Galactic Adventures from Image Entertainment is a nifty little collection of two Solar System IMAX films both running just under a half hour. The two short documentaries off a 3D ride to both the Sun and Mars. The films were produced in 2007 with 3D Sun opening at The Smithsonian's Air & Space Museum. Both films have made the circuit of science museums throughout the country and come to you now through the modern milestone of home 3D for the first time ever.

3D Sun:

Everyone has one on their Christmas list. It's the guy who already has everything on home video. He's a classic television fan, and you just don't know what to get. For years you've been counting on us for advice. We aren't about to let you down this year. Image Entertainment has two awesome classic television sets out just in time for Christmas. If your list has a classic cop show fan, then it's Naked City. If they're a war series nut, you just gotta get them Combat. If you really, really like them, how about getting them both?

"Ladies and gentlemen. You are about to see the Naked City. I'm Bert Leonard, the producer. As you can see we're flying over an island, a city, a particular city...and this is the story of a number of people, a story also of the city itself. It was not photographed in the studio. Quite the contrary. The actors played out their roles in the streets and the buildings of New York itself."

Everyone knows the name Bill Cosby, and if you’re an 80’s kid like me then you most likely know him as one of TV’s most likeable dads, Mr. Huxtable.  Cosby has been the comedian who’s managed to succeed for decades by keeping his comedy routine clean and family-friendly.  From his animated series Fat Albert and his numerous other television projects and the Jell-O pudding pop ads, we all seemed to just feel this was a guy we all let into our homes through the television where we all felt we knew him as a part of our extended family.  But following the tragic death of his son, something changed, and for a while I was starting to think we might never get back the man with the uncanny ability to make people of all ages and ethnicities laugh.

In the new 90-minute comedy special I’m happy to say that Cosby is back to form and delivers a special that not only is filled with laughs but also plenty of advice for young men out there ready to take the plunge into marriage.  Cosby takes all his years of marriage and delivers a performance that is honest, effortless and relatable for those who have already been married for some time now.  He makes it clear how in the start of all relationships, men feel like they are doing the right thing when they find their perfect woman and make her the “girlfriend”.  But Cosby is here to warn us how that all changes once we make a fool of ourselves and ask these girlfriends to spend the rest of their lives with us.

Star Vista and Time Life get our vote for some of the coolest gift sets for the holiday season. It's no surprise that they've delivered some quality television. What is a such a great surprise this year is that they've dug deep into the television archives and brought three particular shows that are long over-due for complete series treatments. These sets have provided us here at Upcomingdiscs with some of our favorite television watching in 2013, not to mention a lot of hours. It's a tough job, but somebody has to do it. Now it's time for you to pass these television memories on to that TV addict on your Christmas list.

"'I've been given me the toughest job I've ever had in my life, but also the most rewarding. What can be more important to the war effort than preserving the fighting strength of our troops? We must maximize the odds of every soldier that passes through our portal... His country is counting on him. His country is counting on us."

What makes a bad movie? What makes a good movie? The standards are getting lost in murky waters, because many of the critics have no interest in film history and the clear record of what is great and what is garbage. That goes for many filmmakers too. Their standards are what works in the last 12 months and how to try out the latest technology. Unfortunately they often forget the tried and true basics like good writing and good acting. Ethan Hawke gets a lot of these small movies. Sometimes it's a fantastic independent film like Before Midnight (part of a series of films for director Richard Linklater including Before Sunrise and Before Sunset) and sometimes it a genre picture that costs nothing that makes a fortune like The Purge or Sinister. Hawke knows what he's doing. He wants to make every kind of picture, because he knows that's the only way to stay viable. Sometimes it doesn't work out.

Getaway is a simple genre picture made to make people happy. The goal of this movie is to have as many car crashes possible in under 90 minutes. Is that so terrible? Not really, but the problem is that it does get monotonous. There are too many crashes. One wouldn't expect that to be a problem, but it is. I've sat through six Fast and Furious movies, and I thought they were all crap except for the last one. Why? Fast and Furious 6 gave up any pretense of being taken seriously and just went all the way to make the movie fun. They spent a ton of money, but they finally just made the movie fun.

This is a film that was sitting on a few shelves for quite some time. It was first a novel by Chuck Logan back in 2006. Sylvester Stallone liked the idea and put together a screenplay. It was intended as a vehicle for him, but that's where the whole sitting on a shelf thing comes into play. The movie never really got off the ground, and before long Sly was a little too long in the tooth to do the role. It's not like he was a spring chicken when he wrote the thing, which could account for, you know, that sitting on a shelf business. The screenplay has finally gotten off the shelf and into our movie screens. After careful consideration, I'm looking for that shelf again.

