Posted in: No Huddle Reviews by J C on June 2nd, 2014
The tagline for Beyond the Trophy definitively states that “Power is the only thing that matters.” Well, having watched this low-budget cops and kingpins crime drama, I humbly disagree. The film strives to tell a story about the violent perils of all-consuming power. Unfortunately, Beyond the Trophy forgot to include some of the stuff that matters to movie-watchers: things like “focused storytelling”, “coherent action sequences”, and “fresh characters.”
Posted in: No Huddle Reviews by Brent Lorentson on June 2nd, 2014
With the clock ticking till the release of Batman vs. Superman, Warner Bros needs to do all it can to get the fans on board for the arrival of the the Justice League. When it comes to the handling of the DC universe, though fans may be divided on the films, it seems just about everyone will agree the animation is about as good as it gets when it comes to comic adaptations. In the case of the Justice League perhaps the only way to get it right is through animation, considering there seems to always be something massive going on that it would seem nearly impossible to translate in a live-action setting.
Posted in: The Reel World by Brent Lorentson on May 30th, 2014
With the exception of Blazing Saddles and City Slickers, it’s not easy to come up with a successful western/comedy. But leave to Seth MacFarlane to venture into this territory with his irreverent humor in tow as he looks to beat the odds and make a successful western with his new film A Million Ways to Die in the West. Following the success of Ted, I was looking forward to seeing what MacFarlane would do next; after all, I feel he’s the comedian who speaks to my generation better than anyone else out there. As one of the comedy greats of the time, I had little doubt about his ability to write and direct another hit, but where my concern mainly fell is on how he would fare as the leading man.
Posted in: The Reel World by J C on May 30th, 2014
If Christopher Nolan’s take on The Joker isn’t the very best example of modern cinematic villainy, then it’s near the top of the list. Obviously, a tremendous amount of credit goes to Heath Ledger’s Oscar-winning performance in The Dark Knight, but I’d argue the real thrill comes from the character’s arbitrary, inexplicable approach to evil. By having its Joker invent tragic (fake) backstories on the spot, the film made a mockery out of the notion of having to explain a movie monster’s past. Disney’s Maleficent, on the other hand, is the latest misguided attempt to redeem a character who was better off being unredeemable.
Posted in: Disc Reviews by Gino Sassani on May 29th, 2014
“It’s been a long time getting from there to here.”
But it's finally arrived. We now have all four seasons of Star Trek: Enterprise on high-definition Blu-ray collections. On the surface, this was the easiest show to release on Blu-ray. It's the only Trek series already in widescreen format, and it's the only one to have been filmed, at least partially, in high definition to begin with. There was a risk, however. The series has gotten some of the most mixed reviews of any of the shows in the franchise. The truth is, it's been getting kinder buzz in the years since it left the air. In fact, most people, myself included, feel that Enterprise was at its very best when it was taken off the air
Posted in: No Huddle Reviews by Brent Lorentson on May 29th, 2014
I have to admit when I first went into this film I went in with some rather low expectations. I turned out to be more than a little surprised by this little underdog story that has a lot of heart as well as plenty of knuckle-crunching fights. Sure, this follows in the footsteps of Rocky and The Karate Kid, as we follow a young fighter who overcomes great odds to achieve victory, and we’ve seen it before. What helps this film stand alone is that it’s also a tale about revenge set in the world of small-time cage fighting.
Posted in: Disc Reviews by J C on May 28th, 2014
On the surface, The Color of Lies resembles many other murder mysteries set in a close-knit community. The 1999 film, however, is a late-career effort from Claude Chabrol, the French New Wave director who first gained acclaim alongside contemporaries like Jean-Luc Godard and Francois Truffaut in the late 1950s. So it’s not surprising to learn The Color of Lies is really a subtle, stylish exploration of the various ways people deceive each other.
Posted in: No Huddle Reviews by Gino Sassani on May 27th, 2014
Just when you think you'd heard about everything there was to hear about World War II, the Smithsonian Channel offers some insight into a few "lesser-known” events of the war. Mix in a little conspiracy theory that's become all the rage since Dan Brown's novels hit the best seller list. What you end up with is a DVD like Secrets Of The Third Reich. The release cobbles together four episodes each telling a unique story that may or may not be completely true.
Posted in: Disc Reviews by Archive Authors on May 27th, 2014
by Eric Mitchell
G.W. McLintock (John Wayne, True Grit, Rooster Cogburn) made most of his money by being a cattle baron. He made so much money, in fact, that the film’s fictional town was named after him. How cool is that? But all is not milk and honey in McLintock’s life. He has an estranged wife who does not live with him (Quiet Man co star Maureen O’Hara), and now wants a divorce
Posted in: The Reel World by Archive Authors on May 27th, 2014
Vampires have been popular since Bram Stoker and Sheridan Le Fanu started writing about them nearly 200 years ago, but vampires have been around much longer than that. That seems to be how the story goes. That's part of the problem. In Only Lovers Left Alive, it's difficult for a vampire to overcome his boredom and disappointment with “zombies”, as he calls the human mortals. These vampires try to subsist on blood banks. Not only is it more humane, but that way they know the blood is tested. They don't like blood-borne pathogens
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