Posted in: Disc Reviews by Brent Lorentson on November 11th, 2018
Ever since Do the Right Thing came out in 1989, Spike Lee has been a director that critics and fans have kept an eye on. Over the span of his career he’s done everything from music videos with Michael Jackson, to documentaries, to television shows, but mostly he’s made his claim to fame in film. His films have been all over the place as critical and box office successes. Inside Man to this day may be his biggest success financially, but of all his films it feels the least like a Spike Lee film. The man has a distinct visual style; most of his films take place in New York, but the typical thing you’ll find in his films is the “black culture” and the topic of race relations. With his latest film Blackkklansman, Lee ventures into some familiar territory, but for the first time in quite a while he delivers a movie with a strong message but also manages to be entertaining.
Posted in: Disc Reviews by Brent Lorentson on November 8th, 2018
Ever since I was a kid, I’ve been fascinated by UFO stories. It’s a big part of what got me into watching The X-Files. Whether you are a believer or not, there are groups all over the world where people get together and share their experiences about their abductions and how they attempt to cope with the trauma of the event. Beyond the Sky is a film that is sort of a mockumentry about Chris Norton (Ryan Carnes) who has been attempting to find out what happened to his mother after she went missing on his seventh birthday. Now years later, he takes his “documentary” to a UFO convention to meet with abductees and in the process comes across Emily (Jordan Hinson), who may help him on his journey to find the truth.
Posted in: Disc Reviews by Brent Lorentson on November 8th, 2018
My first attempt at watching Mandy wasn’t a successful one. After fifteen minutes I was nodding off, so I stopped it and held off viewing it for another night. This isn’t a movie you want to throw on too late at night. The first half is definitely a slow burn, but once this film picks up steam, you are in for one crazy, psychedelic, violent experience that will leave an impression on you. It’s no surprise that Mandy has already developed a buzz through the internet and is well on its way to becoming a cult classic. Is the hype for this film real? Can Nicolas Cage still deliver a memorable performance as his career has seemed to have dissolved into constant direct-to-DVD content? Well, the short answer to both these questions is yes, but this film is not for everyone, and to a degree I may be on the fence on the first half of this film.
Posted in: No Huddle Reviews by Brent Lorentson on October 30th, 2018
Apollo 18 at one time was meant to be one of several missions NASA had set up that would take astronauts back to the moon. Due to the fallout from the incident involving Apollo 13 and budget cuts, all the missions were scrapped and focus shifted to the shuttle program. Conspiracy theories have seemed to always swirl around the Apollo missions, the more famous being about whether or not man ever reached the lunar surface and whether everything we saw about the moon landing was really filmed on a Hollywood soundstage. The Landing takes things a step further as a faux-documentary about an Apollo 18 launch that resulted in one of NASA’s greatest disasters (that never happened).
Posted in: Disc Reviews by Brent Lorentson on October 27th, 2018
Haunted houses and Halloween seem to go together like turkey and Thanksgiving, but over the years the haunted house experience has evolved to keep up with those who have grown numb to your typical jump scares. Sure, there are still the standard haunted houses that you’ll come across when visiting the carnival, or mazes put together by school groups for fundraisers. But for those who are really looking to be scared, you either have to fork over the big bucks to get into Universal’s Halloween Horror Nights, or you have to scour the internet to find a haunt nearby. 2017’s Haunters: The Art of the Scare is a documentary that takes us behind the curtain to what goes on at these attractions and explores how a sub-culture that has evolved of haunted houses that have been created to push the boundaries mentally and physically.
Posted in: Disc Reviews by Brent Lorentson on October 23rd, 2018
I’m going to say from the start that Slice isn’t for everyone, but those who come across this film and give it a chance will come away having a good time with this film. It’s a new release from A 24, which quickly got my attention considering the numerous films the company has been releasing that I’ve enjoyed. While it’s a horror-comedy, there is more going on in this little film, as it injects a sociopolitical message in it. I like a film that can function on several levels, but I never expected to find it in a film about pizza delivery guys being killed by monsters.
Posted in: Disc Reviews by Brent Lorentson on October 23rd, 2018
It seems there isn’t an action film Bruce Willis can say no to. It feels as though every couple of months there is an action film that has an appearance from Willis, and frankly it’s a little disappointing. He’s a guy who can bring in the major box office dollars, but it seems more and more of the action stars are settling for the direct-to-video route for the simple paycheck and moving on to the next. With the number of films being churned out for the cinemas, DVD and Blu-ray, and the streaming services, it seems the film industry is simply becoming a business of quantity rather than quality due to the amount of demand needed. Reprisal is the latest example of this demand for quantity rather than quality as we get a pedestrian action film that plays by the numbers and will be forgotten by the year’s end, and that’s a shame considering its two leads.
Posted in: The Reel World by Brent Lorentson on October 22nd, 2018
When Robert Redford first announced that The Old Man and the Gun was going to be the last film he was going to be acting in, it became a film that shot to the top of my must-see list. Since that announcement he’s backed off on his comment, but if this were his last film, this would be one heck of a way to close out an amazing career. What writer and director David Lowery has delivered here is sort of a love letter to all of Redford’s greatest hits, and by the time the credits end, well, you simply know you’ve watched something special. It’s a film from another era, when special FX didn’t come out of a camera, and cinema just was different.
Posted in: Disc Reviews by Brent Lorentson on October 20th, 2018
From the moment that STARZ announced that they were pulling the plug on Ash vs Evil Dead after its third season, my heart has been a bit crushed. The Evil Dead franchise has always been special to me. Growing up I watched the trilogy of films to the point one may consider I had an unhealthy obsession with these films, and to be fair, they may have had a point, but these movies were a blast. These were the films where writer and director Sam Raimi made a name for himself in the horror genre with his cinematic style, over the top gore, and injecting his love of The Three Stooges. For decades fans had waited patiently for a fourth installment in the franchise, with teases of there even being an Ash vs Freddy vs Jason, but alas that concept fizzled as a film. So when the news came along that STARZ would be bringing Ash (Bruce Campbell) to the small screen for a 10-episode series, well, it was something horror fans could get excited about
Posted in: No Huddle Reviews by Brent Lorentson on October 17th, 2018
3rd Night is one of those films that sneaks up on you. It’s shot on a low budget, there are no big named actors involved, and it doesn’t have a big studio backing. It’s the kind of film that seems to be released hoping that by word of mouth or sheer luck, people will stumble upon this film. You go to your random Wal-Mart or Target and you see these small, independent titles all the time, and I’ve always wondered how many of these are picked up as a cold buy, simply from the customer looking at the cover and reading the box. 3rd Night is a film that is going to have to go through this struggle, but for those who do decide to pick this up or find it on some other platform, it’ll be a delightful little surprise. It’s a 71-minute horror fest that is better than you’d expect despite having some strange flaws that left me questioning some of the film’s choices; despite that it still works.
