Posted in: The Reel World by J C on May 30th, 2014
If Christopher Nolan’s take on The Joker isn’t the very best example of modern cinematic villainy, then it’s near the top of the list. Obviously, a tremendous amount of credit goes to Heath Ledger’s Oscar-winning performance in The Dark Knight, but I’d argue the real thrill comes from the character’s arbitrary, inexplicable approach to evil. By having its Joker invent tragic (fake) backstories on the spot, the film made a mockery out of the notion of having to explain a movie monster’s past. Disney’s Maleficent, on the other hand, is the latest misguided attempt to redeem a character who was better off being unredeemable.
Posted in: Disc Reviews by Gino Sassani on May 29th, 2014
“It’s been a long time getting from there to here.”
But it's finally arrived. We now have all four seasons of Star Trek: Enterprise on high-definition Blu-ray collections. On the surface, this was the easiest show to release on Blu-ray. It's the only Trek series already in widescreen format, and it's the only one to have been filmed, at least partially, in high definition to begin with. There was a risk, however. The series has gotten some of the most mixed reviews of any of the shows in the franchise. The truth is, it's been getting kinder buzz in the years since it left the air. In fact, most people, myself included, feel that Enterprise was at its very best when it was taken off the air
Posted in: No Huddle Reviews by Brent Lorentson on May 29th, 2014
I have to admit when I first went into this film I went in with some rather low expectations. I turned out to be more than a little surprised by this little underdog story that has a lot of heart as well as plenty of knuckle-crunching fights. Sure, this follows in the footsteps of Rocky and The Karate Kid, as we follow a young fighter who overcomes great odds to achieve victory, and we’ve seen it before. What helps this film stand alone is that it’s also a tale about revenge set in the world of small-time cage fighting.
Posted in: Disc Reviews by J C on May 28th, 2014
On the surface, The Color of Lies resembles many other murder mysteries set in a close-knit community. The 1999 film, however, is a late-career effort from Claude Chabrol, the French New Wave director who first gained acclaim alongside contemporaries like Jean-Luc Godard and Francois Truffaut in the late 1950s. So it’s not surprising to learn The Color of Lies is really a subtle, stylish exploration of the various ways people deceive each other.
Posted in: No Huddle Reviews by Gino Sassani on May 27th, 2014
Just when you think you'd heard about everything there was to hear about World War II, the Smithsonian Channel offers some insight into a few "lesser-known” events of the war. Mix in a little conspiracy theory that's become all the rage since Dan Brown's novels hit the best seller list. What you end up with is a DVD like Secrets Of The Third Reich. The release cobbles together four episodes each telling a unique story that may or may not be completely true.
Posted in: Disc Reviews by Archive Authors on May 27th, 2014
by Eric Mitchell
G.W. McLintock (John Wayne, True Grit, Rooster Cogburn) made most of his money by being a cattle baron. He made so much money, in fact, that the film’s fictional town was named after him. How cool is that? But all is not milk and honey in McLintock’s life. He has an estranged wife who does not live with him (Quiet Man co star Maureen O’Hara), and now wants a divorce
Posted in: The Reel World by Archive Authors on May 27th, 2014
Vampires have been popular since Bram Stoker and Sheridan Le Fanu started writing about them nearly 200 years ago, but vampires have been around much longer than that. That seems to be how the story goes. That's part of the problem. In Only Lovers Left Alive, it's difficult for a vampire to overcome his boredom and disappointment with “zombies”, as he calls the human mortals. These vampires try to subsist on blood banks. Not only is it more humane, but that way they know the blood is tested. They don't like blood-borne pathogens
Posted in: Disc Reviews by Brent Lorentson on May 26th, 2014
Christian Slater has managed to make a decent career lately by simply appearing in numerous direct-to-DVD productions for several years now. It seems as though every month the former 80s-90s heartthrob is slumming his way through productions as though he never once looked at the script and instead was just adding another lackluster credit to his IMDB profile. As a longtime fan of the actor from the days of Heathers, True Romance, and Pump Up the Volume, I can’t help but hope the guy will make a resurgence (though appearing in Lars Von Triers Nymphomaniac is a good start to that career revival).
Posted in: No Huddle Reviews by Archive Authors on May 26th, 2014
By Zach Abati
“America is under attack on the fourth of July.”
With a title like Independence Daysaster, you’d probably be expecting a ripoff of 1996’s Independence Day, and you wouldn’t be completely wrong. Although Daysaster does share some aspects such as the Fourth of July and the obligatory blowing up of the White House, its plot is vastly different.
Posted in: The Reel World by Archive Authors on May 26th, 2014
Chef has a fantastic cast having fun, being sexy and making us happy. It must have been a blast for everyone involved. Everyone is probably involved because they love writer/director/star, Jon Favreau. Favreau's directorial efforts are varied and include Iron Man I, Iron Man II, Cowboys and Aliens, Zathura, Elf and Made. He made an early impact in 1996 by writing and starring in Swingers. He is also familiar to audiences as Happy Hogan, Robert Downey Jr.'s security chief, in the Iron Man series
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