Even among the crowded field idyllic meadow of big-screen romances, the “Nicholas Sparks movie” has become its own lucrative sub-genre. The only other contemporary authors I can remember achieving that sort of name brand recognition are Stephen King and John Grisham. (When people went to watch a Harry Potter film, they didn’t usually say, “Let’s go see the new J.K. Rowling movie.) It’s easy to spot a Nicholas Sparks movie: the lily white leads usually live in or around one of the Carolinas, where they inevitably get drenched by a romantic, cleansing rain before coming across a pivotal letter.

The conclusion of the wildly popular Twilight saga last fall left a nation of haters high-fiving each other, but it also created a giant, heart-shaped vacuum in Hollywood. Where is the industry’s next big young adult-oriented, human-on-supernatural romance franchise going to come from? Valentine’s Day seems as good a time as any to find out if Beautiful Creatures — based on Kami Garcia and Margaret Stohl’s “Caster Chronicles” series — is up to the task.

When this DVD found its way into my hands, I felt  this could go one of two ways; either this is going to be awful, or this is going to be fun as hell.  I have to admit I had a little more concern when I saw that the show aired on Cinemax and had never even heard of the show.  Despite my concern, the idea of an anthology series inspired by pulp novels and film noir revolving around badass chicks simply sounded too good to resist.  The result is a late-night trashy blend between The Twilight Zone and The Red Shoe Diaries.

Three-time widower Ben Cartwright  (Greene) runs his famous Ponderosa Ranch with the aid of his three grown sons from three different mothers. There’s Little Joe (Landon), Adam (Roberts) and Hoss (Blocker). Set some time in the mid 1800’s, this long-running series followed the family’s many exploits. In the late 1950’s westerns accounted for six of the top ten programs on TV. Only Gunsmoke had a longer run than Bonanza. From 1959 to 1973, Ben Cartwright and his boys rode across the small screen.

The setting for Gunsmoke was the by-now-famous Dodge City, circa 1870’s. Phrases like “get out of Dodge” would enter the popular lexicon as a result of this resilient series. Marshall Dillon (Arness) was charged with keeping the peace in Dodge City. The only other character to see the entire 20-year run was kindly Doc Adams (Stone). Star Trek’s own Doc, Leonard McCoy, took many of his traits from Doc Adams. He was the humanitarian of the city, always looking to help someone. Like McCoy, he had a taste for bourbon and a soft heart underneath a rather gruff exterior and was always ready with free advice.

Slugterra reminds me of the cartoons from my childhood — like G.I. Joe and Teenage Mutant Ninja Turtles — where the good guys are always extolling the virtues of friendship, hard work and fair play. The show also seems to be a cross between Pokemon and Transformers, featuring competitors dueling with little creatures called “slugs” that transform into powerful beasts once they hit 100 mph.

The image of what a bully looks and sounds like has changed drastically in recent years. When you and I were growing up, a “bully” was probably someone who looked like this and demanded your lunch money. Mean Girls came out less than 10 years ago; but if Tina Fey were trying to get the exact same movie made today, she’d probably have to deal with notes from a nervous studio exec worried that the Burn Book would drive one of the characters to suicide.

There's a new take on the horror movie. It's Mimesis. I had the opportunity to chat with Douglas Schulze. He's the writer/director and producer of the film. Why watch horror films when you can live them. That's the idea behind the film. Why not listen in on our conversation? Bang it here for my interview with Douglas Schulze

I didn’t know what to make of this Pig/1334 double bill when I took it on as my latest assignment. All I had to go on were the aggressively grotesque images on the Blu-ray case. I wasn’t yet familiar with the work of Dutch filmmaker Nico B. or former Christian Death frontman Rozz Williams. I did a bit of research, mostly because I wanted to make sure I wasn’t being handed a real-life version of the videotape from The Ring.  (Surely, there would be a less drastic way of informing me my services were no longer required on this site.) What I uncovered instead was an intriguing and haunting back story.

Between Jason Bateman (Office Space and Horrible Bosses) and Melissa McCarthy (Bridesmaids and Mike and Molly), whose career seems to be most on fire right now?  The idea of these two pairing would at first glance appear to be comic gold.  Instead the result is a road trip film that had me asking if it were over yet. When we first meet Sandy Patterson (Bateman), he’s just your average businessman trying to support his family.  With a new baby on the way, more money is just what he could use, and when he discovers the only people getting bonuses are his superiors, this rubs him the wrong way, and rightfully so.