life/bird’s-eye point of view most of us wouldn’t otherwise be able to enjoy.
Now, Smithsonian Channel and Inception Media Group have released another batch of episodes on Blu-ray.
Posted in: The Reel World by Brent Lorentson on August 22nd, 2014
Sin City: A Dame to Kill For marks the return of the iconic graphic novel since it first splashed across the big screen in 2005. Sin City set out to make the ultimate comic book adaption in which the audience would see the panels move directly from the page and onto the screen. For me Sin City was a celluloid masterpiece that blended the Noir stories beautifully with all the Hollywood tricks that were at Robert Rodriguez’s disposal. Frank Miller’s beautiful black and white imagery was more striking than I could have imagined, and it was the film that had me rooting for the big lug Marv (played by Mickey Rourke who seems to have been born for the role).
Posted in: Disc Reviews by Archive Authors on August 22nd, 2014
The main thing I look for in a movie is “not the same old thing”. So many movies are retreads into comfortable viewing. If we've seen it a million times, we must like it, right? Why fix it if it isn't broke? Unfortunately, most movies are the same old thing because of laziness and apathy. Hollywood doesn't really welcome new ideas. Are You Here is not “the same old thing”. Some people might not like something new, but I do. I like to be challenged by characters that grow right before your eyes and become people you never expected they'd be. Are You Here is basically a romantic comedy, which makes it even more unusual for it to have such challenging characters.
Posted in: Disc Reviews by Gino Sassani on August 22nd, 2014
"Welcome to the SyFy Channel."
OK, not really. Revolution aired on sister network NBC, both part of the Universal family. Usually the sibling resemblances are not very visible. Revolution, however has all the elements of a typical SyFy Channel series. These shows almost always start with strong source material or a crazy but clever idea.
Posted in: Disc Reviews by Brent Lorentson on August 21st, 2014
Horror doesn’t necessarily need to be about the supernatural or have an axe-wielding maniac to be terrifying. Jump scares and gore effects are also some nice devices directors rely on to scare their audiences. But for me, what really gets beneath my skin is the possibility of what I see projected up on the screen can become a reality in my day to day life. The Sacrament attempts to show how quickly faith and love can quickly be turned and used as a weapon that can lead to the demise of the fragile and the faithful.
Posted in: No Huddle Reviews by J C on August 20th, 2014
“The generational shift to an indoor existence has been strongly linked to a sharp decline in children’s well-being.”
That’s just a fancier, more eloquent version of the familiar lament that (these darn) “kids today just don’t play outside anymore!” It’s also the jumping-off point for Project Wild Thing, an inventive and engaging documentary that explores the apparent disconnect between today’s youth and the natural world they seem intent on ignoring.
Posted in: Disc Reviews by Brent Lorentson on August 20th, 2014
Under the revamped Hammer production company, The Quiet Ones is the new release from the legendary UK company that was known throughout the 50-70’s for its Gothic horror. In this new resurgence of Hammer, no longer do we have Peter Cushing or Christopher Lee to look forward to gracing the screen, but what we do seem to be getting is a respect for what horror can be. Horror seems to have bottomed out as of late. Where horror seems to be delving into cheaper budgets and going the direction of found footage, which isn’t so much a bad thing, but as we all know the market is just saturated with this style of filmmaking.
Posted in: Disc Reviews by J C on August 19th, 2014
It’s kind of astounding that it took this long for somebody to revisit Rosemary’s Baby. Don’t get me wrong: I’m not suggesting Roman Polanski’s indelible 1968 adaptation of Ira Levin’s 1967 novel was crying out for a remake. It’s just that at this point you’d be hard pressed to find any horror classic — or any horror film, period — that hasn’t been re-done. (Stay strong, Exorcist!) And you probably wouldn’t expect said horror classic to be re-imagined as a bloody network TV miniseries.
Posted in: No Huddle Reviews by Gino Sassani on August 17th, 2014
"He's dangerous, amoral, he pathologically flaunts authority. He's reckless to the point of suicidal. But all of this... everything we've done. None of it would have been possible if it weren't for him."
Him, of course is James Spader as the enigmatic Raymond "Red" Reddington. The show is NBC's break-out hit The Blacklist created by first-time show-runner Jon Bokenkamp. Bokenkamp is truly a newcomer to the business. He has literally only a couple of very minor writing credits to his name. Perhaps that's why The Blacklist is able to contain quite a few of the cliché elements running through television today and still feel like one of the freshest shows in a long while.
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