Posted in: No Huddle Reviews by Brent Lorentson on January 3rd, 2019
Though this wasn’t a film I remembered first seeing, the VHS box art is one I’ll never forget for how cheesy it was. For those who don’t know, it had a man having a kebab impaled into his mouth. While the cover art isn’t the most appealing, what got me interested was seeing that the film was directed by J. Lee Thompson, who has a fun and diverse body of work. With films like The Guns of the Navarone, Conquest of the Planet of the Apes, Cape Fear (the one starring Gregory Peck and Robert Mitchum) and numerous others, for film lovers this should be enough to garner some interest to want to check out. Does the film hold up as an 80’s slasher, or should this be a title that should have remained shelved to collect dust? It’s time to strap on those party hats and find out.
Posted in: No Huddle Reviews by Brent Lorentson on January 2nd, 2019
Family Guy has reached a level of impact upon the American pop culture where I believe the characters need little to no introduction. Is there anyone really that doesn’t recognize Stewie? After all, he’s reached the status of icon and has even become a fixture of the Thanksgiving parade as one of the many floats. Where The Flintstones, then later The Simpsons, were at one time the dominating animated family on the television tackling day to day struggles of the modern American (each in their own and unique way), Family Guy (love it or hate it) now seems to be the go-to animated family.
Posted in: The Reel World by Brent Lorentson on December 28th, 2018
It’s that time of year again, when all the studios are cranking out the films they are hoping will get some awards attention. This is usually the time of year where I’m getting a bit excited, because usually around this time (in theory) some of my favorite films of the year will be released. But a strange thing has happened this year. Though there have been several good films to come out this year, there hasn’t been one that truly separates itself from the pack and I can say “this is the best picture”. Instead this year has been rather lackluster, and with a film like On The Basis of Sex, despite all the talent surrounding the film, lackluster is simply what is delivered to the audience.
Just in case the documentary RBG wasn’t enough Ruth Bader Ginsburg for you, Hollywood has churned out a legal love story just in time for the holidays. Rather than produce another film that spans the career of Ginsburg, On the Basis of Sex instead sets its focus on her early years from being a Harvard law student to her taking a case where her client is being denied tax deductions because he is a man. Despite Ginsburg having such a long career in the legal system, it’s a shame the film chooses to focus on such a minimal amount of time with her career. What’s worse is the pacing of the last hour of the film plays out like a boring episode of Law and Order.
Posted in: No Huddle Reviews by Brent Lorentson on December 28th, 2018
In 1983 when Krull first came out it was riding the wave of sci-fi and sword-and-sorcery films that were attempting to cash in following the success of Star Wars. I didn’t see this in theaters, but I did eventually see it once it was on VHS. My memories of the film were vague at best, but what I never could forget was the “glaive” weapon that you see displayed on the cover art. For many, though, I can understand if you are just now hearing about Krull for the first time considering the film’s age and its lack of commercial success. While Krull isn’t a great movie, it’s still a silly (unintentionally) yet fun movie that was directed by Peter Yates. In case you need a little reminder, Yates is responsible for a little-known film some may have heard of called Bullitt. So, after three decades, how does the film hold up? Well, saddle up; I’m about to tell you.
In the opening moments we get an opening shot in space, and we are watching a massive ship pass across the screen (no, this is not Star Wars). Not to be too judgmental so early on, but it does bother me that the spaceship looks like a giant log in space. The ship lands on the planet on Krull. It’s here where Prince Colwyn (Ken Marshall) is marrying Princess Lyssa (Lysette Anthony).
Posted in: No Huddle Reviews by Brent Lorentson on December 21st, 2018
one of the biggest action stars in Hollywood. He got his start in martial arts films; The Way of the Dragon was his big coming out as we got to see him go toe to toe with the legend Bruce Lee. So in 1982 when Silent Rage came out, people knew what to expect out of Norris even though this was still before some of his biggest hits. I remember seeing the movie when I was a kid. It was part of a Chuck Norris marathon, where I also got to see Firewalker, a film that for some reason I became obsessed with. (Upon re-watching it years later, the film didn’t hold up at all). That’s sort of the thing with a lot of films that you adore as it kid; they don’t quite hold up as much as you would like them to, so I was a bit hesitant when Silent Rage was offered to review. Would it hold up as a fun action romp, or would it let me down?
Sheriff Stevens (Norris) is the lawman in a small Texas town that doesn’t seem to ever have much trouble, and that seems to be fine for the sheriff. The film opens up with Jack Kirby (Brian Libby) waking up and obviously on the edge of losing it. As it turns out, he’s completely gone insane and goes on a mini killing spree at the home where he is staying.
