Posted in: The Reel World by Brent Lorentson on January 20th, 2019
We are only a couple weeks into the new year, and this weekend one of 2019’s most anticipated releases is M. Night Shyamalan’s conclusion to his superhero trilogy with Glass. This has been a trilogy 19 years in the making, following the release of Unbreakable and then 2016’s Split. When I first saw Unbreakable, I was a projectionist, and I had to screen it the night before it was released to make sure everything was spliced together and the film played properly, and I just remember not really liking the movie at first. I ended up giving the film another try, and I found I liked it a little more. Now over the years I’ve seen it several times, and the film has grown on me. I’ve grown to appreciate the film to the point that when that final scene in Split plays and we got the reveal of David Dunn (Bruce Willis), I was extremely excited at the prospect of seeing this character revisited. Before I get much further, if you haven’t seen Unbreakable or Split, if you plan on seeing Glass, do yourself a favor and watch the previous films first, and even if you have seen them, it wouldn’t hurt re-watching them just so the films are fresh in your mind while experiencing the conclusion of this trilogy. With all that out of the way, how was the film? It’s time to suit up and find out.
Posted in: Disc Reviews by Brent Lorentson on January 17th, 2019
John Travolta is one of those guys I like, but it seems like it has been ages since he’s done a great film. Sure, he was great in The People vs. OJ Simpson where he played attorney Robert Shapiro, but apart from that role, it’s been a while since we’ve seen Travolta really make a splash at the box office. Personally I love seeing the guy on screen. Blow Out, Get Shorty and Pulp Fiction are just a few of my favorite films that he has been in, and I keep hoping his career will bounce back, but unfortunately it doesn’t look like it’ll be happening any time soon. Speed Kills is a film that has a story that is oozing with so much potential that if it were put in the hands of Brian De Palma or Michael Mann you could almost guarantee this film would be destined for greatness. Unfortunately the result is a frustrating mess that manages to make boat racing and drug smuggling in the age of the “cocaine cowboys” seem boring.
Posted in: Disc Reviews by Brent Lorentson on January 16th, 2019
These days when the studios are cutting together trailers to promote their upcoming films, I feel one of the number one complaints people have is that the trailer gives too much away, so why bother shelling out the cash to see it on the big screen? When it comes to the trailer for Bad times at the El Royale, it gives you a glimpse at what is to come, but the result is something clever and ambitious. Unfortunately, it feels a bit too familiar. This is the second feature film from writer and director Drew Goddard, who first made a splash onto the screen with his hit film Cabin in the Woods. While I enjoyed his first romp that played with many of horror’s stereotypes, I still felt the film fell a bit flat. Unfortunately, though I enjoyed this fun little noir film he’s put together, I feel it too falls a bit flat, but mostly this is due to its 140-minute runtime.
Posted in: No Huddle Reviews by Brent Lorentson on January 3rd, 2019
Though this wasn’t a film I remembered first seeing, the VHS box art is one I’ll never forget for how cheesy it was. For those who don’t know, it had a man having a kebab impaled into his mouth. While the cover art isn’t the most appealing, what got me interested was seeing that the film was directed by J. Lee Thompson, who has a fun and diverse body of work. With films like The Guns of the Navarone, Conquest of the Planet of the Apes, Cape Fear (the one starring Gregory Peck and Robert Mitchum) and numerous others, for film lovers this should be enough to garner some interest to want to check out. Does the film hold up as an 80’s slasher, or should this be a title that should have remained shelved to collect dust? It’s time to strap on those party hats and find out.
Posted in: No Huddle Reviews by Brent Lorentson on January 2nd, 2019
Family Guy has reached a level of impact upon the American pop culture where I believe the characters need little to no introduction. Is there anyone really that doesn’t recognize Stewie? After all, he’s reached the status of icon and has even become a fixture of the Thanksgiving parade as one of the many floats. Where The Flintstones, then later The Simpsons, were at one time the dominating animated family on the television tackling day to day struggles of the modern American (each in their own and unique way), Family Guy (love it or hate it) now seems to be the go-to animated family.
Posted in: The Reel World by Brent Lorentson on December 28th, 2018
It’s that time of year again, when all the studios are cranking out the films they are hoping will get some awards attention. This is usually the time of year where I’m getting a bit excited, because usually around this time (in theory) some of my favorite films of the year will be released. But a strange thing has happened this year. Though there have been several good films to come out this year, there hasn’t been one that truly separates itself from the pack and I can say “this is the best picture”. Instead this year has been rather lackluster, and with a film like On The Basis of Sex, despite all the talent surrounding the film, lackluster is simply what is delivered to the audience.
