When it comes to locations in horror films, insane asylums seem to be one of the go-to spots, and with good reason.  From watching numerous ghost-hunting shows over the years, it would also seem that there are numerous “haunted” asylums out there that are nothing more than rundown relics of what they once were.  So getting into House of Dust and seeing it is yet another haunted asylum film, the expectations went down, and I hoped for the best.  In the end it turned out to be a fun little film.

American Jesus is an intelligent film. It does not judge. It is balanced in its approach to some basic questions. It shows many sides to a very large and ill-defined subject. It attempts to understand in a comprehensive way Christianity in America. Right from the beginning it uncovers unique splinter churches that are part of why America approaches religion differently than other countries

Shelter Island is not a movie about the place but about two people who made a connection. Jimmy Olinkiewicz found Harold Olson one day, and a unique friendship was born. Jimmy is a very basic hardworking guy with a Long Island accent who does anything and everything, and he sees some potential in Harold. Harold is obsessed with painting and will frequently listen to one song hundreds of times for 48 hours straight until he finishes a painting. Jimmy seems like a very normal, average guy, and Harold does not seem very normal.

Erle Stanley Gardner wrote crime fiction, and while many of his 100 or so works are unknown to most of us, he created a character who has become as identified with criminal lawyers as any other in fiction. It was in these crime novels that Perry Mason first faced a courtroom. He developed a style where he would investigate these terrible crimes his clients were on trial for. He would find the real killer, and in what has become a Hollywood cliché, reveal his findings in a crucial moment during the trial. While we may not remember the novels, we all remember the man in the persona of Raymond Burr.

When it comes to revenge, Hollywood has exploited the theme in just about every conceivable way.   It’s a genre that has been done so much that it’s hard to find a fresh hook to bring the audiences in, much less create a story that will motivate the audience to root for this blood thirsty protagonist.  Getting the audience on your side as your hero hunts down individuals for retribution is asking a lot, but still there is always going to be an audience that will fill theater seats.

The World War 2 genre has been done to death by Hollywood, but The Monuments Men gives us a fresh look at the war and delves into a story that is a breath of fresh air to the genre.  Despite all my history classes that delved into the atrocities of World War 2, it was never discussed about what happened to the great landmarks that were spread throughout Europe and encountered the cold hand of war.  Granted, when measured against the staggering amount of lives lost throughout the war, the thought of a sculpture being destroyed or a Picasso painting being incinerated simply seems petty by comparison.