Futurama was the brainchild of Simpson veterans Matt Groening and David X Cohen. With the growing popularity of their iconic cartoon, it was no surprise that Fox would tap the team to bring another show to the network. When Futurama premiered in 1999, it was a combination of The Jetsons and The Simpsons. That would be ironic for those of us who think the Simpsons theme is a direct knockoff of The Jetsons. It was 1000 years in the future, and the joke was that no matter how much things changed, they hadn’t really changed at all. The space-age series would use many of the writing and art team from The Simpsons. That meant the character designs, at least the humans, would look exactly like the people in the other show. The writing would include that same subtle wit that implanted tons of references for the adults who were watching. The show never seemed to click with the kids, but it was not really meant to. The subject matter was considerably more adult in nature, and there really weren’t any cuddly characters. All of this likely led to Fox’s decision to cancel the show after four years. It wasn’t a quick and painless demise, either. The show suffered through months of purgatory. It was on, then off again. The final episodes were moved around and often rescheduled. In the end it was an uphill battle, and Futurama lost.

But the cancellation was not to be permanent. The show found new legs on cable and finally with a handful of home video movies. Interest was once again high, and Futurama was back from the grave. Unfortunately, the show really has reached the end now. This collection contains the show's last episodes.

“You gotta be grateful for the little things in life, otherwise you’ll never be grateful for nothing.”

I’m not so sure the same fans who made 2007’s The Ultimate Gift a hit on the home video market — and spurred the creation of this sequel — will be very grateful for this tepid follow-up. The Ultimate Life stiffly and earnestly re-iterates the first film’s emphasis on appreciating non-material delights, and sprinkles in a worthwhile message about the importance of leaving a strong legacy behind. Unfortunately, this film’s own legacy places it with the long list of sequels that don’t live up to the original.

"This is a story about stick figures who live in a world full of monsters and explosions and raccoons and a lot of other cool stuff, too. And it all takes place on a little planet we like to call Earth."

Last minute gifts are often the hardest of all. If you have someone on your list who likes irreverent humor and is also a home theater enthusiast, I think we might have an obscure title they likely missed. It will be a pretty cool surprise on their part, and you're sure to have delivered a few laughs along the way. In the spirit of shows like South Park and based on a series of cult web episodes comes Dick Figures: The Movie.The film is one of those intentionally crudely animated features. The main characters are literally colorful stick figures in an almost entirely black and white background world. The backgrounds mostly look like film storyboards with the occasional flare of color or explosive special effect. Of course, there are also a few raccoons which are cutouts that are animated much like things are on South Park. Like South Park, the film contains the kind of language and humor that sticks it in the face of political correctness. The film was written, produced, directed and voice-acted by Zack Keller and Ed Skudder. They are Jackie Chan fans who wanted to do a huge action-adventure film, but that stuff costs money. Instead they put it all into this project.

Cliff Richard’s music stardom predates that of the Beatles. So the fact that I wasn’t at all familiar with the British pop singer’s music before sitting down to review this Blu-ray probably says more about me than it does about him. Lucky for me, this career-spanning concert — which includes music from his time with the Shadows, some solo hits, and even his duet from the movie that partly inspired the creation of the Razzies — also doubles as a lively, CliffsNotes glimpse into Richard’s incredibly prolific and successful career.

Richard is 73 now, but he’s still able to tirelessly work every inch of the mammoth stage at the iconic Sydney Opera House, where this concert was filmed earlier this year. The singer made his first record at age 17, and had reached #2 on the British charts shortly after turning 18. The man knows how to entertain, even if he’s fooling absolutely no one with his unnaturally dark brown hair. (Tom Jones and Paul McCartney know what I’m talking about.)

Unless it’s the Zucker brothers or Mel Brooks, I wouldn’t ever consider myself a fan of parodies.  But every once in a while, one will come along that can squeeze a few chuckles out of me.  The found footage and reality genre has saturated the market, and it was only a matter of time before a filmmaker decided to lampoon the genre.  Ghost Team One takes on the genre, and instead of taking the easy route and simply spoofing what’s already been done, the film makers actually made the effort to mold a decent story and film it in the style the Paranormal Activity films have made popular, only Ghost Team One does so with its tongue planted firmly in its cheek.

Roommates, Sergio (Carlos Santos) and Brad (J.R. Villarreal) decide to start documenting everything that is going on in their apartment after Sergio believes he had an encounter with a ghost.  Armed with Gopro and other digital cameras, the two embark on trying to acquire proof on camera.  Sergio does what he can to try and take this seriously, while Brad continues to derail the experiment with his oversexed antics that consist mostly of him violating the camera or those around him on camera.  But once the two meet Fernanda (Fernanda Romero), a true believer in the supernatural, the guys buckle down to try to impress her.

