Posts by Brent Lorentson

In 1983 when Krull first came out it was riding the wave of sci-fi and sword-and-sorcery films that were attempting to cash in following the success of Star Wars.  I didn’t see this in theaters, but I did eventually see it once it was on VHS.  My memories of the film were vague at best, but what I never could forget was the “glaive” weapon that you see displayed on the cover art.  For many, though, I can understand if you are just now hearing about Krull for the first time considering the film’s age and its lack of commercial success.  While Krull isn’t a great movie, it’s still a silly (unintentionally) yet fun movie that was directed by Peter Yates.  In case you need a little reminder, Yates is responsible for a little-known film some may have heard of called Bullitt.  So, after three decades, how does the film hold up?  Well, saddle up; I’m about to tell you.

In the opening moments we get an opening shot in space, and we are watching a massive ship pass across the screen (no, this is not Star Wars). Not to be too judgmental so early on, but it does bother me that the spaceship looks like a giant log in space.  The ship lands on the planet on Krull. It’s here where Prince Colwyn (Ken Marshall) is marrying Princess Lyssa (Lysette Anthony). 

one of the biggest action stars in Hollywood.  He got his start in martial arts films; The Way of the Dragon was his big coming out as we got to see him go toe to toe with the legend Bruce Lee.  So in 1982 when Silent Rage came out, people knew what to expect out of Norris even though this was still before some of his biggest hits.  I remember seeing the movie when I was a kid. It was part of a Chuck Norris marathon, where I also got to see Firewalker, a film that for some reason I became obsessed with. (Upon re-watching it years later, the film didn’t hold up at all).  That’s sort of the thing with a lot of films that you adore as it kid; they don’t quite hold up as much as you would like them to, so I was a bit hesitant when Silent Rage was offered to review.  Would it hold up as a fun action romp, or would it let me down?

Sheriff Stevens (Norris) is the lawman in a small Texas town that doesn’t seem to ever have much trouble, and that seems to be fine for the sheriff.  The film opens up with Jack Kirby (Brian Libby) waking up and obviously on the edge of losing it. As it turns out, he’s completely gone insane and goes on a mini killing spree at the home where he is staying. 

The story is loosely based on a real incident called “The Newton Massacre”, which was basically a brutal shootout that took place in a saloon back in 1871.  Though we do get to see the incident in the film, the story places most of its focus on the events that in theory led up to this violent showdown.  It’s a good idea, and after reading up on the actual shootout, this could have been a tale that would have suited Eastwood, John Ford, or Howard Hawks. Deadman Standing has all the right parts to make a great independent western; unfortunately, by the time you’re ten minutes into the film, you’ll see that this film was a misfire.

The film wastes no time in setting up the political divide that has struck the small boomtown of Hyde Park.  There is an election that is going to take place, and basically it’s a battle over land between the cattlemen and those who work for the railroad. 

When it comes to Christmas horror films, it’s been a while since there has been a hit that has tackled the holiday and succeeded.  For me you’d have to go back to 2010 with Rare Exports: A Christmas Tale, or more recently Krampus in 2015. But despite the few hits this time of year, there tend to be several attempts for a horror film to come out and make a name for itself.  This year we get the low-budget offering All The Creatures Were Stirring, an anthology film which on paper seemed to show plenty of promise, but the execution resulted in one of the most tedious films I’ve seen this year.  The film opens up with friends Max (Graham Skipper) and Jenna (Ashley Clements) getting together for the holiday since neither has anyone to spend the holiday with, so rather than be alone they go on a bizarre date.  Max decides to take his date to an independent stage performance that is mostly silently performed.  Each act that the performers put on is a story that we see over the course of the film. Though this may be a unique way to present the separate stories, it definitely lacks in execution.

The first story -- usually when it comes to anthologies this is the one that tends to be the best or at least should be a major hook.