Back around the time I was born, when Tom Cruise had an ounce of sanity, a little movie called Top Gun swept across the globe, raking in over $350,000,000 worldwide, as well as sparking an interest in the US Navy and everything Tomcat, Skyhawk, and MiG related. Ever since its original release Top Gun has kept a hold on its audience, being played almost weekly, and now it makes its way into the world of high definition with its release on Blu-ray 3D.

Matlock began life as a television movie from Dean Hargrove, who brought us Columbo. Hargrove would later work the same magic with Dick Van Dyke in Diagnosis Murder. In fact, the two shows could easily have been companion pieces. Both featured sit-com stars from the 1950’s and 60’s who had become somewhat iconic characters. Both would don the role of professionals. Both shows would subscribe to the “formula” mode of storytelling. Diary Of A Perfect Murder would set up the Matlock formula. It’s simple, really. Matlock was a lawyer in Atlanta.

“We never found a single body. Now they’re just missing girls that nobody missed.”

Fictional serial killers have to work extra hard these days if they want to stand out or shock us. Network shows like Criminal Minds bring us a different sicko every week, and a certain popular pay cable hit actually has viewers rooting for the killer. So the best thing I can say about The Factory is that it gives us an exceptionally sick premise. Unfortunately, the straight-to-DVD thriller is ultimately derailed by a sloppy screenplay and a truly preposterous final act.

“There’s a king in every corner now.”

Game of Thrones is definitely one of the best shows on TV right now, and it might be the most ambitious television series ever produced. Ambition and quality don’t always go hand in hand. (See, Cloud Atlas. No, seriously…watch it. I’m one of the people who really enjoyed that convoluted mess.) The second season of Game of Thrones — a massive undertaking that took its cast to Iceland and Croatia, in addition to its Belfast base — performed a minor miracle. It deepened, expanded and improved upon an already excellent show.

Never underestimate the power of the internet and the sociopathic tendency of college kids; the truest statement I can make about horror flick Smiley. Only college kids would hear a story about a would-be killer who could be summoned by repeating a certain phrase three times (I will not say the phrase simply due to that fact that I am a bit superstitious). Now, what if you knew that cost of summoning this murder was that the person you directed the phrase to would be killed; would you summon him? Well, I’m sure you already know the answer to the question.

From the opening title card, Mafia does its best to fit in with the blaxploitation films of the 70’s, and even with Pam Grier in one of the key roles the film just doesn’t hold up.  It seems a lot of filmmakers and fans have on rose-colored glasses to the exploitation era (I’ll lump myself in with this group as well), but the filmmakers who attempt these films forget a lot of these films of the past had a strong political or sociological message they were trying to send.  Just making a film set in the 70s and throwing on some filters doesn’t mean you made an exploitation film; it simply means you captured the cheap low quality of the pictures they made back then.

Gossip Girl ran six years on the CW and is based on a series of books written by Cecily Von Ziegesar. It is about the very rich and young of the upper east side of New York City. The gossip girl of the title has remained secret throughout the series but is revealed in the final episode. I won't be revealing the secret. The series is best described as glossy fun. It is a soap opera in the extreme with a heavy emphasis on fashion and all of the expensive toys of the ridiculously rich. It also deals primarily with teenagers who are “maturing” while trying to deal with the difficulties of a life that has no boundaries.

Our friends over at Well Go USA have given us three copies of Interview With A Hitman on Blu-ray to give away. "Trust no one. Feel nothing. Never lose. This is Viktor’s (Luke Goss) code. This mantra took him from the slums of Romania to the pinnacle of his profession – as a murderer for hire. Viktor knows the value of life more than most, which makes him the perfect killer. But after a ruthless betrayal by his bosses, he escapes to London, joins a new “family,” and finds himself caught in a vicious underworld power struggle. Viktor is now better, faster and more ruthless than ever before, but an encounter with a dark beauty offers him a chance at new life. But can he ever hope to escape the ghosts – and buried secrets – of his past? "  3 lucky winners will get in on all of the excitement.

To win just follow these instructions.

“You think football builds character? It does not; football reveals character.”

The open secret about sports movies is that they’re not really about sports. Most of the great ones use the games people play as a dynamic arena to tell universal stories about struggle, underdogs overcoming impossible odds, greatness and redemption. You don’t have to know a nose guard from a mouth guard to enjoy a football movie. By that same token, Undefeated may chronicle a grueling real-life high school football season, but I wasn’t surprised to see it play out like a lot of fictional sports flicks.

“When lives are on the line, it’s hero time!”

What would you do if you had a gadget that allowed you to transform into different alien creatures? Think about it. If a good and virtuous person found it, they would use it to help others and protect the planet. If it fell into evil hands, they would use it to gain power and cause havoc. Everything comes down to the question of how that power is used. Unfortunately for Earth, Ben Tennyson found the alien gadget in question.