The movie isn't anything we haven't seen before. It begins as Agent Phil Broker (Statham) is infiltrating the Sons Of Anarchy...The Outcasts motorcycle club. It appears that cooking meth is more profitable than cruising on the highway. So much for the whole Born To Be Wild ideal. The takedown goes a little bad, and the son of the club's leader Danny T (Zito) gets killed. Danny T vows the typical revenge as he's being carted away.

This is a film that has become a significant contribution to the very the timeline it depicts, which is that of US President Nixon being forced into resignation after the Watergate scandal. This film is an engrossing depiction of the actual reporters who used anonymous tips to help uncover a scandal so big that it rocked the entire US nation. This film was released only four years after the infamous attempt to bug the Democratic offices in Watergate, which spurred the entire course of events in this film. This was a bit of a passion piece for Robert Redford, as he began production while its main characters Bob Woodward and Carl Bernstein (who would be played by Robert Redford and Dustin Hoffman, respectively) were still reporting on related elements. Redford spent tireless hours, acting officially as the producer and star, researching the stories and the characters in order to deliver a compelling but painfully accurate adaptation.

By making these two reporters the main characters, the film became more of a detective story instead of merely a dramatization for what could easily have been a documentary. By seeing the actual methods these two men apply to uncover the details of Watergate, and “follow the money,” makes the audience all the more engaged in their findings. This, despite the fact that most everyone knows exactly how the film ends well before it begins.

It's nice to see two Spielberg veterans in the same movie. It's been a long time since American Graffiti when Harrison Ford and Richard Dreyfuss last appeared together. It's been a long time since Hooper in Jaws and Roy Neary in Close Encounters of the Third Kind, but Dreyfuss and Ford don't appear together in this movie either. It's like they are in two different movies. Paranoia is a corporate espionage thriller with two CEO's played by Harrison Ford and Gary Oldman, who have strong ties and stronger hates. There is lots to like about the movie, but many, many missed opportunities too.

The story is fairly tangled and revolves around a young genius (Liam Hemsworth, the brother of Chris who plays Thor in some other movies) who suffers from immaturity and bad judgment. Richard Dreyfuss is his lovable loser of a father who needs his medical insurance. But he loses his medical insurance because he's not important enough to his big boss Oldman, who fires him. It turns out that was a bit of a ruse. It's actually much more convoluted and confusing than that, but that's the essence of it. Oldman's rivalry with his former mentor and now fierce competitor played by Ford is all-consuming, so much logic is lost in his zeal. Oldman uses threat of death and promises of riches to entice Hemsworth to infiltrate Ford's inner circle.

The most peculiar thing about The Hunger Games — both in the books and the blockbuster movie adaptations — is that the Games themselves are easily the least interesting part. The first film's staggering box office success predictably led to a much bigger budget for the rabidly-anticipated sequel. (Catching Fire cost a reported $140 million, which is nearly double the original's $78 million budget.) The extra money is on display in almost every engrossing frame, including the action-packed arena scenes filmed in Hawaii. But the real reason Catching Fire is an improvement over its predecessor is because the story's satirical, political, rebellious spirit has been placed front and center.

We catch up with scrappy heroine Katniss Everdeen (Jennifer Lawrence) a few hours before she is set to depart for her mandatory Victory Tour with Peeta Mellark (Josh Hutcherson). Katniss and Peeta bucked the system by becoming the first co-winners of the previous Hunger Games, the annual televised battle to the death meant to assert the oppressive Capitol's control over the entire nation of Panem. They survived largely by fabricating a love story that nobody bothered to tell Peeta was fabricated. Their showmance captured the nation's heart, but it irked Gale (Liam Hemsworth) — Katniss's formerly platonic hunting buddy — and the sinister President Snow (Donald Sutherland).

What would you do if you found out that you fathered 533 kids? Better yet, how would you handle that news on top of the news that the children you fathered are petitioning the courts to have your identity revealed? Well, that is the dilemma that Vince Vaughn is faced with in his new comedy Delivery Man. As you can figure out from the funny premise, this is a comedy, but it is not just hapless jokes without any real substance; Delivery Man actually has another side to it, a side that tugs on the heartstrings a bit.

A remake of the French-Canadian film “Starbuck,” (it is also worth mentioning that both films, original and remake share the same creator, Ken Scott) Delivery Man tells the story of David Wozniak, a truck driver for his family’s butcher shop who has big plans for his life that never quite pan out. Perhaps that is too kind a way of putting it. A better way would be to say that David has been a bit of a disappointment to his girlfriend Emily (Cobie Smulders, How I Met Your Mother) who has just informed him that she’s pregnant, his father who would most likely fire him if he wasn’t related to him, and to the family business. Not only that, he owes an immense amount of money to some unsavory characters with a penchant for drowning people who don’t pay their debts.