The tight-knit cast and crew of Attorney at Low weren’t about to let a little rain — ok, it was a lot of rain — dampen their spirits during the movie’s June 1 world premiere. So nobody objected when the red carpet was transported from the sidewalk to the inside of the historic Zephyrhills Home Theatre, as everyone involved with making the indie comedy got the star treatment.

“Tonight is really more for everybody else,” said Richard Siggins, the film’s writer/director/producer. “My work has been done for months.”

I was starting to think the only comedians that get hour long specials any more were the ones with obscenity-soaked acts that were sprinkled with sexual humor (or riddled with just as much).  But then Pete Holmes came along.  Throughout his hour long special that was recorded in Austin, Texas sure, there are a few obscenities and a little sexual humor, but he never uses it as a crutch to carry his performance along.  From the moment he stepped out onto the stage he reminded me of that friend from high school who was that all around good guy that always knew how to make you laugh.  With first impressions set aside and as the act progressed I was happy to see I wasn’t disappointed.

Considering this was an hour long special, Holmes manages to cover a variety of topics and make them relatable to everyone in the audience.  Whether it’s discussing how he used GPS to get out of a bad neighborhood, hating a girlfriend’s friends (or family), to the awkwardness of carrying a dog, Holmes manages to deliver these bits as situations we all could have experienced.

Has there ever been anyone like Frank Zappa? He had a rare combination of incredible professionalism and steadfast sobriety mixed with zany insanity and freakish detours on offbeat paths. He is the freak of all freaks of the sixties yet had an unwavering distaste for the rampant drug use of the time. His music couldn't be more jarring or unconventional, yet he liked stately classical compositions to relax. A Token of His Extreme was a passion project for Zappa that he paid for with his own money back in 1974. It was produced with the intention of being an American Network Television special, but it never saw the light of day in the US.

The DVD also includes an appearance on The Mike Douglas Show in 1976 in which Zappa lamented about the television special. “This was put together with my own money and my own time, and it's been offered to television networks and to syndication, and it has been steadfastly rejected by the American television industry. It has been shown in primetime in France and Switzerland, with marvelous results. It's probably one of the finest pieces of video work that any human being has ever done. I did it myself. And the animation work that you're going to see in this was done by a guy named  Bruce Bickford, and I hope he is watching the show, because it's probably the first time that a lot of people in America got a chance to see it.”

Bringing big-screen action and spectacle to the small screen is almost always a losing proposition. (A moment of silence for Terra Nova.) It’s just too hard to maintain on a week-to-week basis over the course of multiple seasons. Falling Skies — which, like Terra Nova, counts Steven Spielberg as one of its executive producers — may not be terribly original, but it’s one of the more successful attempts at consistently bringing large-scale thrills to television.

In case you missed the first season of TNT’s hit sci-fi series, here’s a quick catch-up. Less than a year after a devastating, worldwide alien invasion that wiped out most of Earth’s population, we meet the members of the Second Massachusetts Militia Regiment. (Better known as the 2nd Mass.) Tom Mason (Noah Wyle) is the history professor-turned-second in command of the 2nd Mass who frequently clashes with the more militant Captain Dan Weaver (Will Patton) and flirts with pediatrician-turned-combat surgeon Anne Glass (Moon Bloodgood). Tom has three sons: jockish oldest son Hal (Drew Roy), eager youngest son Matt (Maxim Knight) and middle son Ben (Connor Jessup), who was kidnapped by the aliens and outfitted with what humans call a "harness", which affixes itself to children’s spines and allows the invaders to control their minds. A lot of the first season centered around Tom’s efforts to save Ben and culminated with the 2nd Mass’s attempt to bring the fight to the aliens in Boston. The final scene had Tom voluntarily entering a spaceship in an effort to keep Ben safe.

"'I've been given me the toughest job I've ever had in my life, but also the most rewarding. What can be more important to the war effort than preserving the fighting strength of our troops? We must maximize the odds of every soldier that passes through our portal... His country is counting on him. His country is counting on us."