Posted in: No Huddle Reviews by Brent Lorentson on December 20th, 2018
The story is loosely based on a real incident called “The Newton Massacre”, which was basically a brutal shootout that took place in a saloon back in 1871. Though we do get to see the incident in the film, the story places most of its focus on the events that in theory led up to this violent showdown. It’s a good idea, and after reading up on the actual shootout, this could have been a tale that would have suited Eastwood, John Ford, or Howard Hawks. Deadman Standing has all the right parts to make a great independent western; unfortunately, by the time you’re ten minutes into the film, you’ll see that this film was a misfire.
The film wastes no time in setting up the political divide that has struck the small boomtown of Hyde Park. There is an election that is going to take place, and basically it’s a battle over land between the cattlemen and those who work for the railroad.
Posted in: No Huddle Reviews by Brent Lorentson on December 13th, 2018
When it comes to Christmas horror films, it’s been a while since there has been a hit that has tackled the holiday and succeeded. For me you’d have to go back to 2010 with Rare Exports: A Christmas Tale, or more recently Krampus in 2015. But despite the few hits this time of year, there tend to be several attempts for a horror film to come out and make a name for itself. This year we get the low-budget offering All The Creatures Were Stirring, an anthology film which on paper seemed to show plenty of promise, but the execution resulted in one of the most tedious films I’ve seen this year. The film opens up with friends Max (Graham Skipper) and Jenna (Ashley Clements) getting together for the holiday since neither has anyone to spend the holiday with, so rather than be alone they go on a bizarre date. Max decides to take his date to an independent stage performance that is mostly silently performed. Each act that the performers put on is a story that we see over the course of the film. Though this may be a unique way to present the separate stories, it definitely lacks in execution.
The first story -- usually when it comes to anthologies this is the one that tends to be the best or at least should be a major hook.
Posted in: The Reel World by Brent Lorentson on December 7th, 2018
At first glance, Mary Queen of Scots has all the makings of a film you’d expect to be nominated for numerous awards; after all, it’s a period drama that showcases some remarkable performances from Saoirse Ronan and Margot Robbie. Unfortunately this retelling of the story between Queen Elizabeth (Robbie) and Queen Mary (Ronan) is bogged down with its politics and the struggles these women have being leaders while their differing religions present a conflict preventing them from ever working together. Let me just jump into this and attempt to sort this film out.
For those who are not history buffs, I won’t disclose who it is that we see in the opening moments of the film as they are being led to their execution. It’s an odd way to open the film; despite it being historically accurate, it just seems a bit off-putting. The film then takes us to Mary arriving in Scotland to claim her throne after being away in France. At the same time Queen Elizabeth has been ruling over England and Scotland, since she hasn’t married and with no children it is Mary who is ready to take on the reins of becoming the heir to the throne of England.
Posted in: Disc Reviews by Brent Lorentson on December 6th, 2018
As a fan of The Conjuring films, I keep hoping that these spinoff films will manage to step up and be on par with The Conjuring, but instead they just keep letting me down. But that doesn’t stop the hordes of fans from still seeing these films; after all, the pair of Annabelle films were box office hits, and The Nun had a nice theatrical run as well, earning over $110 million. The Nun is a bit of a departure, as it takes us back to 1952 and is set in Romania to deliver a gothic horror story that seems as though it’s a bit of a nod to the old Hammer films from the 1950’s on into the 1970’s. Does the film deserve its box office success? Well, thankfully I didn’t have to take a vow of silence, and I can tell you all about it.
The film wastes no time in setting the tone and delivering the terror as we see a pair of nuns walk through the bowels of an abbey in Romania as they open a big, scary door that has the inscription “God Ends Here”.
Posted in: Disc Reviews by Brent Lorentson on November 15th, 2018
Ever since Jaws splashed onto the screen back in 1975, Hollywood has been attempting to follow its success, and though some films have been valiant efforts, nothing seems to come close to the Spielberg classic. Sure effects have come a long way over the years, and through the Hollywood magic of special effects they can create a more realistic-looking shark, but to be fair many of the film’s more memorable moments don’t even have the shark on screen. When I first heard about The Meg, it was going to be in the hands of Eli Roth of Cabin Fever and Hostel fame. This seemed to be like a good pairing that would result in a blood-fest filled with shark carnage that would leave shark fans pleased, but eventually the studio decided to pass, and the project seemed almost dead in the water.