"At the dawn of the 23rd century the world is on the verge of environmental collapse. Mankind's only hope for survival lies 85 million years in the past."

You think dinosaurs are dangerous. Expectations are dangerous. Expectations can kill like a bullet straight to the brain. Expectations are merciless. Some say it was a huge meteor that took out the dinosaurs, but it wasn't a meteor at all. This time it was ... wait for it.... expectations.

"I'm Jimmie DeRamus. Folks call me Big Daddy. My family's been in Louisiana since before the Civil War. Today we run one of the largest pawn shops in the South. Where I live there's no such thing as business as usual. I'll buy and sell anything. And by that I mean anything."

The formula worked for the guys in Vegas for several years, and it's still bringing in a solid number of viewers. Like any successful series, someone decided that two shows would be twice as good. Someone was wrong.

The first word that springs to my mind when considering this box set is “essential.” I try to use that word without all of the marketing baggage that comes with it, conjured up by countless previous DVD releases of other films that have claimed to be “essential.” This set lives up to that term perfectly. Raiders of the Lost Ark alone is an incredibly important film (as my review below explains in a gushing fanboy-ish manner) and the entire series is a must have for any true fan of American cinema. This transfer to Blu Ray is a very successful one, making this the ultimate collection to purchase.

Raiders of the Lost Ark:

“‘Cause I’m a con, don’t mean I ain’t got no rights.”

The movies have done a pretty good job of showing us the action, drama, horror, comedy and, yes, sex that lies behind prison walls. But there are far fewer examples of films examining what happens once an inmate is paroled and tries to re-enter the “real world.” The most famous movie parolee is probably Brooks from The Shawshank Redemption, and that didn’t turn out so well.

"Ancient monuments precisely aligned to celestial events. History written in stone honoring otherworldly rulers. And a calendar accurately predicting shifts in the Earth's axis every 26,000 years. Did the Mayans of Central America really create one of the most advanced civilizations of ancient times? Or did their intelligence originate somewhere else? Perhaps out of this world."

Ever since Eric von Daniken released his speculative book and its subsequent 1970 film Chariots of the Gods, there has been an entire field of study created around something commonly called Ancient Astronaut Theory. The idea is that extraterrestrials have visited many of our ancient civilizations. The theory continues that these visitors had a hand in shaping our development, whether it be through technology or even manipulation of our very DNA. These believers point to a world of evidence to support their claims. There are tons of images from earlier civilizations that could certainly be interpreted as depicting modern devices, concepts, or even space men. There is plenty of speculation that some of the knowledge and accomplishments of these peoples could not have been possible without some outside interference. There are even those who believe that aliens best explain our religious beliefs, and that God himself was/is an extraterrestrial being. Whatever your own beliefs on the subject, there are certainly some fascinating points to be made. There is no question that the speculations and observations bring up some interesting queries that deserve our attention. This series attempts to document much of this evidence and the beliefs these findings have inspired.

Not too long before he was heading Impossible Missions, Peter Graves spent a television season in Australia on the western series Whiplash. It was a traditional western in the sense that all of the standard elements were there. There were outlaws and saloons, posses and gunfights. What made this half-hour series stand out was the genuine Australian locations. The show was filmed in the Outback and was even aired on Aussie television. The locations gave the show a unique backdrop and a scenic look that certainly set it apart from the many American westerns on television at the time. Rivers were filled with crocodiles and even sharks. Instead of Indians there were Aborigines.

Graves played Christopher Cobb, an American who started the first stage coach line in Australia. The part was actually based on the real person, but any similarities likely ended with the name. Just like in America, Cobb had to deal with an unforgiving frontier, bandits, and the usual characters who would seek to hire him. His lead driver was Danny (Wickert), who was also a pretty good draw with his gun. But guns weren't the only weapons used in this western. Look for whips and boomerangs to fly from time to time.

"You've broken the law and I am here to arrest you. I am fate with a badge and a gun protecting the prey from the predators, the good from the bad. We are the police."

David Ayer is no stranger to police dramas. You might say it's his favorite cinematic subject. Just look at his list of screenplays which include the likes of S.W.A.T. and Training Day and a director resume that includes Harsh Times. He's not afraid to delve into the darker nature of the police. He's at it again with End Of Watch which he both wrote and directed.

It turns out that 13 is going to be your lucky number this Halloween. The folks at Busch Gardens are celebrating their 13th year of Howl-O-Scream and it appears they've created an eerie night of spooks and spectaculars for your fright. Upcomingdiscs will be there for all of the action and we'll be reporting back in early October.

In the meantime, yours truly was invited to sneak into the bowels of the park at 2:00 AM just a few days ago. No, I didn't have to climb over the walls or outrun the Cheetahs. It was all part of a media night invitation to preview one of the new haunted houses for Howl-O-Scream. It was a blast, to be sure. Best of all, they've captured my descent into Oglethorpe Asylum where "The Creature" is stirring and he isn't a mouse. Check out my early morning adventure and then check out Howl-O-Scream for yourself. Bang it here for the video: Gino Scream Cam

Written by Bob Ross and David Annandale

Bill Paxton accompanies James Cameron on another expedition to the Titanic, and narrates this documentary about their exploration of the ship. Though the narration is hobbled by an endless stream of pseudo-profundities, the underwater photography is simply stunning. Thanks to two remote-controlled robots, we get to see the interior of the ship. Computer animation and superimposed extras (the ghosts of the title) both re-create the ship as it once was, and help us visualize where…we are in the wreckage, and what transpired there.

I'm a Minnesota Vikings football fan. Yes, I accept the condolences. However, I didn't say that to get sympathy, and I'm not yet in need of the services of the suicide hotline. After two games, I will keep the number on speed dial, just in case. A thousand years ago we had a star player who made the by now infamous statement that he plays when he wants to play. For a young athlete with an already troubled past, it didn't go over too well. But, over the last decade or so Clint Eastwood appears to be in that same mindset. He acts when he wants to. He's only appeared in three films in the last ten years. The difference is that Clint has earned the right to be picky about when he works. He isn't taking a paycheck when he isn't working, and when others depend on him to hit it out of the park he rarely misses the ball. Trouble With The Curve won't ever rival Eastwood's other roles for action, intensity, or even one-liners, but it's a solid performance in every way. For all of those Eastwood critics in the glory days who said he couldn't pull off a performance without the trappings of Dirty Harry or The Man With No Name, I suspect you're having a hearty meal eating those words after seeing Trouble With The Curve. It's perhaps his simplest role yet. It also happens to be a home run.

Gus (Eastwood) has been a scout for baseball's Atlanta Braves for 40 years. He's responsible for the team's greatest talents going back to Dusty Baker. Now he's in his 80's. New, younger blood has invaded the world of scouting, and they've brought along all of their latest computer toys to do the job. Gus won't adapt to that new technological world. He can tell a hitter's talent by the sound of the ball leaving the bat or the sound of the batter's hands as he gets ready to swing. That's a good thing, because Gus is losing his eyesight. He trips over tables and chairs (enter your own RNC joke here) and isn't the safest thing behind the wheel of his car. His old friend and head of scouting for the team is Pete (Goodman). He's still behind Gus, but the pressure is on. There are only three months left on Gus's contract, and the draft is approaching. Gus has one scouting trip to prove he's still got it, or he's going to be put out to pasture by owner Vince (Patrick).