The first thing you have to understand about Vietnam was that it was unlike any war the country had ever participated in. Up until this time, the United States had not failed in conflict. The Vietnam War was also the very first war to show up in living color each night on our television screens. War correspondents had a new weapon in their arsenal, and it was called the television camera. The nightly news was dominated by these gruesome pictures of death and destruction. As the body count mounted, so did opposition to the war. By the time the war finally did end for Americans, over 60,000 Americans had been killed in action. Approval for the war fell to less than 20%. The war dominated our pop culture. Music, in particular, reflected the frustration of the times. The war even led to the voting age being dropped to 18 so that a soldier could have the right to vote. The war brought on the modern Veteran's Administration to deal with the thousands of wounded when they returned home and throughout their lives. The impact of the war was huge, and it took a show like China Beach to humanize one of the most divisive events in American history.

“Come in close. No, closer. I want you to really pay attention because the closer you look, the less you’ll see.”

With these words, J. Daniel Atlas sets the tone for Now You See Me, warning us not to focus too much on what he and his fellow magicians are doing, but to look at the big picture…the overall plan. Sadly, curious creatures that we are, we can’t help but look closely, trying to catch them in the act, believing we’re a step ahead when we’re actually three steps behind.

“Fear is not real. It is a product of thoughts you create. Do not misunderstand me. Danger is very real, but fear is a choice.”

It’s been seven years since father and son Will and Jaden Smith partnered up for Jaden’s first film role in The Pursuit of Happiness. Since then, Jaden has managed to forge a path similar to his father’s albeit his own starring in his blockbuster films The Day the Earth Stood Still and a reboot of 80’s popular franchise The Karate Kid. No doubt Will Smith looks upon his son’s accomplishments with pride, but no matter how fulfilling it may be to forge your own way, there is something to be said about the comforts of familiarity. Opportunity for a re-teaming comes in the form of the Shyamalan-directed dystopian film After Earth.

"You're so unprepared for this..."

If you're a fan of the 1985 comedy staring Michael J. Fox, that statement is particularly appropriate. We all remember the cute high school romp where Michael J. Fox discovers that his family has been hiding a long dark secret. They are werewolves. Now, the young teen finds himself having to deal with the usual growing pains of adolescence on top of dealing with the family curse. Before long he's a basketball star and the most popular kid in school. A fun time was had by all. The film spawned a sequel with Jason Bateman and an animated series on television. It was all a hoot.

Oscilloscope Laboratories distributes unusual films. Unusual and special. They have packaged two documentaries together: Only the Young/Tchoupitoulas. The first is about kids wandering around a suburban wasteland in desert California. The second is about kids wandering the streets of New Orleans. They are very different experiences, but they are both about the flow of real life. They both have voices that are real and at times inspired. They are about avoiding dramatic structure and explaining and just revealing.

Documentaries used to be very predictable and somewhat uniform in approach, but all sorts of stylistic variations, conceptual approaches, and philosophies of content have been mutating over the last 40 years in respect to what defines a documentary. A documentary style that epitomizes the traditional approach is the style that Ken Burns exhibits. His prodigious output is meticulous and universally loved. It takes a subject and then thoroughly and extensively examines that subject with great reverence and detail, usually to be broadcast on PBS over many nights. This is best reflected in one of his most popular series, The Civil War. It usually involves photographs and videos when available with copious dramatic narration including famous actors reading from the words of historical figures. Then there is the example of Fredrick Wiseman, who would take the subject of some modern institution and then simply record footage of people enmeshed in the institution and allow those events to speak for themselves without narration. Between those two extremes many variations have occurred. The History channel is well known for playing fast and loose with the way they put together their “documentaries”. Many have a large percentage of dramatic re-enactments of events that may or may not have happened.

When someone tries to break in and take something from the building you’re in, what do you do? Well, according to “The Official Good Guy Handbook”, you must immediately lock down the building, retreat to a secure room, and try to get help from the outside. Of course, you must do all this while repelling the bad guys, ignoring their threats and bribes, and (of course) watching out for the double cross.

This is the problem CIA agent Emerson Kent (John Cusack, 2012) faces in The Numbers Station. After a botched black-ops mission, Kent is given one last chance. His new assignment: guarding Katherine (Malin Akerman, Watchmen), a code operator at a classified “numbers station” in England. It’s her job to receive coded messages and broadcast them to agents in the field. While bored with his assignment, Kent is always on the lookout for danger. This hyper-awareness is what saves their lives when they are attacked as they show up for their shift one day. Barely making it inside, they find the other team has been killed and a heavily-armed squad is waiting outside to take them out as well. Together, Emerson and Katherine must figure out what their enemies want and how to get out alive.