"I'm Rick Harrison, and this is my pawn shop. I work here with my old man and my son, Big Hoss. Everything in here has a story ... and a price. One thing I've learned after 21 years? You never know what is going to come through that door."

Remember that PBS show where some old-stuff expert would come to your town and sift through a lot of junk that folks found in their basements or attics? Remember that he would give you a story about the items these people brought in? The idea was that once in a while someone discovered valuable treasure in those dusty rooms. Remember that show? This isn't that show. It does, however, have some things in common with the old PBS program.

"I'm Brad Meltzer. I've spent my life collecting stories. The best include signs, symbols, and coded messages that are hidden in plain sight. Some have become the basis for my novels. But I've only scratched the surface of what's out there, and now History has given me the resources to investigate the rest. This is Decoded."

What if I told you there was an author out there who was known for writing novels that include historical conspiracies, secret societies and buried treasures, and that this author has found a way to parlay his moderate writing success into a television series for History?

If you happen to be a fan of wrestling and horror films of the 1980's Jesse Thomas Cook has a two-for-one deal with Monster Brawl. I had the opportunity to chat with him for a few minutes about the new project.

The film features Lance Henriksen, Art Hindle, David Foley, Jimmy Hart and Kevin Nash. 8 classic monsters battle in a PPV style competition in an isolated graveyard. Our review will be along soon. Until then, bang it here to hear my chat with Jesse: Jesse Cook Interview

“Ugh. How many times do I have to explain this to you? If you see the neighbor's house getting broken into, it's probably Karl high out of his mind thinking he's locked out of our house.”

When it comes to office based slacker comedies, Mike Judge’s Office Space still sets the gold standard. Workaholics wishes it could be as quotable and timeless as Office Space, but settles for goofy, instantly forgettable juvenile ramblings suitable for a stoner’s short term memory. Much like the boy’s prank of choice, involving a dollar bill wrapped around poop, Workaholics looks good on the surface, but is pretty much the same old crap underneath.

When you look through the list of accolades that writer, director, and producer David E. Talbert has received, you can’t help but be a little impressed with the playwright who is working his way to the big screen.  Once you win an award that labels you best playwright, there is a certain standard that you should be held to with the works that follow, and if I were to simply judge his talent based upon how A Fool and His Money turned out, well, best playwright wouldn’t be a label I’d be throwing around.

There is a lot to like about the first half of this production; though the down-on-their luck family may feel a bit stereo typical, it’s hard to not relate to this family that is struggling, especially in today’s economic climate.  The father is working hard to keep a roof over his family’s head and steer his children in the right direction so they can have a better life than he does.  But no matter how hard he tries, it just never seems to be enough.  To help make ends meet their son has been skipping out on school to work, but this has caused his grades to slip which means he’ll have to quit the job to focus more on school.  The daughter though is seeing a guy that that the mother disapproves of, but her father seems to be okay with him because he believes the guy is taking good care of his little girl, but of course the mother sees the boyfriend for what he really is but just can’t seem to change her daughter’s mind.  Already we have plenty of drama, when the father loses his job and the bills are already piled so high that his marriage is at a breaking point.

When the History channel isn’t busy churning out reality shows, they manage to indulge the history enthusiasts with a fresh new documentary to tide us over.  Granted I’m an obsessed fan of Swamp People and Brad Meltzer’s: Decoded, but what gets me most excited is when they bring out a new documentary.  (I’m a history geek in case you haven’t figured it out.) So when I got the chance to check out Titanic at 100: Mystery Solved, I happily put this in my DVD player.

After the success of James Cameron’s Titanic the world was flooded with several TV movies and documentaries that told the story of what happened the morning of April 15th 1912 in the Atlantic, so I will spare you the details.

One look at the DVD case for Life Without Principle and you would get the impression that this would be your average run-of-the-mill Hong Kong action film.  This couldn’t be any more misleading.  I understand the companies need to make money, and the easiest way to do this is to make up some cover art with guns, fire, and a masked many with money flung in the air seems the way to go, but in the process it does this film and the audience a disservice.  So please, if you are expecting an action-packed bullet-ridden spectacle I apologize, but you need to look elsewhere.  But for those willing to sit back and watch a solid thriller about greed and corruption you are in for a treat.

Director Johnnie To is as much a staple to Hong Kong cinema as Martin Scorsese is to American cinema.  For those unfamiliar with To’s work I would recommend checking out some of his better known titles like Election, PTU, and Vengeance to see some great modern Hong Kong cinema that action fans will have a lot of fun with.   He’s a filmmaker that has a broad cinematic canvas that gives each of his films a unique style, but somehow while watching it you know you’re watching  a To film.

"Do you want me to give it to you straight?"

When last we left our main characters from the first two Madagascar films they were stranded in Africa after being shipped from their home in the New York Zoo. We knew the sequel was coming. They couldn't have left it any more wide open than they did. Of course, the reasonable questions were already being asked by the time the second film began. Do we really need another Madagascar film? Is there any new territory to explore? What could they possibly add to make us want to come back for more?

"In space no one can hear you scream."

It was the tagline that brought us by the droves into our neighborhood cinemas in 1979 to see one of Ridley Scott's two classic science fiction adventures. Alien was one of the scariest science fiction films we've ever seen. It wasn't just the wonderfully organic H.R. Giger designs that had us on the edge of our seats. Scott delivered a claustrophobic nightmare that caged us with this remarkable killing machine. Much the same feeling I had recently trapped in a mini-van with a large spider on the prowl. It was an instant classic and holds up just as well today. It was, of course, followed by one worthy sequel and another two that I choose to pretend never happened. More recently, the franchise was paired with the Predator universe for another two films, the second of which was actually a pretty good film. Still it has been with bated breath that many of us were waiting for Ridley Scott to return to these classic roots and scare us all over again. The result of that 30 + year wait is Prometheus.

"Make no mistake. Blood will be spilled. Lives will be lost. Fortunes will be made. Men will be ruined. There will be betrayal and scandal and perfidy of epic proportions."

With a statement like that, how can you not want to check out AMC's newest drama series Hell On Wheels? I've been told the title sounds like it's about motorcycle gangs, and I couldn't agree more. The term refers to the mobile tent city that housed the workers on the Union Pacific Railroad and the support entourage the camp attracted. It was a virtual tent city that had all of the essentials: a church, bar, and whorehouse. It was just after the Civil War, and the American government believed that a railroad connecting the East and West coasts was just the kind of project the country needed to pull back together and heal still-festering wounds. As one of the filmmakers accurately points out, this was the Apollo moon project of the day. Long believed impossible by the brightest engineers of the day, the railroad would cut the time it took to go from coast to coast from six months to just under seven days. It was a truly remarkable feat, and it carried with it more than a fair dosage of corruption and blood. Now AMC has brought those days from 1865 back to our television screen with an ambitious and smartly produced series. It's a must see.