After a four-month hiatus, I have been called to assignment, a very special assignment indeed. Thankfully, the message did not self-destruct after five seconds. However, the message did have demands and required negotiation tactics. That is when I called in the SRU Unit from the show Flashpoint and they burst onto the scene. While they are handling a memo that has a notebook at gunpoint, they left me with a copy of Season Five of Flashpoint to review. Let’s take a look.

Season Five of Flashpoint in U.S. terms are the first eleven episodes under the ION Television banner (though the dvd package is still put out by Paramount/CBS). In Canada, these are the last eleven episodes of season four. The last thirteen episodes of the series will hopefully be in a Season Six package later this year (and Canada will have it as Season Five). Got it? Good.

The first question you have to ask: “Was Stanley Kubrick a genius?" There are those who assert his IQ was ridiculously high (200+). Kubrick himself replied that he was below average. I tend to agree with the former rather than Kubrick himself. Kubrick is a monumental legend in film history. I personally think he is the single greatest director of all time, but I say that with a little reservation. There are hundreds of directors who I admire and think are deserving of high praise, but Kubrick's incredible mystique is what raises him above the rest. You can question his shifting subjects and styles as well as his sporadic output, but he is ultimately a source of endless discussion. That is the ultimate test of greatness. How long can you talk about someone? If you take the example of Room 237, you can talk about Kubrick endlessly.

Room 237 is the in-depth examination of Kubrick's 30-year-old film The Shining that has received rave reviews. Why would a documentary of a 30-year-old film get so much attention? Because it's fascinating, fun, mystifying and a clear example of the mystique of Kubrick. Room 237 is basically six well-educated but somewhat obsessive commentators outlining and diagramming minute details to reveal hidden messages.

“If you have a tender soul, brace yourself.”

Sometimes I’ll get a stand-up comedy DVD and wonder how to write the review differently from other stand-up routines because there was simply little-to-no difference between the acts. Everyone just about knows — or should know — the basic formula. A guy walks out on stage and, for 45 minutes to an hour, delivers self-deprecating humor with the goal of receiving a few laughs. But then there are the comedians like Bo Burnham and Jeff Dunham, who at least try to bring something new to the stage by using music or puppets. In the case of Kristen Schaal, the mold continues to break as she delivers a stand-up performance unlike any other. This isn’t to say she delivers a perfectly amazing set, but it was refreshing to see something outside the formula of the standard routine.

I should start by saying I just re-watched the 1939 version of Wuthering Heights with Laurence Olivier and Merle Oberon on Turner Classic Movies, and I fell in love all over again. Olivier was never more magnetic, naturalistic and appealing than he was as Heathcliff. I have watched it many times and Wuthering Heights has been done many times. There have been recent versions with Ralph Fiennes and Tom Hardy (The Dark Knight Rises, Inception). This is not one of those versions.

This version is by the adventurous — some would say radical — filmmaker Andrea Arnold. When she first started making films as a director, Arnold made shorts and won an Oscar for a film called Wasp. Both of her first two feature films — Red Road and Fish Tank — won the Jury prize at Cannes. She is a big believer in the Dogme 95 style founded by Lars von Trier, but only as a general philosophy. She does not adhere specifically to all the rules of that movement. Arnold does use the hand-held camera almost exclusively, which gives all of her films — including this one — a documentary feel. There is no music in her version of Wuthering Heights, except for those moments that are generated by the characters in the scenes (though there is a Mumford and Sons song at the end), and the film uses mostly untrained “actors.” It also hopes to shake things up by having the Heathcliff character be black.

There has always been something about anime, as well as role playing card games like Pokémon and Kaijudo, that I’ve never quite been able to understand the draw towards them. When my friends talk about these games — with their booster packs and leveling up — all I can do is smile, nod my head, and pretend I have the slightest inkling at what they are talking about. Surely I can’t be alone on this. So when it came time to settle in and give Kaijudo: Rise of the Duel Masters a spin, I was reluctant; I hoped, perhaps, I could gain some insight into what some of my friends were talking about.

Before I go any further, I should mention the Dragon Strike DVD is only a five-episode arc and is not a reflection of the show or an entire season. The story arc, I’m guessing, takes place a while after the characters and the two worlds that exist have been established. So it did take me some time to just figure out what was even going on. But with that in mind, I wanted more by the time I was through the third episode.

“This is America’s war as never seen before…”

When you consider the countless documentaries, miniseries and feature films dedicated to the Second World War, you’d think the defining conflict of the 20th century has been covered from every possible angle. And you’d be wrong! History has taken to the skies with WWII From Space, a two-hour special that originally aired on the cable network in December and promised to bring viewers an unprecedented, extraterrestrial perspective of the war.

It’s easy to forget how important it was for 2008’s Iron Man to be great. After all, the film was only asked to A.) properly introduce a B-list comic hero to the movie-going masses and B.) successfully kick off what turned out to be Phase One of Marvel’s March Toward Global Domination Cinematic Universe. “Good” would’ve been a letdown; Iron Man needed to be great. Fortunately, it delivered in spades; its critical and commercial success paved the way for an unprecedented run of films that culminated with The Avengers last summer. With a release date for the Avengers sequel already on the horizon, Tony Stark and Co. have once again been asked to set the tone.

“I’m different now. I’m…well, you know who I am.”

"So no one told you life was gonna be this way. Your job's a joke, you're broke, your love life's D O A. It's like you're always stuck in second gear. When it hasn't been your day, your week, your month or even your year. But I'll be there for you..."

And for ten years and 236 episodes, they were there for you. It was part of NBC's famous Must See TV Thursday Night. The show has been a perennial Top 10 placeholder in the Nielsen ratings. Who would have ever imagined that a show about six twenty-something (now thirty-something) friends would cause such a commotion? The show has thrived on a very simplistic premise – a group of six friends hanging out together in New York City and more or less enjoying themselves. The setup immediately connected with Gen X’ers and spread like wildfire. The rest, as they say, is history.

"You call this plain clothes?"

Few shows in television history have the kind of storied history that you'll find with Cagney & Lacey. The show's own story would make for compelling television drama in its own right. It didn't end with simply trying to get on the air. The trials continued through three cancellations and an unprecedented recasting of a lead...twice. It's no small miracle that the show made it at all, let alone lasting for six years and a total of over 130 episodes and television movies.