Posted in: Disc Reviews by Brent Lorentson on May 5th, 2014
When it comes to the feud between Marvel and DC film adaptions, I think we can all agree Marvel at this point may be winning the battles on the big screen, but when it comes to the animated films DC has been delivering hit after hit. Perhaps it’s because the landscape in animation is virtually unlimited and comes with a significantly smaller price tag to deliver.
Posted in: Podcasts by Gino Sassani on May 5th, 2014
Karl Mueller is a new director on the horror scene. His Mr. Jones is out today from Anchor Bay. It's a sort of hybrid "found footage" and nightmare thriller. The film features Jon Foster (Accidentally On Purpose) and Sarah Jones (Vegas). I had the opportunity to chat with Karl about his unique film. Bang it here to hear what he had to say about the elusive Mr. Jones: Karl Meuller Interview
Posted in: Disc Reviews by J C on May 5th, 2014
“I do wish I could be content, but...”
“You cannot.”
There's a reason “Great Expectations” continues to be adapted for the stage and screen more than 150 years after its publication. Charles Dickens wrote — and set — his novel during Britain's Victorian era, but the classic coming-of-age story is thick with ideas about social status and all-consuming ambition that easily transcend its original time and place. So how does this new version, first released in the U.K. in 2012, stack up?
Posted in: Disc Reviews by Brent Lorentson on May 5th, 2014
It’s been a while since a movie has been released that broke the rules on how we expected a film to be made. Avatar was the last game changer, I would say, considering it gave audiences a new way to see films in 3D. Sure, hundreds of millions of dollars were invested in that film, and the reward for bringing audiences something different is it being the highest box office grosser ever. Escape From Tomorrow goes in the opposite direction, and to be matter of fact about it, the film shouldn’t even exist. But writer/director Randy Moore pulled off something that is an achievement that deserves praise for filming his sci-fi satire on location at Disney, without their permission.
Posted in: The Reel World by Gino Sassani on May 2nd, 2014
"There are dark days ahead."
When Marc Webb took over the reigns of Spider-Man over at Sony, I had very mixed feelings. I was a pretty big fan of the comic as a kid, and the Raimi films were a pretty exciting time for me. OK, maybe not the third one. Webb came along and he put a fresh spin on the web-spinner by returning much of the story to its roots. I liked his first film, although it hasn't aged as well for me as the Raimi films did. But you can't get much better than Spider-Man, and I watched with diminishing anticipation as word leaked out bit by bit what Webb and Sony had in store for Peter Parker beyond The Amazing Spider-Man.
Posted in: No Huddle Reviews by Brent Lorentson on May 1st, 2014
There is something I find unsettling about an amusement park after hours, when all the rides are shut down and the laughter and screaming of kids running around are gone. These parks, for the most part, are designed to take us to another time or another world where reality is how the park engineers design it to be. So when Skip (Jason Spisak) arrives at the Old West theme park to be the overnight janitor, I could appreciate the surreal world he would be stepping into. As we go along with him on a tour during his first day, his guide and superior is played by Jon Gries, who seems to have a story for just about everything at the park.
Posted in: Random Fun, Release Announcements by Gino Sassani on May 1st, 2014
"This is class here, and you don't ever want to spit on class."
All this week we've been talking about Hill Street Blues. Why? Because Shout Factory has finally given fans what we've literally waited decades to have. The entire seven seasons of Hill Street Blues are finally available in one fine collection. I've been hard at work on the review, but we're talking 144 episodes, and I'm eating them as fast as I can. We hoped to have the review up today, but there is still a little more to watch. In the meantime we have another character profile to keep you going until next week.
Posted in: Disc Reviews by J C on May 1st, 2014
It’s easy to envision the elevator pitch for Devil’s Due. You only need five words: “Rosemary’s Baby meets Paranormal Activity.” The upside is obvious. The idea of a demonic pregnancy has terrified and unsettled expectant mothers since Ira Levin published Rosemary’s Baby in 1967 and Roman Polanski adapted it for the big screen the following year. Meanwhile, the Paranormal Activity films made low-budget/found-footage domestic horror hugely profitable. The downside? You’re probably not topping Rosemary’s Baby, and horror audiences seem to be suffering from an acute case of found-footage fatigue.
Posted in: No Huddle Reviews by Brent Lorentson on May 1st, 2014
In 1998 following the release of Roland Emmerich’s version of Godzilla, the story would continue following some of the characters that we met in the film as well as a host of other characters and monsters. With a 40-episode run coming out to about 14 hours of television, the DVD release of the series comes out at just the right time for those who need a temporary fix before seeing their favorite big green lizard splash across the big screen once again.
Posted in: Random Fun, Release Announcements by Gino Sassani on April 30th, 2014
Hill Street Blues is finally out on DVD, and we're celebrating all week long. Yesterday we shared the various awards that the show has earned in its seven years on television. We've also shared a couple of character profiles starting with the Captain and Detective Belker. This time out we're going to talk about two characters who were patrol officer partners for the entire run of the series. What makes them special is that they were killed off in the pilot. What the heck is that about? Read on, my friend.
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