“Some of this actually happened.”

 It’s the quote that opens a film that I don’t just consider the most enjoyable experience on the big screen this year, but one of the best films to be released in years.  It’s a comedy, it’s a love story, it’s all a giant con wrapped in the world of the mid 70’s that David O. Russell captures with flare and detail and often at times feels as though it could be a sister film to Goodfellas.  By no means is this a gangster film (although the mob is present), but this is a film about characters who are all trying to do the right thing only the method by which they go about accomplishing the task is morally questionable.

You already know Mary Poppins is one of the most beloved movie musicals of all time. But did you know it also holds the record for most Oscar nominations (13) and wins (5) for a movie released by Walt Disney Studios? Audiences...critics...everybody loves Mary Poppins, right? Well, unless you follow movie history pretty closely, you may not know the film had a famous, formidable critic in P.L. Travers, the author of the “Mary Poppins” book series.

Saving Mr. Banks is at its best when its dramatizing the alternately petty, amusing and emotional struggle between Travers (Emma Thompson) and none other than Walt Disney himself (played by none other than Tom Hanks himself) to bring her creation to the silver screen. The film opens with a familiar bit of narration reinforcing the idea that “what’s to happen all happened before.” We catch up with a reluctant Mrs. Travers (she insists you call her that) in 1961, right before she’s about to travel from London to Los Angeles to decide if she will grant a determined Walt (he insists you call him that) the rights to turn her film into a crowd-pleasing musical. Not surprisingly, the severe, stubborn Travers comically clashes with her collaborators, which include screenwriter Don DaGradi (Bradley Whitford) and legendary songwriting siblings Robert and Richard Sherman (B.J. Novak and Jason Schwartzman).

“Think of it as a hall pass, a permission slip to just let go of your fear and embrace the world…”

 These are the words of advice a reiki master, played by Allison Janney (The West Wing) says to her patient, Abby (Rosemarie DeWitt) as she is handing her a bag filled with MDNA.  Touchy Feely is definitely an offbeat comedy from writer/director Lynn Shelton who may be best known for her indie hit Humpday. At first glance the film may come across to some as some New Age, hippy, nonsense journey about self-discovery, and to a point you’d be right, but really, the themes of self-discovery are universal with everyone, and it’s in these types of films I feel everyone can at least attain a nugget of introspective wisdom after watching.

One of the best things about the last decade's arrival of high definition and Blu-ray is the chance to revisit classics. Often these movies have only been seen on late shows where they're cut to pieces. The DVD releases have often been less than spectacular because of the presumed limited audience. Fox has done a pretty solid job over the years of bringing these classics to Blu-ray. This year is no exception, and if you have a classic film buff on that list of yours, and you know what list I'm talking about, why not deliver such greats as Henry Fonda, John Wayne, Spencer Tracy, Katherine Hepburn, Rock Hudson or Tyrone Powers to them. They make excellent Christmas guests, and they won't hog up all of the eggnog.

Fonda plays the famous Frank James, brother to Jesse and leader of the infamous James Gang. There were two films. Jesse James was the first and was really an attempt to get the story right. Of course, this is Hollywood, and the characters are brought to us larger than life. This was also not terribly long after the actual events of the story, and Jesse's granddaughter signed on as a consultant for the film. Jesse is played by Tyrone Power and is played more like the cult hero Hollywood has traditionally made the character. Even the granddaughter thought Power had not portrayed the cold-blooded killer Jesse really was. The film was also noted for its early use of Technicolor and the rather beautiful vistas the cinematography displayed. John Carradine plays the infamous Robert Ford, who shot Jesse in the back. Another notable horror actor, Henry Hull, also rounds out a wonderful cast. Unfortunately, the film has been remembered less for these performances than the death of one of the stunt horses that went over a cliff during filming. This was actually the incident that brought about those disclaimers that end many films since that no animals were harmed during the shooting.

Is it me or is Beacon Hills turning into more like a beacon for the totally bizarre and supernatural?"

Fox has begun releasing the series in half season sets. I can't say I'm a fan of the choice, but I almost understand the logic here. The series has expanded to more episodes, closer to a normal network run number. There is also now a several-month break between the season halves, much like USA network has treated such shows as Monk and Psych. One the one hand it's annoying to have incomplete season sets on my shelf. On the other it saves fans from having to wait that much longer to get their hands on these episodes. Whatever your own take on this development, it is the reality nonetheless.