Just in case the documentary RBG wasn’t enough Ruth Bader Ginsburg for you, Hollywood has churned out a legal love story just in time for the holidays. Rather than produce another film that spans the career of Ginsburg, On the Basis of Sex instead sets its focus on her early years from being a Harvard law student to her taking a case where her client is being denied tax deductions because he is a man. Despite Ginsburg having such a long career in the legal system, it’s a shame the film chooses to focus on such a minimal amount of time with her career. What’s worse is the pacing of the last hour of the film plays out like a boring episode of Law and Order.
Posted in: No Huddle Reviews by Brent Lorentson on December 28th, 2018
In 1983 when Krull first came out it was riding the wave of sci-fi and sword-and-sorcery films that were attempting to cash in following the success of Star Wars. I didn’t see this in theaters, but I did eventually see it once it was on VHS. My memories of the film were vague at best, but what I never could forget was the “glaive” weapon that you see displayed on the cover art. For many, though, I can understand if you are just now hearing about Krull for the first time considering the film’s age and its lack of commercial success. While Krull isn’t a great movie, it’s still a silly (unintentionally) yet fun movie that was directed by Peter Yates. In case you need a little reminder, Yates is responsible for a little-known film some may have heard of called Bullitt. So, after three decades, how does the film hold up? Well, saddle up; I’m about to tell you.
In the opening moments we get an opening shot in space, and we are watching a massive ship pass across the screen (no, this is not Star Wars). Not to be too judgmental so early on, but it does bother me that the spaceship looks like a giant log in space. The ship lands on the planet on Krull. It’s here where Prince Colwyn (Ken Marshall) is marrying Princess Lyssa (Lysette Anthony).
Posted in: No Huddle Reviews by Brent Lorentson on December 21st, 2018
one of the biggest action stars in Hollywood. He got his start in martial arts films; The Way of the Dragon was his big coming out as we got to see him go toe to toe with the legend Bruce Lee. So in 1982 when Silent Rage came out, people knew what to expect out of Norris even though this was still before some of his biggest hits. I remember seeing the movie when I was a kid. It was part of a Chuck Norris marathon, where I also got to see Firewalker, a film that for some reason I became obsessed with. (Upon re-watching it years later, the film didn’t hold up at all). That’s sort of the thing with a lot of films that you adore as it kid; they don’t quite hold up as much as you would like them to, so I was a bit hesitant when Silent Rage was offered to review. Would it hold up as a fun action romp, or would it let me down?
Sheriff Stevens (Norris) is the lawman in a small Texas town that doesn’t seem to ever have much trouble, and that seems to be fine for the sheriff. The film opens up with Jack Kirby (Brian Libby) waking up and obviously on the edge of losing it. As it turns out, he’s completely gone insane and goes on a mini killing spree at the home where he is staying.
Posted in: No Huddle Reviews by Brent Lorentson on December 20th, 2018
The story is loosely based on a real incident called “The Newton Massacre”, which was basically a brutal shootout that took place in a saloon back in 1871. Though we do get to see the incident in the film, the story places most of its focus on the events that in theory led up to this violent showdown. It’s a good idea, and after reading up on the actual shootout, this could have been a tale that would have suited Eastwood, John Ford, or Howard Hawks. Deadman Standing has all the right parts to make a great independent western; unfortunately, by the time you’re ten minutes into the film, you’ll see that this film was a misfire.
The film wastes no time in setting up the political divide that has struck the small boomtown of Hyde Park. There is an election that is going to take place, and basically it’s a battle over land between the cattlemen and those who work for the railroad.
Posted in: No Huddle Reviews by Brent Lorentson on December 13th, 2018
When it comes to Christmas horror films, it’s been a while since there has been a hit that has tackled the holiday and succeeded. For me you’d have to go back to 2010 with Rare Exports: A Christmas Tale, or more recently Krampus in 2015. But despite the few hits this time of year, there tend to be several attempts for a horror film to come out and make a name for itself. This year we get the low-budget offering All The Creatures Were Stirring, an anthology film which on paper seemed to show plenty of promise, but the execution resulted in one of the most tedious films I’ve seen this year. The film opens up with friends Max (Graham Skipper) and Jenna (Ashley Clements) getting together for the holiday since neither has anyone to spend the holiday with, so rather than be alone they go on a bizarre date. Max decides to take his date to an independent stage performance that is mostly silently performed. Each act that the performers put on is a story that we see over the course of the film. Though this may be a unique way to present the separate stories, it definitely lacks in execution.
The first story -- usually when it comes to anthologies this is the one that tends to be the best or at least should be a major hook.