Posts by Brent Lorentson

After two seasons it seemed as though Lucifer had finally found its niche, and I was looking forward to seeing what season three would have in store. The story of Lucifer Morningstar (Tom Ellis) as the devil who has been vacationing on Earth is a fitting guilty pleasure of mine.  This isn’t a show aiming to win Emmys; it’s simply a show that wants to indulge its audience for 44 minutes of fun, and week after week, it succeeds in doing just that.  When Season 2 left off, Lucifer was kidnapped and left in the desert, and his wings had been returned to him. This is pretty much right where Season 3 picks up, and as expected, it’s a helluva fun ride.

When it comes to Paul Schrader, I feel the argument can be made that he is the greatest American screenwriter.  I know it’s a bold statement but when you look over his credits that include Taxi Driver, Rolling Thunder, Hardcore, Raging Bull, The Last Temptation of Christ and so many others I feel there just isn’t anyone out there that can compete.  Lately though he’s seemed to have had a difficult time recapturing that greatness, there has even been a part of me that has felt that perhaps I should give up on hoping he’ll crank out one more great film and simply appreciate the filmography he’s delivered us cinema fans over the years.

“Welcome to the future.” 

This is how Josephine (Ellen Burstyn) introduces a church group that is touring her geodesic home, which also doubles as a museum dedicated to inventor R. Buckminster Fuller.  Josephine and her grandson, Sebastian (Asa Butterfield) have their own way of living in their home, a place where it is assumed Sebastian has never left long enough to experience how the real world functions.  His interactions with the public don’t stretch beyond the casual tourists who come by the home, and as a teenager he’s never experienced “junk food” of any kind.  But Sebastian’s reality crumbles after his grandmother has a stroke in the middle of a tour and he meets Jared (Alex Wolff).

When it comes to films about man vs. nature, we typically see films where they are defending themselves in the wild where weather and predators are the biggest dangers they have to face. (The Grey and The Revenant are the titles that first come to mind.)  In the new release Flora, writer/director Sasha Louis Vukovic is here to show us that there is more to fear than wolves and bears, but how deadly pollen can be.  Somewhere I can imagine M. Night Shyamalan is happy to see that someone else has tackled this subject since his disastrous film The Happening made a whimper at the box office years ago.  Fortunately for Vukovic, he didn’t make the same mistakes and instead has crafted a film that is perhaps one of the more realistic horror scenarios that has come out in some time.

Ever since Jaws splashed onto the screen back in 1975, Hollywood has been attempting to follow its success, and though some films have been valiant efforts, nothing seems to come close to the Spielberg classic.  Sure, effects have come a long way over the years,  and through the Hollywood magic of special effects they can create a more realistic looking shark, but to be fair, many of the film’s more memorable moments don’t even have the shark on screen.  When I first heard about The Meg, it was going to be in the hands of Eli Roth of Cabin Fever and Hostel fame. This seemed to be like a good pairing that would result in a blood-fest filled with shark carnage that would leave shark fans pleased, but eventually the studio decided to pass, and the project seemed almost dead in the water.

Ever since Do the Right Thing came out in 1989, Spike Lee has been a director critics and fans have kept an eye on. Over the span of his career he’s done everything from music videos with Michael Jackson, documentaries, television shows -- but mostly he’s made his claim to fame in film. His films have been all over the place. As critical and box office successes, Inside Man to this day may be his biggest success financially, but of all his films it is the one that feels the least like a Spike Lee film.  The man has a distinct visual style; most of his films take place in New York, but the typical thing you’ll find in his films is the “black culture” and the topic of race relations.  With his latest film Blackkklansman, Lee ventures into some familiar territory, but for the first time in quite a while he delivers a movie with a strong message but also manages to be entertaining.

You have to go back to the early 40’s for when Archie, Jughead, Betty and Veronica first appeared in comic book form.  Over the years, though, their characters have changed with the times, though the town of Riverdale always seemed to maintain an innocent charm where nothing bad ever seemed to happen. Well, that is until recently where the comics took a shift and thrust our characters into various scenarios, one even including Riverdale being overrun by zombies. These changes occurred when Roberto Aguirre-Sacasa took over the brand, and now he has brought the town of Riverdale and its inhabitants to the small screen for the CW network.

Like so many others, when I read the book Ready Player One by Ernest Cline I simply fell in love with the nostalgic ride through the 80’s, all thanks to a virtual reality world called The Oasis.  From start to finish it was a book filled with pop culture references that would make film and video game geeks squeal with delight, and it was no surprise that the book was a hit and would be turned into a film.  There were only two names I could think of that could ever come close to making this film a reality: Robert Zemeckis and Steven Spielberg.

I’m going to go ahead and say Super Troopers is without a doubt one of my favorite comedies of all time.  Sure, I know many will disagree with me, and that’s fine.  Since I first saw their film back in 2002 when I got the DVD, I was always excited to see what would come next from the Broken Lizard comedy troupe.  There was Club Dread, which induced a few chuckles as they tackled the slasher genre, and then they had Beerfest, which was pretty funny but simply didn’t hold up to their performances as Vermont’s Highway Patrolmen.  The antics from the first film are simply classic to me, and the film is something I manage to quote from on a weekly basis amongst friends

In 2010 there was a little film called Winter’s Bone that came out; it didn’t make a splash at the box office, but it was one of the critical darlings of that year.  For many it was the first time people got to see Jennifer Lawrence on screen, and it’s safe to say it is because of that film she is the star that she is today.  I remember first seeing Winter’s Bone and being so floored by the film I immediately watched it again, and I had to know who it was that had directed the film. Debra Granik was the woman responsible for the film. It was a name I had never heard before, but it was one I’d be on the lookout for in the following years. Though she did a documentary between projects, it seems the wait is finally over as Leave No Trace is about to hit the big screen.